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Full-Text Articles in Arts and Humanities

Southern African Women’S Struggle To Both Uphold Tradition And Promote Women’S Equality In The Family, Sophia Bierly Jan 2021

Southern African Women’S Struggle To Both Uphold Tradition And Promote Women’S Equality In The Family, Sophia Bierly

Copley Library Undergraduate Research Awards

A woman in modern Limpopo, South Africa explained traditional marital expectations by re-telling what her aunt once said to her: “Lady, you must know that this man is your head, you are the neck. Whatever he is telling you, or whatever he is saying, that’s the word, he’s the head, you don’t have to challenge him”.1 This quote shows that unequal familial structures pervade Southern Africa. The traditional structure of marriage in Southern Africa empowers mothers while disparaging wives, consequently minimizing young women’s economic opportunities, while preserving older women’s economic security. Traditional Southern African marital customs have significant influence over …


Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax Jan 2020

Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax

Copley Library Undergraduate Research Awards

Algiers, the first French colony in Africa, was conquered in 1830 and gained independence in 1962. During this period, Algiers was constructed into an Orientalist acting ground that was shaped through political, social, economic formations in the built environment. The French colonial fascination with Algiers centered around the casbah, and thus the casbah became a laboratory for ethnographic and urban reflections. The French process of urban planning included military intervention, preservation motivated by exoticism and museology, and superstructure master plans dictated by the present benefit of indigenous communities to the colonial regime. Le Corbusier’s contact with Algiers further expresses the …


"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins Jan 2020

"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins

Copley Library Undergraduate Research Awards

A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …