Arts and Humanities Commons^™

Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri

Student Theses and Dissertations

This paper is an analysis on the graffiti artist Panmela Castro and her murals in Brazil and around the world. My thesis emphasizes the importance of feminist subject matter for graffiti art in Brazil, as well as its impact on the public sphere. The paper is separated into four sections: “Formative Years,” describing her biography and the development of her works; “Interaction with the City,” analyzing the interaction between graffiti and the urban environment, and using that discussion as a frame to contextualize Castro’s work; “Feminist Imagery and Ideology,” examining some of her concurrent themes and imageries; and finally “Transnational …

Two Become One. Collaboration In Life And Work: Emilia’S Role In The Work Of The Artistic Duo Ilya And Emilia Kabakov, Elena Coureau

Theses and Dissertations

This paper examines the artistic collaboration of Ilya and Emilia Kabakov in terms of co-authorship. Through a discussion of collaboration in diverse fields, this paper develops an understanding of the artists’ decision to join forces and highlights Emilia Kabakov’s artistic talent and originality, diverging from the previous scholarship.

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

The Villa Baizeau And The Casa O’Gorman: The Modern House In 1929 Through Two Case Studies, Nora L. Boyd

Theses and Dissertations

Using as case studies two houses designed and built in the years 1928-1931 in Mexico City and Tunis, which early scholars connected to the Swiss architect Le Corbusier, this study illuminates inherent biases in architectural history and proposes a more historically rigorous framework, reoriented around individual buildings rather than architects.

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

Theses and Dissertations

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart

Dissertations, Theses, and Capstone Projects

Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.

Construction sites, scaffolding, and …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier

Theses and Dissertations

This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.

Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman

Theses and Dissertations

Rayman makes an argument to repurpose capitalist systems as readymade artworks to shift the existing flow of capital from speculator to art producer.

Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper

Theses and Dissertations

This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.

The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004., Olga Tykhonova

Theses and Dissertations

The thesis focuses on a particular moment in the history of Kunstverein München - the directorship and curatorial practice of Maria Lind from 2002 to 2004, referred to as exemplary of the New Institutionalism. I analyze Lind’s directorship through the lens of the director-curator concept and institution as an “agonistic space.”

Archaeology Of Social Patterning, Chase Bray

Theses and Dissertations

The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.