Arts and Humanities Commons^™

Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea

Student Publications

In the early nineteenth century, George Washington and Thomas Jefferson built a classically inspired capital designed to legitimize American republican ideals. White interpretations of the architecture gradually aligned more with the founders’ intentions, especially following its reconstruction after the 1814 conflagration. Enslaved and free black observers recognized their exclusion from the message of freedom and equality. Rather than finding their identity through federal buildings, they established their communities within churches, houses, and businesses owned by black people. The varied reactions to Washington’s and Jefferson’s designs demonstrated how the aesthetic idealization of republicanism revealed incongruities in the new capital.

Profiles In Patriotism: Muslims And The Civil War, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

While many minority groups have had their contributions and accomplishments during the Civil War recognized, one group of Americans has received little attention. Muslim Americans are rarely the focus of Civil War scholars and are typically viewed as a demographic relevant only to more modern history. This should not be the case. In fact, Muslim Americans have served in virtually every armed conflict in United States history and left their mark on every era, including the Civil War. A simple search using the Civil War Soldiers and Sailors System (CWSS) reveals several names associated with Islam, including two Mahomets, two …

Slaves, Soldiers, Citizens: African American Artifacts Of The Civil War Era, Lauren H. Roedner, Angelo Scarlato, Scott Hancock, Jordan G. Cinderich, Tricia M. Runzel, Avery C. Lentz, Brian D. Johnson, Lincoln M. Fitch, Michele B. Seabrook

Other Exhibits & Events

Based on the exhibit Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era, this book provides the full experience of the exhibit, which was on display in Special Collections at Musselman Library November 2012- December 2013. It also includes several student essays based on specific artifacts that were part of the exhibit.

Table of Contents:

Introduction Angelo Scarlato, Lauren Roedner ’13 & Scott Hancock

Slave Collars & Runaways: Punishment for Rebellious Slaves Jordan Cinderich ’14

Chancery Sale Poster & Auctioneer’s Coin: The Lucrative Business of Slavery Tricia Runzel ’13

Isaac J. Winters: An African American Soldier from Pennsylvania …

Freedmen With Firearms: White Terrorism And Black Disarmament During Reconstruction, David H. Schenk

The Gettysburg College Journal of the Civil War Era

The outcome of the Civil War brought freedom to over six million slaves of African descent. These Freedmen communities remained a critical source of labor for the agrarian based economy of the southern U.S. Conflicts erupted because former slaves sought to exercise their new freedoms against the restrictions placed on them by local authorities. New laws, mob actions and acts of organized white terrorism were used to subjugate free citizens and return them to their former stations of labor. Political activities and participation in the electoral process were violently discouraged. Vocal opponents of the new system were often targeted for …

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

Black Labor At Pine Grove & Caledonia Furnaces, 1789-1860, Troy D. Harman

Adams County History

Black labor operating under various degrees of freedom found a suitable working environment, if not a safe haven, in several iron forges of South Central Pennsylvania, from the late 1790s through the 1850s. Primary accounts indicate that two in particular, Pine Grove Furnace of Cumberland County, and Caledonia Furnace of Franklin County, harbored runaway slaves to augment their work force. Pine Grove records, dating from 1789 – 1801, specify names of “negro” employees, verifying that black labor coexisted with white, but day books, journals, and ledgers do not denote status.1 Whether they were free men, or slaves rented out by …