Arts and Humanities Commons^™

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

Dear Mama: An Exploration Of Trauma And Black Feminist Healing Practices Through Letter Writing, Bria Nickerson

Women’s, Gender, and Sexuality Studies M.A. Final Projects

This autoethnographic project delves into the multitude of strategies I've employed over the past decade since my mother's passing to confront and heal from my trauma. Through a series of original letters spanning from girlhood to early adulthood, I narrate my journey, delving into the depths of my emotions, thoughts, and coping mechanisms as I navigate through various traumatic experiences. Guided by Black Feminist Autoethnography as its methodology and anchored in Black Feminist Thought as its theoretical framework, this project also explores the profound impact of transgenerational trauma on the psychological well-being of Black women. From enduring slavery and racialized …

Burdin, Johannah, Samantha Rouillard

Querying the Past: LGBTQ Maine Oral History Project Collection

Johannah Burdin shares her story as a lesbian/queer woman experiencing southern Maine in the 1990s. Her story touches on topics involving coming out, relationships, a traumatic incident that left her disabled, activism, and much more. She was active in her youth in spreading awareness on the AIDS/HIV crisis, education on safe sex, and spent her evenings at popular Portland gay bars, like Sister’s Bar and Limelight/The Underground. Although she is not much into drinking, she recognized these were some of the few spots queer people could go to make community and relationships. Johannah also shares her story of becoming a …

Morril, Ren, Zorica Andric

Querying the Past: LGBTQ Maine Oral History Project Collection

Ren Morrill shares personal experiences of his childhood, coming out, relationships, and the influence of his chosen family. During the conversation, Ren talks about his family dynamics, struggles with gender identity, and societal expectations, offering insights into the complexities of being gay. Ren reflects on the loneliness that many gay men experience and references influential figures like Walt Whitman and Anne Rice. He emphasizes the importance of his chosen family, specifically friends from the roleplaying games community, highlighting their significant impact on his life. The interview then moves on to Ren's views on pronouns, self-discovery, and the challenges that gay …

Leighton-Cory, Jocelyn, Bella Shannon

Querying the Past: LGBTQ Maine Oral History Project Collection

Jocelyn identifies as a Queer woman but also aligns with the label Gender-Queer. They are 40 years old and currently live in the city of South Portland where they serve as a member on the City Council and also work as a managing director at Space Gallery in downtown Portland. Jocelyn was born in Bangor, Maine, and lived there for a year before moving briefly to South Princeton, Maine, and eventually settling in Princeton, Maine, where they grew up. Jocelyn was raised by their single mother along with their older brother and younger sister. They received their B.A. in Arts …

Neal, James, Wendy Chapkis

Querying the Past: LGBTQ Maine Oral History Project Collection

Jim Neal is a 65 year old gay man born and raised in Galesburg, Illinois. Following his parents’ divorce at age 7, he moved with his mother and brother into their grandmother’s home. Neal discusses how, throughout his childhood, he witnessed predatory men in positions of power abusing boys; this served to inform his early perception of homosexuality. Those experiences also presented an internal struggle for Jim Neal between his own identity as a gay man and his perception of adult gay men. As a child, he found support in his family and closest community for his non-traditional gender interests …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

Inner Portraits, Bethany Salisbury

Graduate Theses

This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.

Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …

Unraveling Milk And Honey: Women’S Voice, Patriarchy, And Sexuality, Renidia Audinia Siva, Ida Rosida, Muhammad Azwar

Journal of International Women's Studies

This article discusses patriarchy and sexuality portrayed in Milk and Honey; a poetry collection written by Canadian author Rupi Kaur. Kaur is an amazing poet, artist, and performer who touches on trauma, feminism, migration, love, and loss in her works. Milk and Honey is a unique book of poetry as it combines written poetry with line art images. The collection is split into four chapters: “the hurting,” “the loving,” “the breaking,” and “the healing.” This research aims to show how the illustrations that appear alongside the poems have amplified the speaker’s voice in response to patriarchy and sexuality. This study …

Fruits Of Maternal Love, Simona Ershova

AWE (A Woman’s Experience)

Digital Painting

Me Too, Cidney Winterton

AWE (A Woman’s Experience)

Mixed media, 24 x 36 inches

A Girl That Grows, Jinhee Nelson

AWE (A Woman’s Experience)

Copper print, intaglio

Excuses, Dana Lovell

AWE (A Woman’s Experience)

https://www.youtube.com/watch?v=nxc_etjxxk0

Women Of Life, Micaela Cors

AWE (A Woman’s Experience)

Watercolor

Attempting Cohesion, Angela Werner

AWE (A Woman’s Experience)

Acrylic, 18” x 24”

Inequality In Renaissance Art; A Study Into The Lack Of Female Representation, Kaitlyn Anderson

Honors College Theses

This paper explores how female biblical figures were under-represented during the Renaissance period. It explores possible reasonings, consequences, and then takes a physical exploration into the renaissance style through newly created artworks. It also explores in greater detail, two specific female biblical figures, their multifaceted stories, and their previous portrayals. Lastly homage is paid to the female artists throughout history who have been working to level the playing field in the art-world.

A Renaissance: The Absurd Retelling Of Mostly True Events, Erica R. Hitzman

Graduate Student Theses, Dissertations, & Professional Papers

Throughout the following you will be taken on a fantastical retelling of the exhibition A Renaissance, and some of what lead up to it. Through the eyes of various shifting perspectives you will explore the relationships between the artist, her art, and the viewer in the hopes of unveiling how the work plays into feminist theory, its place in the Zeitgeist, and the motivations behind it. Each perspective is formatted differently, to visually mirror the shift in perspective. Presented in the first person and aligned to the right, the account of the artist discusses the process, emotion, and inspiration behind …

Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan

Theses and Dissertations

This thesis examines an alternative processing mechanism surrounding the act of healing after traumatic experiences in life. Using a methodology of iterative patterning and tool-pathing, a collection of inflatable garments and wooden mannequins analyzes defense mechanisms learned in early childhood development. This work highlights an essential body of recent scholarship that takes cuteification seriously to restore a childlike approach to mastering fear. This paper will review the definitions of cuteness and childlike humor and then describe how visual culture has implemented these components to subvert established power.

Contemporary Handicraft, Textile Art, And Feminist Social Critique, Kaitlynn Blow

Honors Theses

My thesis looks at the work of female contemporary artists who use what has historically been considered “women’s craft” such as embroidery, knitting, stitching and other various textile arts. Since the Women’s Art Movement of the 1970s, women have used these creative outlets to express discontent and injustice in their lives revolving around gender and identity. In my research, three main themes emerged as addressed in each chapter. The first theme addresses the topic of domesticity and memory including unseen female labor, such as domestic chores and motherhood, and how fabric holds memories. Chapter two covers gender politics- specifically the …

When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …

The Long Journey Down Market Street: An Oral History Based Biography Of Mary Craik., Denise Vulhop Watkins

Electronic Theses and Dissertations

This interdisciplinary dissertation examines the life of Mary B. Craik, a Louisvillian who was a professor, feminist activist, philanthropist and artist. The project’s main focus is on Craik’s feminist awakening and activism, and their alignment with second wave feminism. The primary method of data collection was oral history and consisted of interviews with Craik and some of her friends, acquaintances, and colleagues. Additional sources included a scrapbook that documented her major life events, the trial transcript from a gender discrimination lawsuit she launched, and art quilts she made in her later years after she retired. This project examines these resources …

An Open Bag, Matilde Benmayor

Theses and Dissertations

What do we take with us? How much space should we leave in the bag for what we might find? This paper is a journey from under the rug and onto the pavement. Sowing spiderweb maps I try to make a new city my own.

Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch, Jasper (Kirsten) Boyd

Faculty Curated Undergraduate Works

This paper examines the efforts put forth by Eliza Hatch, who is an established photojournalist and activist, which pertain to women’s rights and sexual harassment all over the world. Hatch has a multitude of projects dealing with sexual harassment and the unequal treatment of women all across the globe. She is mainly based in London and New York, but has also completed projects in Sri Lanka. Through her activistic career, which began in 2017, she has garnered ample media attention and has raised awareness regarding the issues she tackles in her projects. Through her photo-sets, documentaries, and talks at universities, …

Drew, Lala, Erika Chadbourne, Kate Brezak

Querying the Past: LGBTQ Maine Oral History Project Collection

LaLa Drew is a Black, queer, Georgia born, Maine native. Drew was raised in Gray, Maine with their adoptive family. Drew is a writer, poet, activist, performer, artist, teacher, and inspirational catalyst for change. Much of Drew’s community engagement focuses on raising awareness about the black identity and embodiment. They teach an after-school program in Lewiston, Maine where they help students learn about climate change, capitalism, and racism. Drew is also known for their work as a writer. Their work has been published in Ms. Magazine, The Maine Sunday Telegram, The Deepwater Column, and the Portland Phoenix. They write about …

Say Luv: Reimagining The Black Female Body, Jer'lisa Devezin

Art Theses and Dissertations

From hottentot venus to Cardi B, the influence of the white representation and the treatment of the black female body has shaped a culture of oppression amongst Black women, having surpassed the white community and trickled into the black community. In hip hop culture, reality television, and social media, black women are portrayed as angry and are stereotyped as ghetto and ignorant. On the music scene woman are always sexualized under the male gaze, however now that we are in the twerk era Cardi B is giving a new perspective to the representation of women in hip hop. By using …

Thesis/Thesis Document 2, Jessamyn Plotts

Art Theses and Dissertations

Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

The Invisible Bluestocking: Naganuma Chieko’S Organic Cover Art

AWE (A Woman’s Experience)

No abstract provided.

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

A Woman's Gaze, Emily Fiore

Honors Theses

My work merges my passion of thinking politically and artistically. This series, A Woman’s Gaze, is an extension of my Political Science thesis, where I focused on artists who combat the male gaze by representing women’s lives realistically, from a woman’s perspective. These paintings focus on intimate scenarios from women’s lives where the male gaze is absent. The large scale imagery brings visibility to these otherwise private moments.