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Full-Text Articles in Arts and Humanities
The Unheard New Negro Woman: History Through Literature, Shantell Lee
The Unheard New Negro Woman: History Through Literature, Shantell Lee
University of New Orleans Theses and Dissertations
Many of the Harlem Renaissance anthologies and histories of the movement marginalize and omit women writers who played a significant role in it. They neglect to include them because these women worked outside of socially determined domestic roles and wrote texts that portrayed women as main characters rather than as muses for men or supporting characters. The distorted representation of women of the Renaissance will become clearer through the exploration of the following texts: Jessie Fauset’s Plum Bun, Caroline Bond Day’s “Pink Hat,” Dorothy West’s “Mammy,” Angelina Grimke’s Rachel and “Goldie,” and Georgia Douglas Johnson’s A Sunday Morning in …
Here I Am And Here I’M Not: Queer Women’S Use Of Temporary Urban Spaces In Post-Katrina New Orleans, Vigdís María Hermannsdóttir
Here I Am And Here I’M Not: Queer Women’S Use Of Temporary Urban Spaces In Post-Katrina New Orleans, Vigdís María Hermannsdóttir
University of New Orleans Theses and Dissertations
This thesis builds on previous work on the relationship between queer identities and urban space. Drawing from an analysis of two recurring New Orleans-based queer women’s events, I examine how lesbians and queer women not only use but also actively produce social spaces of their own through participation in events organized specifically for lesbians and queer women. Using qualitative methods, I examine the ephemeral and transient quality of lesbian and queer women’s social spaces in post-Katrina New Orleans and the processes through which such spaces come into being. I argue that lesbian and queer women’s production of ephemeral social spaces …
Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson
Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson
University of New Orleans Theses and Dissertations
Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …