Arts and Humanities Commons^™

Black Feminism: Switching The Script On Traditional Feminist Narratives, Monee Reis

Senior Honors Projects

MONEE REIS (Gender and Women’s Studies, Africana Studies) Black Feminism: Switching the Script on Traditional Feminist Narratives

Sponsor: Kathleen McIntyre (Gender and Women’s Studies, Honors Program)

I developed a 300-level undergraduate course aimed at exploring the history of Black feminism. This idea came to me after reading Audre Lorde’s 1984 article “Age, Race, Class, and Sex: Women Redefining Difference.” Lorde detailed the various ways Black women’s contributions to feminism are underrepresented in the overarching historical narrative. Lorde’s 1980s activism and feminist scholarship ultimately influenced legal scholar Kimberlé Crenshaw to coin the term intersectionality in 1989. Intersectionality, the multiple ways that …

Shifting Experiences: The Changing Roles Of Women In The Italian, Lowland, And German Regions Of Western Europe From The Middle Ages To The Early Modern Period, Susan Papino

Senior Honors Projects

As the culture of the Middle Ages declined and Early Modern period characterized by a revival of humanistic ideals of the Renaissance commenced, the society of Western Europe underwent many changes. Different attitudes emerged concerning cultural values, and the medieval feudal way of life that has often been interpreted as being antiquated and obsolete gave way to more modern political, economic, and social systems. The question still remains, however, of exactly how women, an often underrepresented part of society, were affected by these so-called modernizing changes. The scope of this research is to basically address this question and examine the …

Mirror Of Culture: The Study Of A Nineteenth-Century Sewing Diary, Elizabeth M. Dellabadia

Senior Honors Projects

Hidden inside the library of the American Textile History Museum in Lowell, Massachusetts is wonderful resource for the study of late nineteenth-century America. When Ann Eliza Cunningham was middle aged, she compiled a sewing diary that included scraps of material from dresses she wore or China trade fabrics brought home by her father. Ann Eliza not only included assorted swatches; but she associated the fabrics with different events in her life. She includes swatches from dresses she wore on her wedding day in 1856, for Thanksgiving, and for various family celebrations like birthday parties. Similar to the work of a …