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Theatre and Performance Studies

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University of New Orleans Theses and Dissertations

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An Exploration Of The Experiences Black Women Face In Society Through The Lens Of Single Black Female, Danielle James May 2021

An Exploration Of The Experiences Black Women Face In Society Through The Lens Of Single Black Female, Danielle James

University of New Orleans Theses and Dissertations

The following thesis is an in-depth actor analysis on my approach to the role of SBF 2 in Theatre UNO’s 2020 production of Single Black Female by Lisa B. Thompson. This thesis will include analysis of the text, discussion about social issues, impact of a global pandemic, character objectives, techniques used, self-evaluation and personal reflection. This play was directed by Richon May, and performed Sept 30th- Oct 10th, 2020, as part of the Theatre UNO 2020-2021 academic season, presented by the Department of Film and Theatre in the School of the Arts, at the University of New Orleans, New Orleans, …


The Collaborators Draw The Circle, Gary K. Lengel Aug 2020

The Collaborators Draw The Circle, Gary K. Lengel

University of New Orleans Theses and Dissertations

The mystical appeal of a circle reverberates throughout the practice of theatre: from the story circles of our ancestors echoing through the caves and across the ancient savannahs to the modern-day arena palaces that allow playwrights, directors, actors, producers, designers, craftspeople, and, ultimately audiences, to engage and embrace our retold truths, we face each other in circles. This writing references academic instruction and professional experiences in live theatre, documenting various appearances of the circle metaphor as the rehearsal core drives through the production process. It is an endorsement of the circle’s power to the initial table read and beyond: this …


Scorched Earth: Unlocking The Mysteries Of Shakespeare's Greatest Villain, Iago In Othello, Christopher P. Hunter Jr Dec 2019

Scorched Earth: Unlocking The Mysteries Of Shakespeare's Greatest Villain, Iago In Othello, Christopher P. Hunter Jr

University of New Orleans Theses and Dissertations

The following thesis is an in-depth actor analysis chronicling my approach to the role of Iago in TheatreUNO’s 2019 production of Othello by William Shakespeare. This thesis will include analysis of the text, character objectives, techniques used, observations about the application of contemporary realistic acting technique to classical verse text, self-evaluation and personal reflection. This thesis will be supported by production materials including a fully scored script.

This play was directed by David W. Hoover, and performed April 25- May 4, 2019,as part of the TheatreUNO 2018-2019 academic season, presented by the Department of Film and Theatre in the School …


Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker Aug 2018

Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker

University of New Orleans Theses and Dissertations

The following thesis is a brief view of the 2017-2018 production of Marco Ramirez’s contemporary play The Royale, as produced by Theatre UNO, the theatre production arm of the University of New Orleans’ Department of Film & Theatre. This thesis will include initial responses, analysis, interpretation, production synthesis and communication, and reflection with conclusions on performance, directing, and pedagogy in academic theatre. This thesis is supported by documentation of the production process, including a scored script. The play was performed in New Orleans, Louisiana at the University of New Orleans Performing Arts Center’s Robert E. Nims Theatre, November 9-19, …


An Actor's Method To Building The Character Of Mother Superior In Agnes Of God, Venita J. Matthews May 2017

An Actor's Method To Building The Character Of Mother Superior In Agnes Of God, Venita J. Matthews

University of New Orleans Theses and Dissertations

ABSTRACT

Agnes of God is the story of a nun (Agnes) who gets pregnant while living in a convent. She almost dies after giving birth to a baby, who was later found dead in a garbage can. The cast consists of three members: Agnes; Mother Miriam Ruth (Mother Superior); and Dr. Martha Livingstone, the court appointed psychiatrist. Faith is tested as Dr. Livingstone draws closer to uncovering the truth surrounding the conception, birth, and death of Agnes’ baby.

I performed the role of Mother Superior in the UNO production of Agnes of God. This thesis documents my rehearsal and …


Becoming Ellen Van Oss In Lee Blessing's Two Rooms, Tiffany S. Anderson May 2016

Becoming Ellen Van Oss In Lee Blessing's Two Rooms, Tiffany S. Anderson

University of New Orleans Theses and Dissertations

This thesis documents the process implemented in creating the character of Ellen Van Oss in Lee Blessing’s Two Rooms. It includes research, character analysis, script analysis and an evaluation of my performance. Two Rooms was produced by the UNO Department of Film and Theatre and directed by Erick Wolfe. The play was performed at the Robert E. Nims Theatre in the UNO Performing Arts Center November 7, 12, 13, 21, 2015 at 7:30pm and November 8 and 22, 2015 at 2:30pm.


Creating A Sense Of Relevancy: Directing Lee Blessing’S Two Rooms, Erick L. Wolfe May 2016

Creating A Sense Of Relevancy: Directing Lee Blessing’S Two Rooms, Erick L. Wolfe

University of New Orleans Theses and Dissertations

The following thesis is a documentation of the production of Two Rooms, including analysis, research production book, script, documentation, and evaluation. The play was performed in New Orleans, Louisiana, at the University of New Orleans Performing Arts Center Lab Theatre on November 7th, 8th, 12th, 13th, 21st, and 22nd, 2015.


How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, David Cleveland Brown May 2016

How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, David Cleveland Brown

University of New Orleans Theses and Dissertations

This thesis documents my research, rehearsal, and performance of the role of Alceste in Moliere’s The Misanthrope, which includes, a biography of Moliere, character analysis, role development, a rehearsal journal, character research, acting process, evaluation of my performance, and script analysis. The Misanthrope was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed in the Robert E. Nims Theatre of the Performing Arts Center September 17 - 19, 24 - 26 at 7:30pm, and September 27, 2015 at 2:30pm.


An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii Dec 2015

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

University of New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …


Never Getting Back: Creating The Title Role In Rajiv Joseph's Bengal Tiger At The Baghdad Zoo, John H. Neisler May 2015

Never Getting Back: Creating The Title Role In Rajiv Joseph's Bengal Tiger At The Baghdad Zoo, John H. Neisler

University of New Orleans Theses and Dissertations

This thesis documents my rehearsal and performance of the role of Tiger in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo, including research, character analysis, role development, rehearsal journal, and an evaluation of my performance. Bengal Tiger at the Baghdad Zoo was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed at the Robert E. Nims Theatre of the Performing Arts October 2 - 4, 9 - 11 at 7:30pm, and October 12, 2014 at 2:30pm. The play was performed at the Kennedy Center American College Theatre Festival …