Arts and Humanities Commons^™

Power In Portrayal: An Exploration Of The Evolving Cold War Relationship Between Germany And America Through Film, Kaleb Wentz

Electronic Theses and Dissertations

The end of the Second World War brought many questions to the United States. One of the greatest among these was what to do with defeated Germany. Many clamored for the dissolution of the former Nazi State and the shameful humbling of its people while others recognized the value of a revitalized Germany as an ally against the looming threat of an emboldened and empowered postwar Soviet Union. Though retribution held sway immediately following the war, the Cold War consensus of an alliance with West Germany and a reimagining of the German people as victims rather than perpetrators won out …

Scientific Collaboration And The Cold War: 1945-1970, Autumn Wyland

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis is an examination of scientific collaboration between 1945 and 1970, covering the end of World War II and through the early stages of the Cold War. Prior to the Second World War, scientific collaboration was frequent and necessary to development and research. World War II created a new atmosphere of secrecy, preventing scientists from collaborating as they once had. This paper examines what that collaboration looked like, how it was derailed and why, how some scientists sought to return to collaboration, sometimes at personal expense, and finally what those effects looked like throughout the Nuclear Age and Space …

A Cold War On The Dark Knight: Batman And American Culture 1939-1975, Angelica Cantrell

Honors Theses

In 1930, Batman fought the prevailing fears of urban America. With the addition of Robin in 1940, the comics changed to appeal to children and continued to follow the cultural trends of America during World War II and into the Cold War. Fear and paranoia during the Cold War influenced American culture and domestic policy. Anticommunism was ingrained in American social structure and initiated efforts at social containment in the 1950s. American culture shifted to emphasize morality and domesticity, and many Americans actively sought to protect traditional Christian values in their society.

Among the rising concerns, Americans became increasingly worried …

Soft Power And Polite Propaganda: Public Diplomacy In The Early Cold War, Coby Aloi

Departmental Honors Projects

In the Aftermath of the Second World War, the United States and The USSR stood as the only true superpowers. Both states held their own spheres of influence, with interests in spreading that influence. With the fear of nuclear war and the still looming shadow of global conflict, a new brand of diplomacy began to take hold as the preferred method of international relations between adversarial states. Soft power was beginning to become an influential means to accomplishing the goal of nations abroad.

The careful curation of print media, literature, and informational campaigns became an important element to how the …

A Dazzling Détente: Exploring The Cultural Facets Of The Kennedys’ 1961 Visit To Paris And The Instrumental Role Of Jacqueline Bouvier Kennedy, Maxwell Riley Toth

Senior Projects Spring 2022

This project is an exploration into John and Jackie Kennedy’s 1961 trip to Paris, France, only four months after the former was inaugurated as the 35th President of the United States. In discussing this state visit, scholars often analyze it through a political lens—specifically, the gravity of the issues a novice President Kennedy (1917–1963) and an avuncular President de Gaulle (1890–1969) discussed tête-à-tête, and the visit’s role as a stepping stone to Kennedy’s weighty conversation with Nikita Khrushchev in Vienna days later. Yet, outside of the conference room at the Élysée, cultural moments and gestures throughout the sojourn offer insights …

Weaponizing Ballet: An Episode In American Cold War Diplomacy, Remy Laray Naumann

Senior Projects Spring 2022

In October 1962, as American citizens were building bomb shelters in their backyards, the New York City Ballet toured the Soviet Union, receiving raving applause from Soviet audiences. The tour is just one example of the many ballet exchanges in the late 1950s and early 1960s between the United States and the Soviet Union. In these acts of cultural diplomacy, ballet companies became ideological weapons, selling their country's achievements to audiences abroad.

Tours such as the New York City Ballet’s 1962 trip have been acknowledged in analyses on cultural diplomacy between the US and Soviet Union in the Cold War …