Arts and Humanities Commons^™

Steam And Environmental Justice In An Interdisciplinary Context, Paula Farca, Alina Handorean, Jürgen Brune

The STEAM Journal

This course proposes an interdisciplinary perspective, envisions unique synergies between environmental justice concepts and STEAM projects on mining, and aims to solidify a foundation based on justice, equity, equality, and empathy for STEM students and faculty. Our (S)TEAM made of professors in three academic departments underscores interdisciplinary and diversity connections through an interdisciplinary team-taught course, units on environmental justice related to mining, teaching of literary texts, and STEAM projects. We also involved faculty, alumni, and our campus and city community through STEAM exhibits.

“Decorate The Dungeon With Flowers And Air-Cushions:” Virginia Woolf And War, Claire Dumont

Scripps Senior Theses

Virginia Woolf was particularly interested throughout her career in writing about war, ranging from the perspective of a depressed World War I veteran and his wife in Mrs. Dalloway, a dinner party held during an air raid in 1917 in The Years, an argument for the connections between patriarchal society and war in Three Guineas, and a pageant of British history held before World War II in Between the Acts. Woolf specifically writes of war as it impacts spheres away from the battlefield, in a way that is inherently gendered to her experience as a woman …

"Witness For Her": The Vanderbilt Variant Of "Further In Summer Than The Birds" And The Stakes Of Transcribing Emily Dickinson's Manuscripts For Publication, Isabel Evans

Scripps Senior Theses

For more than eighty years, scholars believed that the earliest version of Emily Dickinson’s “Further in Summer than the Birds,” a major mid-career poem often regarded as “one of Dickinson’s finest” (McSweeney 155) and “best-known poems,” had been lost (Franklin, “The Manuscripts” 552). Yet, against all odds, the manuscript survived, resurfacing miraculously at Ella Strong Denison Library, the special collections library at Scripps College in Claremont, California, in 1986, exactly a century after Dickinson’s death. Known as the Vanderbilt Variant of “Further in Summer than the Birds,” this poem continues to be misprinted, overlooked, and under analyzed by Dickinson scholars …

Female Pleasure And Theories Of Desire In Narrative Structure: Evolution, Futurity, And Species Survival In The Post-Human And Science Fiction Imaginary, Laura L. S. Bauer

CGU Theses & Dissertations

This dissertation explores the complex relationship between an expanded narratological theory of narrative desire, inseparable in its relation to evolution and biological reproduction, and the future survival of humanity imagined across the narrative structures of three 21st-century works of dystopian science fiction. By examining the genre's potential to address species survival specifically through female forms of desire identified as narrative recurrence, prolonged duration, and emotional resolution, this study concurrently develops a metatextual methodology that cultivates the overlooked liminal space of quiescence. This analytical framework emphasizes narrative structure over theme-based analysis to unlock the radical imagination present in the texts …

Performing Grrrlhood: A Lyrical Analysis Of Riot Grrrl Music, Vida Hasson

CMC Senior Theses

This thesis examines the lyrics of the three founding Riot Grrrl bands: Bikini Kill, Bratmobile, and Heavens to Betsy. I explore how Riot Grrrl bands politicize girlhood to undermine patriarchal authority and empower girls to redefine feminism for themselves. I provide the historical context for Riot Grrrl as a political movement and its cultural impact in the 1990s. In my analysis I connect the lyrics to feminist discourse to demonstrate how Riot Grrrl provided women and girls a platform to discuss feminism and patriarchal oppression. Music has the power to send messages to the masses and Riot Grrrl's legacy proves …

The Unwatched Pot, Grace Lyde

Scripps Senior Theses

From the inside out:

The staff of the Gell-Mann Zweig Library are going through it. Edith, who had been transferred to another branch has just been transferred back and promoted, bumping their ex, Augustine, down a step. On their first day back, Edith ends up turning their contentious ongoing flirtationship with Heidi, a different co-worker, into… something else. Meanwhile, both Green and Heidi’s chronic nightmares have taken a turn for the strange devolving into encoded messages and countdowns.

And Felix is there. Doing his best.

Slowly but surely the five of them are going to have to grapple with the …

True Love Waits: A Barthesian Reading Of Desire And Delay In Flaubert And James, Yasmin Patel

Scripps Senior Theses

This thesis explores the theme of amorous waiting in the literature of Gustave Flaubert and Henry James. Roland Barthes' definition of waiting, as articulated in A Lover's Discourse, is used as a tool to examine the waiting conditions of characters in Madame Bovary, The Beast in the Jungle, and The Ambassadors. By using the Barthesian framework, this thesis identifies and analyzes different forms of gender-based waiting and their distinctive consequences. However, it also notes that the primary texts further complicate the relationship between romantic waiting, gender, and autonomy. Ultimately, this analysis shows us that amorous waiting goes beyond a simple …

The Wh-Eye Of The Storm: How Zora Neale Hurston, Virginia Woolf, And Arif Anwar Fictionalize Extreme Weather In Their Works, Elena Vedovello

Pomona Senior Theses

In this thesis, I used Robin Wall Kimmerer’s and James D. Rice’s ideas of “ecological imagination” to analyze three twentieth and twenty-first century works that feature historical extreme weather events. American Harlem Renaissance writer Zora Neale Hurston introduces her fictional characters to the historical force of the 1928 Okeechobee Hurricane in her 1937 novel Their Eyes Were Watching God; British Modernist writer Virginia Woolf writes about the 1609 Great Frost in Orlando; and Bangladeshi author Arif Anwar sets his novel The Storm during and around the infamous Bhola Cyclone of 1970.

Although these authors and their novels stem …

Jemimas, Jockeys, And Jolly Banks: The Racial Discourse Of Black Collectibles, Conrad Pruitt

CGU Theses & Dissertations

Over the last thirty years, an industry in black racist memorabilia has resurged. Bolstered by online commerce, social media trade, and a robust reproduction market, racist collectibles continue to circulate despite their functional obsolescence or presumed incongruity with current views of race. Many of these objects originated in the late nineteenth century, where the emergence of black citizenship was seen as a threat to a racial caste structure that ensured white supremacy. Following the impetus for supremacy that defined the Jim Crow era, the collectibles sought to crystallize conceptions of inherent black inferiority. The presumption that these originary conditions and …

Men Who Conquered & The Women Who Mov'd Them, Nikita Chinamanthur

Scripps Senior Theses

Considering John Dryden’s Aureng-Zebe and Christopher Marlowe’s Tamburlaine the Great, this thesis examines how drama shaped popular ideas of the Indian subcontinent in Renaissance England. This thesis engages in a comparative analysis of formal choices such as doubling, tripling, and etymology to assess the efficacy of two incomplete portrayals of South Asia configured as women.

Language In The Age Of Artificial Intelligence, Axel Ahdritz

CMC Senior Theses

AI language models can now produce text that is indistinguishable from our own, forcing us into a confrontation with the romantic assumptions underlying ‘natural language’ in the West. In this thesis, I will conduct a genealogy of the ‘natural’ and ‘artificial’ qualities of language through the literary, philosophical, and mathematical texts in which our ideas of authorship are premised. My hope is that this discussion will deepen our understanding of the language produced by AI models, answer why we feel compelled to anthropomorphize these machines, and situate readers in the reality of our present linguistic moment.

Greenpeace In Germany And The U.S.: A Case Study In Non-Profit Web Design, Maximilian J. Weirauch

CMC Senior Theses

This thesis draws on Geert Hofstede’s cultural dimensions model, connects it to basic principles of web design, and applies it to a website analysis of the global non-profit organization Greenpeace. This case study of cultural dimensions in web design utilizes Hofstede’s framework from 1974 throughout all its chapters and focuses on the cultural differences between Germany and the U.S. My hypothesis that successful marketing materials such as websites must communicate differently with their U.S.-American and German audiences is partially borne out. But it is important to note that Hofstede’s cultural dimensions model cannot fully account for certain intercultural dimensions of …

How Epistolary Novelists’ Literalizations Of Moral Sense Philosophy Dramatize The Long-Eighteenth Century’S Gender Battles, Melissa Stacey Bishop-Magallanes

CGU Theses & Dissertations

While some might consider epistolary novels of the long-eighteenth century as the sentimental purview of women readers, this research proposes that many of these epistolary novels serve as powerful markers in the gender wars of this era. While an overall sense of optimism pervaded Britain’s long-eighteenth century, people still grappled with foundational moral questions. These questions came to be addressed in increasingly secular ways by moral philosophy. As these philosophers occupied influential government, law, and publishing positions, their ideas and works greatly influenced the public imagination. The publications of moral philosophers—such as John Locke, the third Earl of Shaftesbury, Joseph …

Virginia Woolf And The Consolations Of Abstraction, Ella Murdock Gardner

Scripps Senior Theses

Woolf believed that there are “two spheres: the novel; and life,” and her “great difficulty is the usual one—how to adjust the two worlds” (A Writer’s Diary 203, 208). But with this “great difficulty” comes great possibility; by pointing to the separation of these two spheres within and throughout her works, Woolf finds ways to create meaning from this border. Even as Woolf’s novels deal with the tragic restrictions of social conventions, the insurmountable barriers to communication and intimacy, the petty insignificance of human life and death within the context of an uncaring universe, the abstraction of both their …

Little Sun: A Poetry Collection, Lillian Aff

Scripps Senior Theses

N/A

Intimacy, Unity, And Shared Consciousness In The Novels Of Virginia Woolf, Meghan Rose Condas

Scripps Senior Theses

In the novels of Virginia Woolf, the difficulties of deep intimacy are troubled by the limitations of language and the fear of shame and vulnerability. What can characters express, and do words have the ability to appropriately describe their feelings of love and desire? Mrs. Dalloway, To the Lighthouse, and The Waves grapple with the penetrability of the mind and the potential for shared thought between characters. In Mrs. Dalloway, Woolf utilizes Clarissa and her relationship with men to highlight how eroticism and affection are inhibited by shame. To evade the anxieties of articulating romantic feelings and …

Post(Al) Apocalypse: A Letter About Virginia Woolf's Fictional Letters, Ethan Widlansky

Pomona Senior Theses

I set out to write about eating distress in Virginia Woolf. I wanted to write about mothers, too, in her fiction and essays, because, as Chris Kraus puts it, “Mother is Food.” I began by investigating one of Woolf’s fictional letters, written in Jacob’s Room. There, the letter arrives at breakfast. This coincidence followed me into my other readings on mothering and food, so I decided to discuss Woolf’s fictional epistolary form for an entire chapter. And then, after winter break, an entire chapter became an entire thesis.

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Witnessing Difference: An Exploration Of Living In The Aftermath Of Trauma In Post-Holocaust America In Cynthia Ozick’S “Rosa”, Anastasia Kourotchkina

Scripps Senior Theses

This thesis examines the process of witnessing in Cynthia Ozick’s novella Rosa as a crucial part of living in the aftermath of Holocaust. By using Kelly Oliver’s concept of witnessing, I approach the process of witnessing trauma as the process of restoring subjectivity. As my analysis of Ozick’s Rosa shows, what prevents both Rosa and those around her to bear witness to trauma is the failure to imagine oneself as implicated in the traumas of the other. I conclude that the tendency to ignore the essential connection and dependence that exists between the Self and the other is enabled by …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Reproduction Or Replication? Deconstructing The Myth Of Maternal Glorification In Sexton's "Those Times" And "The Double Image", Kaila Sivan Finn

Scripps Senior Theses

This thesis’s interpretation of “The Double Image” and “Those Times” explores the reproduction of gender norms between mother and daughter. These poems imagine motherhood as a rather grim replication of body image issues, lack of self-identity, and the internalization of sacrifice. When considering both the context of the 1950s as well as our current moment, the grotesquity of Sexton’s description of motherhood is particularly shocking. The renaissance of women in domestic roles troubled Sexton’s poetry and Sexton herself. Therefore, in considering these poems’ impacts on American culture, it is critical to imagine how shocking such a grotesque portrayal of “domestic …

On The Total Communicative Efficacy Of Music And Its Synthesis To Written Word Through Bob Dylan And Kendrick Lamar, Skyler Addison

CMC Senior Theses

In a social conversation, words spoken carry less than 35% of the interaction’s social meeting, with 65% conveyed by the non-verbal. While poetry relies on the word and it's subtext, songwriting may also weld the other 65%. By dissecting the dynamic communicative aspects of song, modern poets may find useful ways in which they can make their lines have more staying power with the listener, encompassing both the rhythmic catchiness of their lines to an all-encompassing emotive transfer. We may isolate the interwoven components of a song that dictate how a story is told in order to better understand how …

John Cheever's Story "The Geometry Of Love", Robert Haas

Journal of Humanistic Mathematics

Though John Cheever was a leading writer of short fiction, his story “The Geometry of Love” has received little prior literary or mathematical comment. In this essay it is read, against the background of Cheever’s own troubled life and marriage, as a Don Quixote – like search, explicitly following the model of Euclidean geometry, and at times wildly funny, for an ideal world of truth and happiness.

A Sermon Writ In High Heaven: Astrology And Interpretation In Moby-Dick, Amanda Gallop

Scripps Senior Theses

This thesis explores Herman Melville's use of astrology in Moby-Dick in relation to the novel's stance on meaning-making and interpretation. It analyzes Ishmael and Ahab's respective methods of interpretation established in the first half of the novel, then explores Stubb's use of astrology in "The Doubloon" chapter. I propose that Stubb's astrological soliloquy poses a potential solution to the conflict between Ishmael and Ahab's diametrically opposed methods, thus offering an avenue into a new understanding of the novel's epistemological project.

"And All Were Welcome": An Analysis Of The Transgender Child In Contemporary Picture Books, Isaac Prestwich

Pomona Senior Theses

This paper constitutes an interrogation of children’s picture books that feature trans and gender non-conforming child protagonists. In these books, the audience, presumed to be a child, whose experience of the narrative is mediated through the adult or older figure reading the picture book, is brought to empathize and identify with the book’s characters, whether they be the protagonist themselves, or those auxiliary figures who surround the main character. My goal is to identify consistent themes across the genre, as well as within the field of critical childhood studies, particularly as they pertain to the rhetorical value of the Child, …

Shakespeare’S Cosmology On The Supernatural: All Is Illusion, Yiju Liao

CGU Theses & Dissertations

This dissertation examines how Shakespeare approached elements of the supernatural – ghosts, madness, and witchcraft – in his plays. The aftermath of the England’s break from the Catholic Church led to societal upheaval in the way early modern England viewed the supernatural. Prior to this break, Europeans interpreted the supernatural through the religious explanations provided by the Church. However, the Reformation opened the gates for scholars, physicians, and theologists to offer up non-religious explanations for supernatural phenomena. In England in particular, tropes and fears towards the supernatural were colored by the foreign threats against Queen Elizabeth I by the Catholic …

A Web Of Connections: How Early Twentieth-Century American Women Writers And Photographers Situated A New Way Of Seeing, Kristina Krause

CGU Theses & Dissertations

While there are several studies of the relationships and influences between American male photographers and writers, this study examines the lesser known and understudied collaborations and connections between early, twentieth-century American women photographers and writers, beginning around the end of the nineteenth century and extending into the 1930s. The web of connections between women writers and photographers, connections created through influence, through mentorship, through friendship, or through collaboration, provided a space in which they could situate a new way of seeing and defining each other as women and as artists, and it manifested in the empathetic manner in which they …

“An Unquiet Soul”: Despair And Doubt Of God’S Benevolence In The Novels Of Charlotte Brontë, Heidi Zameni

CGU Theses & Dissertations

As a nineteenth-century writer, Charlotte Brontë lived during a tumultuous time of

challenges to previously incontrovertible mores, leading to a refashioning of societal beliefs and attitudes. Challenges to the Church of England, such as the split by the newly formed Free Church of Scotland and an increase in Dissent, disputes against the historical accuracy of the Bible, the loss of nature as a source for spiritual replenishment, and political and economic strife permeated the lives of the Victorians. All institutions within the British system—law, medicine, prisons, civil service, army—were subject to challenges during this period. The criticism led to a …

"The Island Has Two Sides": Female Subjectivity In Postcolonial Adaptation, Teah Goldberg

CGU Theses & Dissertations

My dissertation is entitled: “The Island has two sides: Female Subjectivity in Postcolonial Adaptation.” In it I will argue that many postcolonial narratives either consciously or unconsciously adapt Shakespeare’s The Tempest in an effort to resurrect repressed female narratives of resistance. Through an examination of Elizabeth Nunez’s Prospero’s Daughter (2006), J.M. Coetzee’s Foe (1986), Maryse Condé’s I, Tituba, Black Witch of Salem (1988), and Jean Rhys’s Wide Sargasso Sea (1966), this dissertation will contribute to the fields of feminist and postcolonial studies by arguing that the kinds of female critical voices that we find embedded within these postcolonial texts, either …

A Revision Of A Revision: Reading The Heroic Slave As A Response To Uncle Tom's Cabin, Isabelle Phan

Scripps Senior Theses

Frederick Douglass and Harriet Beecher Stowe have long been heralded as complementary contemporaries, working towards the similar goal of transforming antebellum society through abolitionist literature. This essay explores the ways in which their relationship is complicated by reading Douglass’ only work of fiction The Heroic Slave as a response to Uncle Tom’s Cabin. This argument is predicated on the separate argument that Uncle Tom's Cabin is its own revision of Douglass’ first autobiography Narrative of the Life of Frederick Douglass, An American Slave: specifically, I find that Stowe’s insistence on a Christian framework of abolition in her revision of Douglass' …