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Articles 1 - 11 of 11
Full-Text Articles in Arts and Humanities
Téacsúil Fionnachtain, Alan Delozier
Téacsúil Fionnachtain, Alan Delozier
Critical Inquiries Into Irish Studies
“Textual Discovery” is presented to pique interest in the obscure, yet unique works in Irish language, literature, and history that have been largely forgotten over time. Articles will cover different subject areas, authors, themes, and eras related to the depth and consequence of the Gaeilge experience in its varied forms. The inspiration comes from selections found within the affiliated Irish Rare Book and Special Collections Library at Seton Hall University, but on a deeper level this piece serves to honor works that can be found listed in bibliographical compilations and on the shelves of libraries across the world.
Bad Bridget: Crime, Mayhem, And The Lives Of Irish Emigrant Women By Elaine Farrell And Leanne Mccormick, Penguin, 2023, Elizabeth Brewer Redwine
Bad Bridget: Crime, Mayhem, And The Lives Of Irish Emigrant Women By Elaine Farrell And Leanne Mccormick, Penguin, 2023, Elizabeth Brewer Redwine
Critical Inquiries Into Irish Studies
No abstract provided.
Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin
Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin
Critical Inquiries Into Irish Studies
No abstract provided.
Storytelling As A Cultural Context For London-Irish Writing In Donall Macamhlaigh’S Schnitzer O’Shea, Jimmy Murphy’S Kings Of The Kilburn High Road And Enda Walsh’S The Walworth Farce, Niamh Macgloin
Critical Inquiries Into Irish Studies
The oral tradition of storytelling is culturally significant to Irish literature and important for immigrant communities as a way to connect with their home culture and share stories without the necessity of literacy. This essay considers the motif of storytelling and the importance of voicing the community in much London-Irish literature. In Walsh’s The Walworth Farce, a play within a play, the main character obsesses over retelling the story of their emigration from Ireland but corrupts its purity as he pushes his narrative of innocence too far, and the cycle of storytelling begins again. Similarly, in Murphy’s Kings of the …
A Gaelic South African Revival?: The Irish Republican Association Of South Africa, The Republic, And Irish South African Identity, Tom Mcgrath
Critical Inquiries Into Irish Studies
In September 1920, at a meeting in Johannesburg, the Irish National Association of South Africa rebranded itself as the Irish Republican Association of South Africa. The IRASA was unique within the history of the Irish in South Africa. While it existed only until 1923, it was the largest Irish group in South African history, made evident by the establishment of its own journal, The Republic. The association was fundamentally devoted to nurturing an “Irish Afrikander” identity and culture within South Africa, primarily through the promotion of Irish works in its journal, from excerpts of Thomas Davis’ writings to a full …
Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine
Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine
Critical Inquiries Into Irish Studies
No abstract provided.
Téacsúil Fionnachtain, Alan Delozier
Téacsúil Fionnachtain, Alan Delozier
Critical Inquiries Into Irish Studies
No abstract provided.
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Critical Inquiries Into Irish Studies
The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.
Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn
Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn
Critical Inquiries Into Irish Studies
This article will analyze how Tana French conceptualizes spatiality, focusing on her use of liminal spaces, edgelands and peripheries, as the settings for her crime scenes. Instead of more traditional Irish literary urban-rural binaries, French exploits the interface of both places, reflecting a contemporary post-industrial, post-Celtic Tiger Ireland. In particular, in In the Woods (2007) the untamed woodland behind the housing estate in Knocknaree becomes an interfacial zone between the rural and urban, past and present. In The Likeness (2009), Whitethorn House sits at the edge of the village geographically, politically, and historically. In French’s first two novels peripheral spaces …
Tana French: An Interview With Brian Cliff, Brian Cliff
Tana French: An Interview With Brian Cliff, Brian Cliff
Critical Inquiries Into Irish Studies
No abstract provided.
O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier
O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier
Critical Inquiries Into Irish Studies
Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.