Arts and Humanities Commons^™

Creating Consent Based Spaces In The Performing Arts, Laura Rikard

SC Upstate Research Symposium

In 1849 when Duke Saxe Meiningen created the role of the modern director in theatre he created an authoritarian model for creative power over production that would be replicated for the next one hundred and fifty years in the performing arts. This leadership model led to a performing arts industry reliant on performances being obedient and not fostering environments where creative collaboration can thrive. It created confusion between what it means to say, “yes” from a point of view of survival and not from a place of consent. For true collaboration to thrive in the product and process oriented spaces …

Seven Phases Of The Moon, Muhammed Can Yasar

Theses and Dissertations

While studying for my MFA in Theatre, with a concentration in acting at the University of South Carolina, I was asked to write a solo show. I wanted to write about all the lives inside of me. As a Turkish Muslim man who lives in the United States, I lived so many lives, I met many people and seen many places. It made me who I am today, and writing became part of me forever. Creating a solo show was the most eye-opening learning experience. It changed my perspective towards my art, theatre. It helped me spotlight people, philosophy and …

Moonbird, Samuel Kinsman

Theses and Dissertations

Love is a formless entity. Transformative and elusive, it can wreak havoc in one's life if misplaced. Unrequited love has potential toxicity, rage can stem from the most loving of places, and countless crimes of passion are committed every year.

However, in its base nature, love is formative. It has the potential to bring two separate energies together, the ensuing combination is what people dream of. The chemical process of love, the intellectual understanding of attraction and the visceral pit-in-stomach when one looks across the room at their lover are all worth exploring, especially in the theater.

In this piece …