Arts and Humanities Commons^™

Making Photographs Speak, Cameron T. Sauers, Benjamin M. Roy, James T. Goodman

The Gettysburg Compiler: On the Front Lines of History

It has often been said that “a picture is worth a thousand words.” Making that picture spit out those mythical thousand words, as we can all attest, is no easy task. Over the course of the first half of the fall semester, the three of us were tasked with developing brief interpretive captions for two Civil War photographs each, with the end goal to display our work at the Civil War Institute’s 2019 Summer Conference. What initially appeared as a simple project quickly revealed itself to be a difficult, yet rewarding, challenge that taught us all important lessons concerning …

The Perfect Vessel Of Grief: Women And Mourning Photography, Savannah Labbe

The Gettysburg Compiler: On the Front Lines of History

After her father died, the girl in the photo above went through a highly ritualized and formalized process of Victorian mourning. This process radically changed with the invention of photography in 1839. Now one could record the grieving process, which is what the photograph above accomplished. The photograph is a typical mourning portrait, depicting the mourner (the little girl in this case), with the photo of her deceased loved one in her hands. Like so many other photographs, this one recorded the grieving process, allowing loved ones to keep a piece of that person even after their death. 19th-century photographs …

Gen Ms 11 Leo Brooks Photographs Finding Aid, Siobain C. Monahan

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Description:

Leo Brooks was an artist who was also a linotype operator at the New York Times. He worked in a variety of media, including jewelry and painting. He worked for the Works Progress Administration in the 1930s, making a photographic record of life in the city during the Great Depression. The collection consists of reproductions of photographs taken in New York, in 1932 and 1933. Possibly acquired by the University Art Gallery for an exhibition.

Date Range:

1932-1933

Size of Collection:

4.5 ft.

Gen Ms 06 Ben Shahn Photographs Finding Aid, Siobain C. Monahan

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Description:

Ben Shahn was an artist who used photographs primarily as a starting point for paintings. He was employed in the New Deal Resettlement (later Farm Security) Administration as an artist, but also assisted with the photographic projects. The collection consists of reproductions from the Library of Congress, Farm Security Administration, Office of War Information Photograph Collection, used in a 1976 exhibition at the University Art Gallery.

Size of Collection:

4.5 ft.