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Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea Apr 2020

Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea

Student Publications

In the early nineteenth century, George Washington and Thomas Jefferson built a classically inspired capital designed to legitimize American republican ideals. White interpretations of the architecture gradually aligned more with the founders’ intentions, especially following its reconstruction after the 1814 conflagration. Enslaved and free black observers recognized their exclusion from the message of freedom and equality. Rather than finding their identity through federal buildings, they established their communities within churches, houses, and businesses owned by black people. The varied reactions to Washington’s and Jefferson’s designs demonstrated how the aesthetic idealization of republicanism revealed incongruities in the new capital.


Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power Apr 2014

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …