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Full-Text Articles in Arts and Humanities

Profiles In Leadership: Women Of Color Elected To Office In Massachusetts, Center For Women In Politics And Public Policy, University Of Massachusetts Boston, Women's Pipeline For Change Sep 2015

Profiles In Leadership: Women Of Color Elected To Office In Massachusetts, Center For Women In Politics And Public Policy, University Of Massachusetts Boston, Women's Pipeline For Change

Publications from the Center for Women in Politics and Public Policy

There are two narratives that provide the story behind this guide. These stories may seem contradictory at first, but they are both true: it is only by telling both sides of the story that we can understand the full meaning and impact of the experiences of the women pictured in the pages that follow.

On the one hand, there is a story of exclusion, marginalization, and lack of representation of women of color in governing bodies all across Massachusetts – from local to federal office. The Massachusetts Legislature has existed since 1780, yet we have only had 14 women of …


Testimony On The Equal Pay Act [H. 1733/S. 983], Ann Bookman Jul 2015

Testimony On The Equal Pay Act [H. 1733/S. 983], Ann Bookman

Publications from the Center for Women in Politics and Public Policy

Testimony on the Equal Pay Act [H. 1733/S. 983] by Ann Bookman, PhD, delivered at the Massachusetts State House, 2015 July 21.


Bessie [Film Review], Judith E. Smith Jan 2015

Bessie [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …