Arts and Humanities Commons^™

Mfa Master Project, Owen Pierce

Electronic Theses, Projects, and Dissertations

I am a storyteller.

I just happen to paint, draw and sculpt my stories more often than I write them. Thematically, I gravitate towards stories that speak about ecological and humanitarian concerns. Fantasy illustration is where I can create with the greatest freedom and indulge my love of crafting stories, and also as a form of escapism. As the author

Ursula K. Le Guin quotes, “If the direction of escape is towards freedom, what then is ‘escapism’ an accusation of?” Long running series of programs, films and books attest to this desire to be engaged at a deeper, more meaningful …

Skin Deep: Analyzing Black Representation In The Teaching Of Visual Arts, Destiny Arianna Kearney

Honors Projects

My honors thesis argues that at Bowdoin College, failure to provide Culturally Relevant Teaching in art studio courses dismisses the representation of Blackness in the Visual Arts Department. Culturally Relevant Teaching (CRT) recognizes the importance of all students' cultural experiences in different aspects of learning. It allows for equitable access to education for students of diverse backgrounds. CRT is crucial to reconstructing Art Education to represent diverse student bodies. My position as a Black-Indigenous artist enables me to reflect on the intersection of these frameworks and to build upon them in order to highlight the need for pedagogical practice in …

La Divisione Fra I Divisionisti, Meijing He

Senior Theses and Projects

My thesis explores the philosophical and ideological divergence among the artists of the Italian Divisionism. Divisionism is a distinctive artistic phenomenon that had a short lifespan of twenty years from 1890 to 1910. Like the French Pointilism, it absorbed the influence of contemporary scientific theories on optical perception in relation to colors. Instead of blending colors in a traditional way, the artists of this style juxtaposed individual, broken strokes in primary colors to achieve the effect of maximum luminosity. Unlike the French neo-impressionists, however, their subject matter featured a strong involvement in social and political issues, idealized depiction of nature, …