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No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz Jan 2003

No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz

Publications and Research

Feminist video does collectivity exceedingly well. Certainly other politicized cultural movements and individuals work through this method, and, of course, feminists also produce work in collaboration in film and other media (as Julia Lesage testifies above). However, I assert that there is a profound natural mechanics to women's work in video that makes the medium's method, theory, and theme the interactive and politicized subjectification of the female sex. Film and patriarchy share the project of women's objectification-they make victims. Video and feminism see women as complex, worthy selves-they produce subjects. In feminist collaboration: video, the medium (inexpensive, debased, nonprofessional), the …


Sexual Slander And Working Women In "The Roaring Girl", Mario Digangi Jan 2003

Sexual Slander And Working Women In "The Roaring Girl", Mario Digangi

Publications and Research

Though scholarship of the early modern era focuses on the character of Moll Frith when considering the gender ideology contained in Thomas Middleton and Thomas Dekker's "The Roaring Girl," the play's other female characters are also of interest. The "citizen wives" of the play are women who, though married, work outside the home. Their special status in the emerging capitalist marketplace of the early modern era gave rise to unique anxieties about their economic power and sexual availability. These anxieties in turn made these women especially susceptible to slander against their sexual reputation and thus respectability in the community. An …