Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Photography (2)
- Accepted for Publication (1)
- Art (1)
- Blue ribbons (1)
- Castelseprio (1)
-
- Copyright (1)
- ESSAYS IN PEER-REVIEWED EDITED BOOKS (1)
- Frescoes (1)
- Futurism (1)
- Gabbard (1)
- Giacomo Balla (1)
- Google (1)
- Graffiti (1)
- Human Rights Law (1)
- Hurricane Katrina (1)
- Intellectual property (1)
- Internet (1)
- Julian Haladyn (1)
- Last Judgment (1)
- Le Segrete Cose (1)
- Linea di Velocita (1)
- Mass Media (1)
- Michelangelo (1)
- New Orleans (1)
- Photojournalism (1)
- Portable Tea Ceremony (1)
- Post-Katrina New Orleans (1)
- Reality (1)
- Street art (1)
- Visual Studies (1)
Articles 1 - 14 of 14
Full-Text Articles in Arts and Humanities
Made In Movieland: Imitation, Agency, And Girl Movie Fandom In The 1910s., Diana Anselmo-Sequeira
Made In Movieland: Imitation, Agency, And Girl Movie Fandom In The 1910s., Diana Anselmo-Sequeira
Diana Anselmo-Sequeira
This article uses the key concept of imitation as a frame through which I explore the complex relationship established between a burgeoning American film press and the first generation of girls to be culturally construed as “adolescent” and “movie fans.” Interlacing early-twentieth-century psychology literature with commercial print sources and girls’ own fan testimonies, I set out to investigate the ways imitation became a source of agency for movie-loving girls at a time popular and scientific sources understood imitative behavior as both a mark of women’s intellectual inferiority and a product of female adolescent arrestment. The goal of this piece is …
Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano
Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano
Doreen M Piano
Before the storm, responses to graffiti writing and street art in New Orleans were typical of other urban environments where it was viewed as being “out of place” (Keith, 1999), “a spectacle of filth” (Conquergood, 2004), involving what Ferrell (1993, p. 37) describes as a “war of the walls.” David (2005) describes the political aspects of street art in New Orleans as “visual resistance” (p. 233), a term that captures relations of power among graffiti producers, their products, and the effects of their actions (p. 233). However, attempts to eliminate graffiti and street art by enforcing stricter penalties, encouraging neighborhood …
The Frescoes Of Castelseprio, John Hatch
Futurism: Movement And The Structure Of Reality, John Hatch
Futurism: Movement And The Structure Of Reality, John Hatch
John G. Hatch
No abstract provided.
Michelangelo's Last Judgment And 'Le Segrete Cose', John Hatch, J. Curtis
Michelangelo's Last Judgment And 'Le Segrete Cose', John Hatch, J. Curtis
John G. Hatch
No abstract provided.
Giacomo Balla's Linea Di Velocita (1913), John Hatch
Giacomo Balla's Linea Di Velocita (1913), John Hatch
John G. Hatch
No abstract provided.
Julian Haladyn: Portable Tea Ceremony Performance At The University Of Western Ontario, London, Ontario, May 16, 2000, John Hatch
John G. Hatch
No abstract provided.
A Legacy Of Persuasion: Japanese Photography And The Artful Politics Of Remembering Manchuria, Kari Shepherdson-Scott
A Legacy Of Persuasion: Japanese Photography And The Artful Politics Of Remembering Manchuria, Kari Shepherdson-Scott
Kari L Shepherdson-Scott
No abstract provided.
Shantytown Vistas And Immigrant Voices: Bernardo Verbitsky, Guaraní Language And The Art Of Overcoming Peronism, Stephen Buttes
Shantytown Vistas And Immigrant Voices: Bernardo Verbitsky, Guaraní Language And The Art Of Overcoming Peronism, Stephen Buttes
Stephen M Buttes
This was an invited presentation at a conference of Indiana professors who specialize in research on Latin America. The conference was hosted by the Minority Languages and Literature program at Indiana University, Bloomington. I gave a version of what was then a forthcoming paper on Bernardo Verbitsky's novel Villa Miseria también es América. The entire essay can be read at the following link: http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/revista_de_estudios_hispanicos/v047/47.2.buttes.html
Wedding Albums, Jim Gabbard
Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse
Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse
Deborah Brightman Morse
Never has the dissonance between copyright and innovation been so extreme. The Internet provides enormous economic growth due to the strength of e-commerce, and affords an avenue for creativity and the wide dissemination of information. Nevertheless, the Internet has become a plague on copyright law. The advent of the digital medium has made the unlawful reproduction, distribution, and display of copyrighted works essentially effortless. The law has been unable to keep pace with the rapid advance of technology. For the past decade, Congress has been actively attempting to draft comprehensible legislation in an effort to afford copyright owners more protection …
Where I Am, There (Sh)It Will Be, Melanie Mcdougald
Where I Am, There (Sh)It Will Be, Melanie Mcdougald
Melanie E McDougald
No abstract provided.
Photojournalism, Mass Media And The Politics Of Spectacle, Carol Payne, Amy Lyford
Photojournalism, Mass Media And The Politics Of Spectacle, Carol Payne, Amy Lyford
Amy Lyford
No abstract provided.
“Drawing Difference: The Women Artists Of Madriz And The Cultural Rennovations Of The 1980s", Gema Pérez-Sánchez
“Drawing Difference: The Women Artists Of Madriz And The Cultural Rennovations Of The 1980s", Gema Pérez-Sánchez
Gema Pérez-Sánchez
No abstract provided.