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Brigham Young University

2015

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

A Man Of This Time: Memory And Sheriff Bell’S First-Person Narratives In Cormac Mccarthy’S No Country For Old Men, Marie-Reine Pugh Mar 2015

A Man Of This Time: Memory And Sheriff Bell’S First-Person Narratives In Cormac Mccarthy’S No Country For Old Men, Marie-Reine Pugh

BYU English Symposium

Critics often focus on the violence in Cormac McCarthy’s No Country for Old Men. But the function of memory in Sheriff Bell’s first-person narratives has yet to be examined. Bell may claim to be defeated by the events of the story and the changing times, but the structure of the novel bespeaks a greater importance: his voice marks the beginning and ending of the novel, of each new chapter. His narratives reveal the struggle between his collective and personal memories. In the end, Bell is able to settle in a less conflicted place mediated by his closest relations—his family—where he …


"That Lady, Sir, Is Her Own Mistress": Evelina's Condemnation Of Rape Culture, Rose Hadden Mar 2015

"That Lady, Sir, Is Her Own Mistress": Evelina's Condemnation Of Rape Culture, Rose Hadden

BYU English Symposium

Fanny Burney’s 18th Century novel Evelina is a canny critique of rape culture and the pervasive assumption of female consent. Evelina navigates a social world in which she nominally has the right to say no to anyone in any matter regarding her own body, but where that right is consistently undermined by social punishment, victim blaming, and deliberate ignorance. Earlier scholars have characterized Evelina’s compliance as a flaw in her character, a result of her lack of confidence and experience, but I contest that Burney’s text clearly absolves Evelina herself of all guilt. Burney instead condemns the society that would …


American Masculinity As Presented By Walt Whitman, Corinn Pratt Mar 2015

American Masculinity As Presented By Walt Whitman, Corinn Pratt

BYU English Symposium

As a homosexual Romantic poet neither Walt Whitman nor his work would immediately come to mind as particularly masculine. However, through a brief historical look at what Whitman was learning about as well as a close reading at some of the text it is clear that Whitman paints a very masculine picture. Whitman uses the sexual act as a way to understand what it means to be a man with himself at the helm. Within “Children of Adam” is Whitman uses this ultimate fulfillment of gender relations to explore masculinity and ultimately paints himself as the embodiment of masculinity.