Arts and Humanities Commons^™

‘How Little I Cared For Fame’: T. Sparrow And Women’S Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This article analyzes the work of an overlooked female journalist, T. Sparrow, arguing that her career reveals the difficulties female journalists faced when negotiating between the expectations of middle-class gentility and the demands of investigative journalism.

Sparrow asserted her gentility rhetorically, in part because female reporters who took up investigative reporting were vulnerable to criticism for assaying beyond domestic subjects. Moreover, incognito investigative reporting often brought celebrity to its practitioners, which challenged the convention of middle-class female modesty.

Sparrow, therefore, strove for a delicate balance in her career—assuming the stance of a middle-class woman who lived among the poor, someone …

'But What About Feminist Porn?' Examining The Work Of Tristan Taormino, Rebecca Whisnant

Philosophy Faculty Publications

This article examines the work of Tristan Taormino, a prominent self-described feminist pornographer, in order to illustrate themes and commitments common among those who produce, perform in, and/or support feminist pornography. I argue that her work is burdened by thin and limited conceptions of feminism, authenticity, and sexual ethics, as well as by the profit-based exigencies of producing “feminist porn” within the mainstream pornography industry. I conclude that, if indeed feminist pornography is possible, Taormino’s work falls far short of the mark. Public Health Significance Statement: This study suggests that Taormino’s pornographic films are unlikely to have salutary effects on …

Tripping On All The Faces: The Identity Work Of Native American Women Artists, Amanda Dee

Joyce Durham Essay Contest in Women's and Gender Studies

Native American women artists are constantly tugging at a tangle of identities, all while others are pulling on them just as hard. These identities—Native American, Woman, Artist— struggle in one body to express themselves “authentically,” against and toward privacy, against and toward openness. On the outside, however, others flatten the identity of Natives as stoic, wise warriors with elaborate headdresses. Or even flatter to long braids, tan-skin. The confluence of a Cheyenne Lakota cowboy father and artist mother, Cannupa Hanska Luger produced a series in 2013 titled and expressing just that: "Stereotype: Misconceptions of the Native American" in Figure 1 …