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Full-Text Articles in Arts and Humanities

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos Sep 2014

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos

Electronic Thesis and Dissertation Repository

The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …


A Photographer Develops: Reading Robinson, Rejlander, And Cameron, Jonathan R. Fardy Sep 2014

A Photographer Develops: Reading Robinson, Rejlander, And Cameron, Jonathan R. Fardy

Electronic Thesis and Dissertation Repository

This study examines the historical emergence of the photographer by turning to the writings of three important photographers of the nineteenth century: Henry Peach Robinson (1830-1901), Oscar Gustave Rejlander (1813-1875), and Julia Margaret Cameron (1815-1879). The photographic works of each of these photographers has been the subject of much historical and interpretive analysis, but their writings have yet to receive significant scholarly attention. It is the claim of this study that this archive opens a new set of questions: What did it mean to claim: “I am a photographer” at photography’s advent? How did these individuals come to identify themselves …


The Proto-Pixel Art Of Malevich And Kandinsky: Black Square, Its Digital Descendant And Neo- Vitalist Impulse, Irina Lyubchenko Mar 2014

The Proto-Pixel Art Of Malevich And Kandinsky: Black Square, Its Digital Descendant And Neo- Vitalist Impulse, Irina Lyubchenko

Modern Languages and Literatures Annual Graduate Conference

In the beginning of the 20th century Kazimir Malevich, an important Russian avant-garde artist and thinker, created his iconic painting Black Square, which represented what he believed to be the basic unit of visual reality. Around the same time Wassily Kandinsky, another important Russian artist renown for his experiments in purely abstract art, discovered his own unit of representation – the point. This paper examines how the visual and philosophical aspects of contemporary digital reality, reflected in the aesthetic of the pixel, could have sprung from the early 20th century experiments in assembling the visible world from its basic units, …


Feelings Sustaining Text: Aphorisms And Inspiration, Mikhail Pozdniakov Mar 2014

Feelings Sustaining Text: Aphorisms And Inspiration, Mikhail Pozdniakov

Modern Languages and Literatures Annual Graduate Conference

There are genres of reflection, one of which is constituted by the aphorism. These reflections are an art of ponderance, of pensiveness. Philosophy is not necessarily the best example, nor is it identical with the genre of reflection as such; it has had a hard time breaking with its derivative moments, and its history is of a catalogue of dogmas as well as progressive critiques. In logic, one of philosophy’s products, the continuous or infinite form of knowledge is condensed into the axiom or principle or formula, which carries the appearance of a statement of fact. Contrary to the latter, …