Arts and Humanities Commons^™

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Zipper Landscape, Richard Morris

Richard Morris

Zipper Landscape is a thin horizontal delineation of painted fragments constituting a striking similarity to a horizon line view of the landscape. This linear configuration is dependent upon two key elements. The first is the numerous pieces of painted plywood components constituting the horizontal format, and secondly, the thick impasto butyl rubber extrusions in the form of painted lines which inhabit approximately four of the components. The collective effect of both elements, is the palpable depiction of a distant landscape typography. Unlike Tony Cragg’s assemblages mentioned above, Zipper Landscape is more dependent upon the traditional notion of a painted line …

Understory, Andy Collis, Richard Morris, Maria Watson-Trudgett

Richard Morris

The work ‘Understory’ investigates the notion of ‘Land’ as seen through the eyes of one Indigenous and two non-Indigenous artists. The work fuses two distinct approaches to Landscape painting traditionally at odds with one another. The first of these is the traditional Aboriginal ‘Dot’ painting technique, and the second encompasses the more Euro-centric approach of ‘En Plein air’ and ‘Allaprima’ painting. ‘Understory’ fuses these disparate approaches to landscape painting, in such a way that no hierarchy of styles prevails. Here the notion of Reconciliation becomes quite literally embedded in the physicality of the work, whereby, culturally and historically different approaches …

Puff, Richard Morris

Richard Morris

Sculpture 27 is a group exhibition which has been curated by Robin Gibson from the Robin Gibson Gallery. The primary focus of the exhibition is sculptural works by the gallery artists, and invited artists both Australian and International. Sculpture continues to play an important role in Australian art, as can be seen in the regular inclusion of sculpture in curated exhibitions at MOCA and the AGNSW, and NGA to name a few. The work Puff which I contributed to the exhibition is an assemblage made largely of painted plywood panels, and incorporated found objects.

Hover, Richard Morris

Richard Morris

The painting Hover in the exhibition Well Red, was formed by deconstructing pre-painted panels, into rectilinear modular units which were re-assembled to form the works’ final configuration. This methodology for constructing paintings involves discreet stages of production beginning with the painting of panels in enamels and oils prior to cutting them into smaller rectilinear components with a table saw and a guillotine. These rectilinear components are then assembled into configurations indebted to the new relationships and tensions amongst the works’ component parts. By utilising the compositional opportunities afforded by a horizontal grid, along with painterly variations inherent in the panels …

Dice & Shell, Andy Collis, Richard Morris

Richard Morris

The process of art-making, particularly in the Western World, tends to be, with some notable exceptions, the practice of the individual; a singular artist expressing individual ideas in a visual form. Collis and Morris are two artists that have worked and exhibited extensively individually in their own individualistic ways of expression. Collis is, generally, a figurative painter in acrylic and oils, working, usually, from the live motif; Morris is, generally, an abstract painter whose works often crossover into sculptural forms. In a broader area of research, they have ventured to examine the value and means of joining forces to both …

A Mile In My Shoes, Andy Collis, Maria Watson-Trudgett, Richard Morris

Richard Morris

Collaborations amongst artists have a rich International history in the Visual Arts. Collaboration amongst Indigenous, and non-Indigenous artists in Australia is a notion with a much smaller history. Such collaborations have become a special annual focus of the Gosford Regional Art Gallery as a means of showcasing artworks about Reconciliation, as it has impacted Australian culture and politics from the historic 1967 Referendum, and later, in the High Court Mabo decision. This group of three collaborators were successful in having work hung in last year’s Reconciliation, and continue to explore the collaborative exercise again here.

Bower, Richard Morris

Richard Morris

The work Bower which Richard Morris exhibited in Sculpture 28 is an assemblage made largely of painted wooden panels, and remnants of domestic furniture. There is a distinct relationship between the blue perimeter of the work, and the yellow oval form in the upper RHS, which play on the enclosed form of a literal Bower bird nest. The juxtaposition of a reductive palette plays a significant role in the work, creating a distinct asymmetrical compositional tension between the use of metallic blue, and yellow. Bower has both a figurative reference to a vertically oriented Bower bird nest, and a reference …

Get Out The Vote 2016, Anne M. Giangiulio

Anne M. Giangiulio

A Sri Lankan Tea Plantation Nursery, Gail Ormsby

Gail Ormsby

Each time you have a cup of tea, think about the toil that has gone into the production of the tea leaves. Women make up most of the workforce, who labour for years from the early age of twelve. Their ethnic origin is Indian Tamil, brought to Sri Lanka as labourers, denied citizenship, an education and their human rights, and forced to labour long hours in the plantation for little financial gain - a few cents per day. Overcrowded housing, the lack of suitable sanitation and water supplies creates an environment for domestic violence. They are imprisoned by circumstance, worse …

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Ruidoso, New Mexico, Piazzolla Da Camera Concert. Traditional Repertoire. 10.02.2016, Oscar E. Macchioni

Oscar Macchioni

Aquariums Are For Children And Creeps, Caroline Graham

Caroline Graham

This story was originally published in Day One, a weekly literary journal dedicated to short fiction and poetry from emerging writers.

Louder, Faster, Higher: A Whirlwind Tour Of Flute History, Amy M. Shaw

Amy M. Shaw

No abstract provided.

Battifoglio Network, Tunis 1288-9, Jeff Miner

Jeff Miner

No abstract provided.

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Trevor Graydon - Act Ii, Scenes I And Ii, Darrin J. Pufall

Darrin J. Pufall

Dimensions: 17 x 11 inches

Ruth - Act I, Scenes Vi, Vii, And Viii - Finished Garment (Back), Darrin J. Pufall

Darrin J. Pufall

Number of Pieces: 1

Fabric and Trim:

• Main: Sequined unknown synthetic fabric
• Contrast at Shoulder: 100% polyester organza
• Attached Sash: 100% polyester organza
• Skirt and Contrast Below Shoulder: unknown synthetic net with fabric flower detail
• Lining: unknown synthetic fabric
• Single row sequin trim
• Found sequin flower

Construction Techniques/Design Aspects:

• Sleeveless
• Asymmetrically styled bodice
• V-neckline shaping in front and back
• Dropped waistline
• Side zipper

Measurements:

• Bust: 39 inches (approx.)
• Waist: 37 1/4 inches (approx.)
• Hips: 41 inches (approx.)
• Length: 30 inches

Additional Notes:

Originally designed with shoulder-less circle sleeves to be attached, this feature was altered in the finished garment.

Muzzy - Act Ii, Scene Iv, Darrin J. Pufall

Darrin J. Pufall

Dimensions: 17 x 11 inches

Mrs. Meers - Finished Garment (Front Detail), Darrin J. Pufall

Darrin J. Pufall

Number of Pieces: 3

Fabric and Trim:

Dragon Wrap:

• Various unknown synthetic fabrics

Vest:

• Main: polyester brocade
• Overlay: polyester organza
• Lining: polyester brocade
• Trim: nylon

Jacket:

• Main: silk damask
• Contrast: silk damask

Construction Techniques/Design Aspects:

• Machine stitched
• Machine embroidery
• Found jacket has Mandarin collar and frog closures with waist band hook and eye closures for additional gap closure
• Jacket was a found item
• Dragon wrap attached with snaps and waistband hook and eye closures
• Vest has released darts and added nylon braid and fringe trim

Measurements:

Dragon Wrap:

• Various measurements

Vest:

• Bust: 31 inches (approx.)
• Waist: 31 1/2 inches (approx.) …

Stenographer, Darrin J. Pufall

Darrin J. Pufall

Dimensions: 17 x 11 inches

Trevor Graydon - Act Ii, Scene Vi, Darrin J. Pufall

Darrin J. Pufall

Dimensions: 17 x 11 inches

Trevor Graydon - Act I, Scene Iv, Darrin J. Pufall

Darrin J. Pufall

Dimensions: 17 x 11 inches

Mrs. Meers - Finished Garment (Back), Darrin J. Pufall

Darrin J. Pufall

Number of Pieces: 3

Fabric and Trim:

Dragon Wrap:

• Various unknown synthetic fabrics

Vest:

• Main: polyester brocade
• Overlay: polyester organza
• Lining: polyester brocade
• Trim: nylon

Jacket:

• Main: silk damask
• Contrast: silk damask

Construction Techniques/Design Aspects:

• Machine stitched
• Machine embroidery
• Found jacket has Mandarin collar and frog closures with waist band hook and eye closures for additional gap closure
• Jacket was a found item
• Dragon wrap attached with snaps and waistband hook and eye closures
• Vest has released darts and added nylon braid and fringe trim

Measurements:

Dragon Wrap:

• Various measurements

Vest:

• Bust: 31 inches (approx.)
• Waist: 31 1/2 inches (approx.) …

Stenographer - Finished Garment, Darrin J. Pufall

Darrin J. Pufall

Number of Pieces: 2

Fabric and Trim:

• Main: polyester crêpe
• Contrast: polyester plain weave fabric
• Tie: polyester chiffon
• Lining: polyester plain weave fabric
• Sweater: cotton knit

Construction Techniques/Design Aspects:

• Tie shawl collar
• V-neckline
• Dropped waistline
• Center-back zipper
• Found sweater

Measurements:

• Bust: 36 1/2 inches (approx.)
• Waist: 34 inches (approx.)
• Hips: 38 inches (approx.)
• Back Length: 47 inches