Arts and Humanities Commons^™

Creating Consent Based Spaces In The Performing Arts, Laura Rikard

SC Upstate Research Symposium

In 1849 when Duke Saxe Meiningen created the role of the modern director in theatre he created an authoritarian model for creative power over production that would be replicated for the next one hundred and fifty years in the performing arts. This leadership model led to a performing arts industry reliant on performances being obedient and not fostering environments where creative collaboration can thrive. It created confusion between what it means to say, “yes” from a point of view of survival and not from a place of consent. For true collaboration to thrive in the product and process oriented spaces …

The Voice Actor And Their Double: Working As A Voice Actor And Teaching Voice Acting In The Age Of Ai Voice Cloning, Adam Paul

Tradition Innovations in Arts, Design, and Media Higher Education

The rapid development of Artificial Intelligence (AI) and voice cloning technology presents significant challenges and opportunities in the field of voice acting and performing arts. This article explores the profound transformations taking place in the voiceover industry due to the convergence of AI, voice synthesis, and personal voice cloning technologies. The author, a seasoned voice actor, reflects on the impact of these advancements on his profession, from the democratization of voiceover tools to the emergence of AI-generated voices that closely mimic human speech.

The article delves into the intricate interplay between technology and human creativity, investigating the implications for voice …

Introduction To Theatre Oer Course, Carmen R. Meyers

Open Educational Resources

Study of theatre and performance throughout history and across cultures including an examination of European, Carribean, and North and South American theatrical styles and genres.

This course is organized for a hybrid/asynchronous format. Our class meets on-campus every week for 75 minutes and the other 75 minutes will be completed asynchronously with weekly learning modules on Blackboard.

The first half of the course focuses on the history of theatre from Ancient Greece through Modern Realism. The second half of the course, students engage in the procedures of professional theatre artists through writing and refining a dramatic text; enacting a performance; …

A Kind Of Burr: The Fantastic Lucio In Measure For Measure, Matt Frye

Graduate Theses, Dissertations, and Problem Reports

The purpose of this document is to detail the process of developing the role of Lucio in West Virginia University’s spring 2023 production of William Shakespeare’s Measure for Measure. This document looks at the process and methods with which I crafted my role, as well as the research I used to build a well-defined world of the play. It will explain the rehearsal process, including text analysis and design aspects which affected the creation of the role, focusing on clarity through the use of scansion and interpretations of the references in the text. To conclude, I discuss my personal experience …

Tragedy Personified: Crafting The Role Of Carol In Alice Birch's Anatomy Of A Suicide, Josey Miller

Graduate Theses, Dissertations, and Problem Reports

The purpose of the document is to chronicle the character creation of Carol in West Virginia University’s fall 2023 production of Alice Birch’s Anatomy of a Suicide. The following text will provide a detailed look at research on the playwright and my personal textual analysis in tandem with consultations with mental health professionals. It will also describe how those resources in collaboration with imaginative work via the techniques of Sanford Meisner, Fitzmaurice Voicework®, and intentional intimacy choreography were utilized in the rehearsal and performance process. In summation, it will also include post-production evaluations from loved ones and mentors as well …

Ask The Duke, Why: How Fabrications Can Undermine Impact In Shakespeare’S Measure For Measure, Spencer D. Hansen

Graduate Theses, Dissertations, and Problem Reports

The following document recounts the observations and consequences that result from my attempts at justifying the actions of Duke Vincentio in Shakespeare’s Measure for Measure. By following my experience through the duration of West Virginia University’s 2023 production of Measure for Measure, I examine the ramifications of justifying the Duke’s actions and the potentially harmful consequences such justifications could create with regard to the play’s reception. Additionally, this text outlines performance techniques, audience responses, rehearsal strategies, and progressive interpretations for one of Shakespeare’s most challenging characters in one of his most divisive plays.

From Class To Craft: An Investigation Into The Practice Of Acting Techniques Applied To Angelo In Shakespeare’S Measure For Measure, Charles Wesley Meeks

Graduate Theses, Dissertations, and Problem Reports

This document examines the character development and performance process of Angelo in Measure for Measure by William Shakespeare. This production was directed by Professor Jerry McGonigle and performed in the mainstage season of 2022-2023 School of Theatre & Dance at West Virginia University. The ensuing text will outline the production process from the actor’s point of view including preparations, auditions, casting, rehearsals, performances, and final reflection. This text will include historical research, personal and directorial notes, textual analysis, table work and discussion, acting techniques, training, and education applied throughout the production period, and reflections of these experiences and discoveries.