Arts and Humanities Commons^™

We Who Are Not As Others: Costuming The Godspell Ensemble As Historical Circus Performers, Anderson Palmer

Theatre Undergraduate Honors Theses

This paper examines the Bible as well as circus history and American history to determine the most effective way to design costumes for the musical Godspell by John-Michael Tebelak for a modern audience. The aim of all of this research is to re-center Tebelak’s original inspiration: The Feast of Fools by Harvey Gallagher Cox. Over the years since the premiere of Godspell in 1970, it has become heavily associated with hippies rather than clowns, despite the importance of clowns and clowning to the play’s inception.

Taking inspiration from primary research of circus performers, religious iconography, and early 20^th century …

Living As Past In The Present, Grace Taylor

Graduate Theses and Dissertations

In this thesis, I will be discussing how I used my nine roles in A Christmas Carol at TheatreSquared to practice getting out of my head onstage and into the hearts of each character. I will also include the script of my original play, GORILLA, the composition and performance of which were some of the greatest challenges of my artistic career thus far. Additionally, I am including my artistic statement, show posters, program, photos, website link, headshot & resume, and proofs of permission for use of media.

Allegedly In Love: A Theatrical Production, Leah Christenson

Theatre Undergraduate Honors Theses

Allegedly in Love: A Theatrical Production details the process of producing and costume designing a fully-realized performance run of an original piece by Madelyn Marks.

From The Footlight To The Spotlight: An Examination Of Theatrical Lighting Design, Jackson Smith

Theatre Undergraduate Honors Theses

This paper explores the question of how one could approach designing the lighting for a theatrical production. In doing this it covers foundational information about the science behind the medium, then it goes into a discussion of the types of artistry that lighting employs. It will explain what light contributes to a scene, how it can be manipulated creatively, and some of the methods and styles that have been developed over time. It culminates in an analysis of the author's lighting design for a production of Hedda Gabler.

Spaces Of The Tragic: Modern Dramatic Tragedy And Contemporary Memorial Design, Shiloh Bemis

Architecture Undergraduate Honors Theses

Humans use narrative to understand the world around us. At early ages we are exposed to storytelling with variable intent, from cautionary tales to the inspirational and everything in between. The dialectic strength of narrative mediums is well-known and well-studied. Theatre is one of the world’s oldest enduring forms of storytelling and has a strong ability to reflect and adapt with cultures as they develop, as a means of commentary and cultural reflection.

Architecture shares theatre’s ancient roots and has always been an important method of communication and expression. However, its tactics have historically been less narrative-centric than theatre and …

A Tough Nut Never Boils: Thoughts And Ruminations On Language And Playmaking, Lauren Ferebee

Graduate Theses and Dissertations

After an unorthodox journey through higher education ending during the coronavirus pandemic, which has made the typical theatrical thesis production and subsequent typical final year impossible, the author reflects on the body of work she has created at the University of Arkansas as an M.F.A. candidate in playwriting at the Department of Theatre, how she has reached both deeper into her own discipline and outside of it to widen her understanding of liveness, performance, and textual creation. She interrogates her own unexpected experiences, from figuring out how to make theatre without theatres, to teaching students who have never seen a …

Scenic Design For “Topdog Underdog”, Austin Aschbrenner

Graduate Theses and Dissertations

The 2019 production of Topdog/Underdog by Suzan-Lori Parks at the University of Arkansas was produced with a guest director who, throughout the process of the production, experimented with the typical perception of the Pulitzer Prize winning play and added conceptual spins to help open the eyes of the mostly small town and rural based audience. This thesis will explore the various elements of this particular production and which of these elements contributed to exploring the depths of Topdog/Underdog.

This document will analyze the design process of the University of Arkansas’s production of Topdog/Underdog, and will analyze specific design choices which …

The Scenic Design Of "A Little Night Music", Kathleen Holmes

Graduate Theses and Dissertations

A Little Night Music by Hugh Wheeler and Stephen Sondheim was produced by the University of Arkansas Department of Theatre in 2018-2019 academic school year. The scenic design process entailed a series of private meetings, design meetings, independent research, and analysis that all culminated into a full scenic design package. The show itself has many locations that quickly transition into one another. It was my challenge as the designer to cohesively design the scenery so that it could be transitioned easily and in time with the music. The major themes of the show that I based the design around were …

The Magic Circle: An Essential Experience Through Virtual Theatre, Brandon Roye

Graduate Theses and Dissertations

This thesis explores the similarities of video game design elements within the world of theatrical scenic design. Using my 2019 scenic design of Marc Camoletti’s bedroom farce Boeing Boeing as the backdrop, I discuss the core concepts of game design. I then describe the scenic process of the production and the journey from concept all the way through to a virtual reality recreation of the design. The study of game design in theatre has the potential to open a wide new world of opportunities in the scenic design industry. This paper examines how the theatre can benefit from game design …

To Be Thus Is Nothing, But To Be Safely Thus: Applying The Michael Chekhov Technique To The Character And Fight Direction Of "Macbeth", Scott Nicholas Russell

Graduate Theses and Dissertations

This thesis is an exploration of the Michael Chekhov technique as it was applied to the role of Macbeth, as well as the Fight Direction of the play. This production of Macbeth ran from February 1, 2019 to February 10, 2019 at the Global Campus Theatre at the University of Arkansas in downtown Fayetteville; this thesis includes documentation of the show. Additionally, this thesis includes documentation on my self-created one-person show, Forte and Foible, my headshot and resume, and link to my website.

What It Means To Be A Man: A Character Study Of Macduff, Justin Alexander Mackey

Graduate Theses and Dissertations

In this thesis I will be discussing my process as an actor when approaching a role, specifically the role of Macduff in William Shakespeare’s, Macbeth. I will include a character/script/event analysis as well as a journal of my experiences during the rehearsal process. I will also include production photos, programs, a link to my website, and my headshot and resume at the end.

Memories: The Lighting Design For “The Glass Menagerie”, Catherine Blencowe

Graduate Theses and Dissertations

This thesis presents new ways of looking at an old classic by illuminating the emotions and hardship of the Wingfield family through the use of color and texture. The Glass Menagerie by Tennessee Williams was presented at the University of Arkansas in September of 2017. The challenges of this production will be addressed as well as the achievements and areas of improvement of this production. Finally, this document will answer the question: How does color, texture, and the angle of stage lighting help heighten the emotions of the characters and engage an audience in the play?

Included are all the …

Privileged Eyes: How A Look In The Mirror Informed The Creation Of Marilyn And Desiree, Halley Electra Mayo

Graduate Theses and Dissertations

This thesis is for the performance of Desiree in A Little Night Music, by Stephen Sondheim and Hugh Wheeler; the development, writing, and performance of the one-person-show Privileged Eyes; and development of a website and statement of artistry.

Wait, She's Alive?! Playing Characters Based On Real, Living People, Courtney Jensen

Graduate Theses and Dissertations

This thesis is for the performance of Sara Jane Moore in Assassins and for development, contributions, and performance of a new play written for our graduating class, A Hamlet: West of Why. This thesis also consists of my statement of artistry, documentation of artistic materials, and thesis related performance materials.

The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead

Architecture Undergraduate Honors Theses

Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …

The Mission Of A Theatre Artist, Laura Shatkus

Graduate Theses and Dissertations

This thesis consists of materials documenting my thesis performance as well as a statement of artistry, a copy of my current headshot, and resume and a link to my website.

"V Is For Violin" - An Original Playscript, Brittany Taylor

Graduate Theses and Dissertations

As and MFA playwrighting candidate, I was given the opportunity to witness a fully realized production of my work. For this academic opportunity I chose the "V is for Violin." I will discuss the genesis of the idea, the evolution of the play, research conducted, and what I learned in the production process of the show.

The Development Of An Actor, Kieran Peter Cronin

Graduate Theses and Dissertations

This thesis is an exploration and reflection of my growth and development as an actor after three years of studies at the University of Arkansas. It includes a statement of artistry, a copy of the program from my thesis performance, a link to my actor website, and a current headshot and resume.

The Birth Of A Playwright Through The Evolution Of The One-Act Play Stripped, Bear; The Film Stripped, Bear; And The Full-Length Play American Bear, Larry Michael Mitchell

Graduate Theses and Dissertations

The Birth of a Playwright through the Evolution of the One-act Play Stripped, Bear; the film Stripped, Bear; and the Full-Length Play American Bear follows the inception, birth, and evolution of a ten-minute, one-act, film, and full-length play: three major iterations of the same source material. Through this exploration, the reader will not only see how the work was changed through outside forces such as form and function but internal struggles within a young playwright as he struggles to find a final form for his first major work while attempting to establish himself as a playwright both within the field …

Staging An Epic Journey: Developing The Set Design For Naomi Iizuka's Anon(Ymous), Ashleigh Louise Burns

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Naomi Iizuka's Anon(ymous), performed at the University of Arkansas in February, 2012. This paper will illustrate the approach taken by the designers and discuss the collaborative efforts of the design team and company of actors. The construction process and discoveries and decisions made during technical rehearsals will also be included.

This paper will attempt to answer the question: How do you stage the iconic and beloved story of The Odyssey with limited time, budget and skill? I will begin with …

An Exploration Of Moises Kaufman's 33 Variations Through Scenic Design, Ashley De Lys Harman

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis paper will document the scenic design process of Moises Kaufman's 33 Variations, performed at the University of Arkansas in September of 2012. This paper will map the collaborative journey taken by the design team, highlighting the dialogue between the scenic designer and director. It will also touch upon the construction and rehearsal process and how both contributed to the final design.

This thesis will attempt to answer the question: How do you create a fluid and evocative space for two separate, yet coexisting time periods joined through …

Lighting The World Of Urinetown: The Musical By Greg Kotis And Mark Hollman, Justin Brett Ashley

Graduate Theses and Dissertations

This thesis will describe the lighting design process for the production of Urinetown: the musical produced at the University of Arkansas, University Theatre, October 2010. The thesis will detail the process that was followed to create and produce the lighting design from original idea to completed production. The process covers visual and textual research, artistic process, technical process, development of light plot and associated paperwork.