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Full-Text Articles in Arts and Humanities

Telling Our Stories: Community-Created Theatre As Intra-Cultural Diplomacy In A Transnational World, Sarah Ann Standing Sep 2011

Telling Our Stories: Community-Created Theatre As Intra-Cultural Diplomacy In A Transnational World, Sarah Ann Standing

Publications and Research

No abstract provided.


Forgiven: Creating The Role Of Elizabeth Proctor, Laura Kay Harrell Aug 2011

Forgiven: Creating The Role Of Elizabeth Proctor, Laura Kay Harrell

Graduate Theses and Dissertations

The following documents my process of creating the role of Elizabeth Proctor in Arthur Miller's The Crucible. It follows the audition process, table work sessions and my own personal and detailed journal entries I kept in rehearsals while creating this role.


Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher May 2011

Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher

Theses and Dissertations

Many great actors don’t work and many mediocre actors do. Why? The perfect monologue and great song isn’t enough to get you hired. Sadly, students are not prepared and equipped with the necessary skill set to take control of their careers. In this economic climate, the ability to audition could not be more imperative. In this thesis, readers will be introduced to the basics of audition technique as developed for Theatre majors at Virginia Commonwealth University as a precursor to their senior year. It will guide them through the first stage of their career. Furthermore, there are unspoken rules, etiquette, …


A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Gee Martin May 2011

A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Gee Martin

Honors Theses

In this thesis, I will document the creative work I completed for my Senior Acting Project. I will also explore my Senior Acting Project from a more ‘conventional’ academic standpoint. I will explore various definitions of tragedy and argue my own definition; I will also investigate who Euripides was as a writer and human being. I will then apply my findings to three different versions of Euripides’ tragedy Iphigenia in Aulis: a classical translation, a more contemporary translation, and the adaptation I performed for my SAP. I will argue whether or not each meets my criteria for a tragedy, …


Welcome To The Circus: Finding Ways To Artistically Express The Martial Way, Donzell Lewis Apr 2011

Welcome To The Circus: Finding Ways To Artistically Express The Martial Way, Donzell Lewis

Theses and Dissertations

This thesis explores various artistic and ritual practices of martial arts in relation to its presentation on stage. As a martial artist and actor I believe there are complementary practices in both crafts interdisciplinary of each other. For a martial artist, the individual’s performance and execution of martial arts techniques can be enhanced through emotional availability and characterization. For the actor, the martial arts can help condition the body physically, mentally and emotionally to create a grounded presence of connectivity to the earth. However, sometimes the martial arts are viewed as a militaristic discipline and not as artistic expression. I …


"Spending The Day In Front Of The Mirror", Lauren Friedlander Jan 2011

"Spending The Day In Front Of The Mirror", Lauren Friedlander

Honors Papers

In this paper, I analyze the processes my group of collaborators and I underwent in direction, production, collaboration, acting, and writing in order to perform my original solo performance piece, JOHN.


Inheriting The Motley Mantle An Actor Approaches Playing The Role Of Feste, Shakespeare's Update Of The Lord Of Misrule, Andrew Clateman Jan 2011

Inheriting The Motley Mantle An Actor Approaches Playing The Role Of Feste, Shakespeare's Update Of The Lord Of Misrule, Andrew Clateman

Electronic Theses and Dissertations

Playing role of Feste in William Shakespeare’s Twelfth Night presents a complex challenge to the actor. Feste is at once a character in the world of the play and a clown figure with specific dramatic functions having roots in the Lord of Misrule of the English holiday and the Vice of the morality play. How can the actor playing Feste create a believable psychological portrayal that is aligned with the functions Shakespeare assigns the role? And be entertaining as well? I suggest that actor will benefit greatly from an exploration the traditional function of the clown its development in society …


Beyond Performance Portraying A Gay Character Truthfully And Effectively, Trent Fucci Jan 2011

Beyond Performance Portraying A Gay Character Truthfully And Effectively, Trent Fucci

Electronic Theses and Dissertations

Queer culture is finding an ever-increasing voice in the arts. Plays like The Laramie Project, Rent, and Angels in America have contributed to making queer identity a very present voice in popular culture. In this thesis, I investigate the excitement and complexity of a straight actor becoming a gay character on stage. Using my interpretation of "Jack" in Debbie Lamedman’s new play, Triangle Logic, as a case study, I catalogue a three-month journey towards the effective embrace of truthfulness on stage. I expand the idea that actors must not layer on possibly offensive stereotypes to convey sexuality, but, instead, focus …


The Creation Of "Echolalia: A Conversation" A Production Thesis In Acting, Olga Michele Guidry Jan 2011

The Creation Of "Echolalia: A Conversation" A Production Thesis In Acting, Olga Michele Guidry

LSU Master's Theses

This thesis, submitted to the Graduate School of Louisiana State University as partial requirement for graduation with the Master of Fine Arts degree in Theatre, follows the creation of a solo performance piece by Michele Guidry, called “Echolalia: A Conversation.” This solo project is an exploration of communication through the experience of autism from the perspective of parents, siblings, and therapists of children with autism, and the children themselves. The thesis includes topics of inspiration for creating this solo performance piece, interviews with experts and theatre artists who have personal experience with autism, a copy of the script with explanation …


The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement, Nona Lee Davis Jan 2011

The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement, Nona Lee Davis

Electronic Theses and Dissertations

The study of stage combat is designed to fabricate the illusion of physical combat without causing harm to the performers. Most research in this field does not take into account the characterization of the actor during the training of a fight scene. An actor primarily learns the stunt choreography of the scene and often times the subtleties of the character is often forgotten. Scenes that involve physical contact are an essential aspect of the dramatic action. My aim is to eventually devise a process that will consistently create fight scenes that maintain the integrity of the fight director‘s work as …


The Actor's Role In Developing New Plays, Brooke M. Haney Jan 2011

The Actor's Role In Developing New Plays, Brooke M. Haney

Electronic Theses and Dissertations

The constant development of new plays is vital for theatre to stay relevant. There is a desire, a yearning, a need to see the issues we face in our lives on stage in current contexts, and to watch characters living with them. The ability, as an Actor, to be an asset to the process of creating new works is invaluable. For my thesis, I discuss the role of the Actor in the process of developing new plays for the stage. I say “discuss” because I venture to guess that this role is constantly evolving. There may be as many ways …


Technique Arms The Imagination Developing An Acting Theory Best Suited For Motion Capture Performance And The Creation Of A Virtual Character, Brendan Rogers Jan 2011

Technique Arms The Imagination Developing An Acting Theory Best Suited For Motion Capture Performance And The Creation Of A Virtual Character, Brendan Rogers

Electronic Theses and Dissertations

“The untrained body, like the sculptor's marble, can express nothing but its own limitations” (Lust 70). As acting styles have changed through the years, corresponding schools of thought have arisen to prepare performers for their unique challenges. Perhaps the goal of producing a “gripping performance,” one in which the audience is truly invested, has remained the same since the time of Thespis. How one arrives at this desired result, however, has varied greatly through the ages. Techniques, not surprisingly, tend to build on previous theories, beliefs and practices. Étienne Decroux’s corporeal mime technique builds on the teachings of Jacques Copeau, …


A Penitent Prepares: Affect, Contrition, And Tears, Christopher B. Swift Jan 2011

A Penitent Prepares: Affect, Contrition, And Tears, Christopher B. Swift

Publications and Research

This essay draws upon a poetic and devotional texts from late medieval Spain to show how public displays of emotion (weeping, in particular) during penitential processions could be learned and prepared for in advance.


From Broadway To Beacon - Actor, Victoria Zischke Dec 2010

From Broadway To Beacon - Actor, Victoria Zischke

Victoria A Zischke

No abstract provided.


A Funny Thing Happened On The Way To The Forum, Victoria Zischke Dec 2010

A Funny Thing Happened On The Way To The Forum, Victoria Zischke

Victoria A Zischke

Actor / Domina - courtesy of Actor's Equity Association