Arts and Humanities Commons^™

Spectators, Sponsors, Or World Travelers? Engaging With Personal Narratives Of Others Through The Afghan Women's Writing Project, Bethany Mannon

English Faculty Publications

This article studies the Afghan Women’s Writing Project and proposes three conceptual tools for examining the ways readers and editors of digital storytelling projects interact with writers and texts. The author advances discussions of personal narrative and the role this form of writing plays in transnational feminism and forms of humanitarian activism that increasingly take place online. Digital storytelling projects effectively circulate these personal accounts, but they benefit from scholarship that advises self-critical approaches to representing their subjects.

Sexual/Textual Politics In The Women Of Ophelia A. Dimalanta’S Poems, Ma. Socorro Q. Perez

English Faculty Publications

The study attempts to show that while Ophelia A. Dimalanta’s excellent New Critical training and education have rendered her a quintessential poet conscious of form, technique, and craftsmanship, which in turn, has been foregrounded by her equally New Critical-trained colleagues, this New Critical tradition has limited the study of her oeuvre to artistic structure and form, glossing over myriad concerns that the poems may have. The present study, in turn, has recuperated form, technique, and genre to encode the feminism that undergirds her poetic vision. Foregrounding Dimalanta’s vision enfleshed in art, the study recuperates the sexual/textual politics in Dimalanta’s Lady …

I Need A Prince To Watch Over Me. Really?! Re-Visioning "Happily Ever After" In Gloria Naylor's Women Of Brewster Place, Anita August

English Faculty Publications

Chapter One ............................................................................................... 23

I Need a Prince to Watch Over Me. Really?! Re-Visioning ‘Happily Ever After’ in Gloria Naylor’s The Women of Brewster Place

‘How Little I Cared For Fame’: T. Sparrow And Women’S Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This article analyzes the work of an overlooked female journalist, T. Sparrow, arguing that her career reveals the difficulties female journalists faced when negotiating between the expectations of middle-class gentility and the demands of investigative journalism.

Sparrow asserted her gentility rhetorically, in part because female reporters who took up investigative reporting were vulnerable to criticism for assaying beyond domestic subjects. Moreover, incognito investigative reporting often brought celebrity to its practitioners, which challenged the convention of middle-class female modesty.

Sparrow, therefore, strove for a delicate balance in her career—assuming the stance of a middle-class woman who lived among the poor, someone …

Jessie Fauset’S Not-So-New Negro Womanhood: The Harlem Renaissance, The Long Nineteenth Century, And Legacies Of Feminine Representation, Meredith Goldsmith

English Faculty Publications

Fauset’s texts offer a repository of precisely what critic Alain Locke labeled retrograde: seemingly outdated plotlines and tropes that draw upon multiple literary, historical, and popular cultural sources. This essay aims to change the way we read Fauset by excavating this literary archive and exploring how the literary “past” informs the landscape of Fauset’s fiction. Rather than viewing Fauset’s novels as deviations from or subversive instantiations of modernity, I view them as part of a long nineteenth-century tradition of gendered representation. Instead of claiming a subversiveness that Fauset might have rejected or a conservatism that fails to account for the …

Oakes Smith Returns To Maine, Timothy Scherman

English Faculty Publications

In June 2014, I was invited to deliver a lecture on Elizabeth Oakes Smith as part of the Gorman Lecture Series at the Yarmouth History Center, a short distance from Oakes Smith's birthplace. I took the occasion to caution those who base their readings of Oakes Smith's works (and those of other women) on their written autobiographies--as if the life of the woman writer stood as the "origin" the woman-as-author could only "copy." Calling attention to the context of Oakes Smith's writing of her autobiography (at which point her popularity was fading, her family disgraced and most of her friends …

Eat It: Sex, Food And Women's Writing [Book Review], Marc Ouellette

English Faculty Publications

Simply put, Eat It: Sex, Food and Women's Writing surpasses its rather immodest claims. This is no mean feat, for the editors allow that they have collected short stories, nonfiction shorts and poetry that, as the back claims offers, hinge "on the carnal." More than that, the gathered works purportedly address the ways in which experiencing food entails nothing short of "power, biology, social obligation, experimentation, nourishment, pain and pleasure." The authors treat the topics, ranging from the politics of potatoes to tricks for field dressing deer, with a blend of seriousness and humour befitting the material. What becomes clear …

Book Review: Mediating Moms: Mothers In Popular Culture, Kristi Branham

English Faculty Publications

No abstract provided.

Women's Gun Culture In America, Laura Browder

English Faculty Publications

A recent article in the New York Times focused on the possible increase in female gun ownership in the United States. This “new” phenomenon of women and guns is of course far from new: as early as the 1870s, trapshooting for women was publicized by gun manufacturers as yet another feminine activity, not far removed from shopping or club work. The ultra-feminine Annie Oakley, who in the 1880s became an international star in Buffalo Bill’s Wild West, personally taught fifteen thousand women to shoot. By the turn of the twentieth century, gun manufacturers were promoting hunting as a healthful activity …

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …

Wait Six Months, Cynthia N. Malone

English Faculty Publications

No abstract provided.

Nature, Domestic Labor, And Moral Community In Susan Fenimore Cooper's Rural Hours And Elinor Wyllys, Richard M. Magee

English Faculty Publications

Cooper's argument for a domestic ideal situated within a rural setting reinforces the importance of community connections through a shared sense of morality, as well as understanding of the natural world. Community alone—the human connections—never seems to be enough in Cooper's formulation, but must always exist with an awareness of the world outside the narrow confines of one's own domestic sphere. Concern for one's fellow-beings necessitates a concern for the world in which these beings live, and Cooper understands that when any bonds are broken—such as the bonds that connect us to the natural world—other bonds are threatened. Thus, when …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Women Home From War, Laura Browder

English Faculty Publications

The first time I heard a woman describe her deployment in glowing terms, I was taken aback. Marine Colonel Jenny Holbert told me that being in charge of public affairs for the second battle of Fallujah was "probably one of the biggest events of my life, other than birthing two children." I thought, cynically, that this enthusiasm was all part of her role as a public-affairs officer. It took me a while to understand how compelling the experiences of being in a combat zone could be for the women I talked with. Colonel Holbert's enthusiasm for deployment was only one …

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance

English Faculty Publications

I was going to be a grandmother. It had taken all too long. I gave birth to my first child, Warren Dance Jr., when I was only twenty-one, but Warren Jr. was going to be almost thirty-six when his first child was born. As excited as I was, I decided to wait until a week after the July 4, 1995, appearance of my new grand to visit him in Houston, Texas. Other members of the family were going to be there for the birth, and I wanted time to enjoy this baby all by myself, so I planned to arrive …

My Iranian Sukkah, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) Every year after Yorn Kippur, my husband Norman and I try to bring together the pieces of our sukkah, our temporary home for a week, a reminder of our frailty as Jews. Every year we wonder where we had last stored the metal frame, the bamboo roof, and the decorations. Every year we wonder about the weather. Will we have to dodge the raindrops and the wind once again this year for a quick bracha before eating inside? Will our sukkah stand up? Will there be a hurricane?

"My Trouthe For To Holde-Allas, Allas!": Dorigen And Honor In The Franklin's Tale, Alison Ganze

English Faculty Publications

Though others have explored in detail the deep and abiding concern with honor Arveragus and Aurelius evince in the tale, Dorigen’s own preoccupation with honor—no less significant in the tale’s exposition of trouthe—has not received much critical attention. Indeed, the question of Dorigen’s honor is often preempted by analysis of the (masculine) chivalric code of honor, which subsumes female honor within it. Yet an analysis of Dorigen’s promise to Aurelius and of her despairing complaint will reveal that she, too, participates in the same concept of trouthe that binds her male counterparts, one that privileges trouthe not simply as honor …

Beyond The Pale: Women, Cultural Contagion, And Narrative Hysteria In Kipling, Orwell, And Forster, Alan Blackstock

English Faculty Publications

No abstract provided.

Feathers And Hair, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) Plucking chickens the kosher way is quite an art. According to the laws of kashrut) a chicken should not be cooked or even brought close to a source of heat until it is kashered-bled, salted, and rinsed. The use of fire to sear feathers or hot water to loosen quills is absolutely forbidden. Poultry processors today use the force of air to pluck feathers for kosher markets; but when I lived in Iran, during the '60s and '70s, this job had to be done manually.

Blood Lines, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) The salty ocean air was pleasantly mixed with smoke rising from gas grills using volcanic stones, plain old-fashioned ones using regular coals, and smokers using mesquite wood chips. As my American husband and I stepped out of our car and walked around to the back yard of the Bechars, the only African Sephardi family in Virginia Beach that Fourth of July, the aroma of sizzling hot dogs and hamburgers stirred our appetite. In her all- American neighborhood, Sonia welcomed us with a platter of spicy Tunisian meat and herbs rolled in phyllo dough and fried to perfection. I …

Alan Lupack, Arthurian Literature By Women, Alison Langdon

English Faculty Publications

This is a timely volume, given the surge in scholarly and popular interest in women's voices in the Arthurian tradition. The explicit purpose of this anthology is to explore the "rich and forgotten tradition" of women writers' contributions to the corpus of Arthurian literature, sketching a female lineage of literary descent that traces "certain traditions common to women writing on Arthurian themes" (xi, 4). While the foreword provides an overview of more familiar women authors such as Rosemary Sutcliffe, Mary Stewart, and Persia Wooley, in their selections of works to anthologize Lupack and Lupack choose to focus on lesser-known texts …

Only Friendship, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) My Jewish daughter befriended a Muslim woman in her Islam class last Fall. She asked me where she could buy rosewater, saffron, and cardamom to make halwa. My kosher daughter was celebrating the end of Ramadan, Eide-fetr, with her first Iranian, her first Muslim friend.

Pois Dompna S'Ave/D'Amar: Na Castellosa's "Cansos" And Medieval Feminist Scholarship, Alison Langdon

English Faculty Publications

Despite the rapidly spreading popularity of troubadour poetry throughout Western Europe (to northern France, Italy, Spain, Germany), only in Occitania do we find significant numbers of women poets participating in the tradition alongside their male counterparts-about twenty known by name, with another seventeen mentioned by other medieval writers but whose compositions have evidently been lost.¹ Of all the trobairitz, it is Na Castelloza who most closely aligns herself with the"self-consciousness of the early troubadours and the self-effacing humility of the troubadour lover in general."² she situates her female speaker in the same rhetorical position occupied by the …

"I Am The Creator": Birgitta Of Sweden's Feminine Divine, Yvonne Bruce

English Faculty Publications

No abstract provided.

Why Are Those Women So Angry? (Alienating People Of Good Will), Janet Bing

English Faculty Publications

(First paragraph) Until quite recently, I dismissed criticisms of "angry feminists" as a sexist stereotype. I was tired of hearing people say, "I believe in equal pay for equal work, but I dislike those bra-burning feminists!" Perhaps I'm too young, but almost all of my friends are feminists, and I have yet to meet anyone who has burned her bra, so this comment always strikes me as bizarre. However, recently I have begun to think seriously about the power of stereotypes and the ability of people to disregard messages they do not want to hear. I now realize that feminists …

Smoke, Rénee Olander

English Faculty Publications

No abstract provided.

What Does That Mean?, Carolyn Rhodes

English Faculty Publications

No abstract provided.

Decision, Edith White

English Faculty Publications

No abstract provided.

Songs Of A Turning Body, Luisa A. Igloria

English Faculty Publications

No abstract provided.

Cover Girl Run For Cover, Rénee Olander

English Faculty Publications

No abstract provided.