Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii Dec 2015

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

University of New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …


Never Getting Back: Creating The Title Role In Rajiv Joseph's Bengal Tiger At The Baghdad Zoo, John H. Neisler May 2015

Never Getting Back: Creating The Title Role In Rajiv Joseph's Bengal Tiger At The Baghdad Zoo, John H. Neisler

University of New Orleans Theses and Dissertations

This thesis documents my rehearsal and performance of the role of Tiger in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo, including research, character analysis, role development, rehearsal journal, and an evaluation of my performance. Bengal Tiger at the Baghdad Zoo was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed at the Robert E. Nims Theatre of the Performing Arts October 2 - 4, 9 - 11 at 7:30pm, and October 12, 2014 at 2:30pm. The play was performed at the Kennedy Center American College Theatre Festival …


Recreating The Green-Eyed Monster : Iago For Modern Audiences., Travis Stolp May 2015

Recreating The Green-Eyed Monster : Iago For Modern Audiences., Travis Stolp

Electronic Theses and Dissertations

This thesis is an examination of my approach to the role of Iago in William Shakespeare's Othello. The thesis explores my training as an actor and the struggles that have challenged me in the past. I then discuss my acting process for Iago in which specific imagery, sounds, and energies in Shakespeare's text influence my employment of Michael Chekhov's acting technique. By using this technique, I am able to make specific psychological and physical choices that authenticate my performance as a character who is not a racist villain, but a victim who suffers from multiple personality disorders. Through this approach, …


The Mission Of A Theatre Artist, Laura Shatkus May 2015

The Mission Of A Theatre Artist, Laura Shatkus

Graduate Theses and Dissertations

This thesis consists of materials documenting my thesis performance as well as a statement of artistry, a copy of my current headshot, and resume and a link to my website.


Living As Bathsheba Doran's Helena In "Kin", Stephanie Nicole Bignault May 2015

Living As Bathsheba Doran's Helena In "Kin", Stephanie Nicole Bignault

Graduate Theses and Dissertations

This thesis is an exploration and reflection of my growth and development as an actor after three years of studies at the University of Arkansas. It includes a statement of artistry, a copy of the program from my thesis performance, a link to my actor website, a current headshot and resume, and my group thesis project script, Tender Comrades.


An Actor's Freedom, James Taylor Odom May 2015

An Actor's Freedom, James Taylor Odom

Graduate Theses and Dissertations

This thesis is an exploration and reflection on the discovery of an actor's freedom following an intense, three year study of the craft. It contains my statement of artistry, documentation of my thesis project and performance, as well as my future professional development materials.


Adapting To Eda : Embracing Change And Acting Accordingly., Tia Leshaun Davis 1989- May 2015

Adapting To Eda : Embracing Change And Acting Accordingly., Tia Leshaun Davis 1989-

Electronic Theses and Dissertations

This thesis serves to argue the importance of being able to embrace, promote and adapt to change in the pursuit of becoming a well-rounded artist. This thesis will chronicle my beginnings as a performing artist and show how the physical, spiritual and personal education I received from specific theatrical companies and academic institutions prepared me for my thesis roles and various production responsibilities in the University of Louisville production of Eda by Obotunde Ijimere, translated by Ulli Beier and directed by Nefertiti Burton. My education and willingness to embrace, promote and adapt to change allowed me to successfully immerse myself …


A Jew From Nebraska: An Actors Attempt At Stand-Up Comedy, Jeffrey Nathan Jan 2015

A Jew From Nebraska: An Actors Attempt At Stand-Up Comedy, Jeffrey Nathan

Electronic Theses and Dissertations

Stand-up comedy has been a major influence on American culture and has given the "Everyman" the ability to laugh at ourselves. Stand-up comedians have been performing in nightclubs, bars, clubs, and, most importantly, theatres for the past 60 years. Stand-up comedy can take many forms: a monologue of entertaining incidents that form a story, or a string of one-liners, or a succession of jokes. This performance project and thesis is an examination and an attempt at the art form that we call stand-up comedy. It will answer the question of what is the best approach to writing comedy for an …


Lost In Austen: An Immersive Approach To Pride & Prejudice, Erica Hughes Jan 2015

Lost In Austen: An Immersive Approach To Pride & Prejudice, Erica Hughes

Theses and Dissertations

This paper is an account of the Theatre VCU mainstage production of Pride & Prejudice, in which I played the roles of Mrs. Bennet and of the vocal coach. In order to address the various skill levels of the cast, I planned to coach the production in a manner inspired by immersion language learning programs, with the cast speaking in dialect throughout the rehearsal process so as to learn the necessary vocal skills and to grow together as a theatrical ensemble. When the director of Pride & Prejudice was not receptive to this plan, I had to compromise and adapt …