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Theatre and Performance Studies

Acting

Louisiana State University

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Full-Text Articles in Arts and Humanities

Unifying Text And Music: Applying Shurtleff's Twelve Guideposts To Operatic Arias For Soprano, Jamey J. Wright May 2022

Unifying Text And Music: Applying Shurtleff's Twelve Guideposts To Operatic Arias For Soprano, Jamey J. Wright

LSU Doctoral Dissertations

In the present culture of operatic performance, artistry is measured not only by singers’ musical interpretation and vocal technique, but also by their ability to communicate compelling characterization. This monograph explores a helpful technique for dramatic interpretation in opera. The discipline of musical performance provides helpful guides to characterization through elements such phrasing, rhythm, harmony, and instrumentation. Techniques borrowed from the spoken theater, particularly those pioneered by Constantin Stanislavski, include the Magic If, objectives, actions, and tactics. The literature on auditioning for the theater is useful for synthesizing these techniques for singers, because audition techniques emphasize compelling characterization with …


Love, Yourself: A Solo Play, Tiffany Gilly Jul 2021

Love, Yourself: A Solo Play, Tiffany Gilly

LSU Master's Theses

This Thesis outlines the research, writing, and production process that lead up to the performance of an original Solo Play, presented by the author. The project, entitled Love, Yourself is a twenty-minute autobiographical journey about the author’s experiences as a child of a neglectful and abusive single mother, as a foster kid, then college student, and eventual aspiring performer. In the play, the author deals with writer's block from not having felt inspired to write a song in months and attempts to find inspiration by sifting through old memories and telling stories to the audience. By the end of the …


Terrible Telegrams, Cara Lindsay Reid Jan 2017

Terrible Telegrams, Cara Lindsay Reid

LSU Master's Theses

In compliance to the curriculum at Louisiana State University and Swine Palace’s Actor Training Program, M.F.A. Acting candidates are required to create and develop a one-person show. The objective is to foster the actor’s creative virtuosity and to give them the confidence, capability, and skill set to continue to create their own work after graduation. My play is about Lucy James, a recent college graduate, who moves to New York to follow her dreams of becoming an actress. Lucy's love for the craft is challenged when she takes a demoralizing job and her life begins to spiral out of control. …


Me Paenitet, Joshua Stenvick Jan 2017

Me Paenitet, Joshua Stenvick

LSU Master's Theses

The coming pages will document my journey from the initial creative spark, to the final performance of a one-man show. The first chapter will chronicle the creative process and how I came about the idea. The second chapter will show you the performance text along with analysis to give a side-by-side example. The third and final chapter will detail what this thesis project means to me personally, my graduate degree and how my views on art have evolved. What was my one-man show about? It’s a story about the moment our moral compass is turned upside down, and finding our …


The Treasure Of Welks-Kreer, Lance Rasmussen Jan 2017

The Treasure Of Welks-Kreer, Lance Rasmussen

LSU Master's Theses

This paper is intended to document the process of developing and performing The Treasure of Welks-Kreer, a one-man show written by Lance Rasmussen in fulfillment of the requirement for his Master of Fine Arts in Acting degree at Louisiana State University. Harkening back to the memories of his childhood and his current passions and interests, Lance wrote The Treasure of Welks-Kreer as a story of hope and exploration. The story follows The Metaphor, a superhero who finds himself transported back to the basement where he used to play table-top roleplaying games with the group of friends who eventually formed his …


The Creation Of "Echolalia: A Conversation" A Production Thesis In Acting, Olga Michele Guidry Jan 2011

The Creation Of "Echolalia: A Conversation" A Production Thesis In Acting, Olga Michele Guidry

LSU Master's Theses

This thesis, submitted to the Graduate School of Louisiana State University as partial requirement for graduation with the Master of Fine Arts degree in Theatre, follows the creation of a solo performance piece by Michele Guidry, called “Echolalia: A Conversation.” This solo project is an exploration of communication through the experience of autism from the perspective of parents, siblings, and therapists of children with autism, and the children themselves. The thesis includes topics of inspiration for creating this solo performance piece, interviews with experts and theatre artists who have personal experience with autism, a copy of the script with explanation …


The Roles Of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, And Baucis In Mary Zimmerman's Metamorphoses: A Production Thesis In Acting, Anna Loft Richardson Jan 2007

The Roles Of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, And Baucis In Mary Zimmerman's Metamorphoses: A Production Thesis In Acting, Anna Loft Richardson

LSU Master's Theses

ABSTRACT This thesis is about the evolution and development of the roles of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, and Baucis in the Swine Palace show Metamorphoses by Mary Zimmerman. The rehearsal process is detailed here in journal format. Also included is pre-show research, character analyses, production run, and post show summary. This thesis will explore the creation of these characters, the obstacles during the process, and the experience of playing multiple roles.


Playing The Third Man (Midas' Servant, Ceyx, Morpheus As Ceyx, Orpheus, Apollo, A, Philemon) In Mary Zimmerman's Metamorphoses: A Production Thesis, Ronald Ludlow Reeder Jan 2007

Playing The Third Man (Midas' Servant, Ceyx, Morpheus As Ceyx, Orpheus, Apollo, A, Philemon) In Mary Zimmerman's Metamorphoses: A Production Thesis, Ronald Ludlow Reeder

LSU Master's Theses

The role of Third Man in Mary Zimmerman’s Metamorphoses was performed in the Fall of 2006 and elected as a thesis role at that time. This thesis is a written record of the actor’s interpretation of the character. This thesis includes background information on the production, reflections on acting in water, a character analysis, a five column score, reflections on performance issues, and photos.


The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy Jan 2005

The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy

LSU Master's Theses

The roles of Melibea/Isabelle/Hippolyta in The Illusion, freely adapted by Tony Kushner, was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor's work on the character throughout the rehearsal process and performance of the production. It contains four parts: an introduction, a character analysis, a four-column score and an appendix that includes production photos.


The Role Of Lady Macbeth In Shakespeare's Macbeth: A Production Thesis In Acting, Taralyn Adele Macmullen Jan 2005

The Role Of Lady Macbeth In Shakespeare's Macbeth: A Production Thesis In Acting, Taralyn Adele Macmullen

LSU Master's Theses

The role of Lady Macbeth in Shakespeare’s Macbeth was selected as a thesis project in the fall semester of 2004. The purpose of this thesis is to provide a written record of the actor’s interpretation and creation of the character through the rehearsal process. It contains five parts: an introduction, a character analysis, a daily actor’s journal, a physical score, and a conclusion.


The Role Of Dottie In Tracy Letts' Killer Joe: A Production Thesis In Acting, Elizabeth Jane King Jan 2003

The Role Of Dottie In Tracy Letts' Killer Joe: A Production Thesis In Acting, Elizabeth Jane King

LSU Master's Theses

The role of Dottie in Killer Joe by Tracy Letts was selected as a thesis project spring semester of 2003. This thesis is a written record of the actor’s work on the character of Dottie throughout the rehearsal process in the form of a rehearsal journal and a character analysis.


The Role Of Speed In Shakespeare's The Two Gentlemen Of Verona: A Production Thesis In Acting, Jennifer Nicole Kelley Jan 2003

The Role Of Speed In Shakespeare's The Two Gentlemen Of Verona: A Production Thesis In Acting, Jennifer Nicole Kelley

LSU Master's Theses

The author chose Speed from Shakespeare's The Two Gentlemen of Verona directed by John Dennis, as her thesis project in Fall 2002. This thesis includes an introduction, a character analysis, a journal of the rehearsal process and a conclusion.