Arts and Humanities Commons^™

2021-2022 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2021-2022 Join Us in Engaging with the Imaginations of Unparalleled Visionaries

No abstract provided.

Code-Switching In Jordanian Stand-Up Comedy A Humor Tool And A Means To Reflect Social Diversity, Ghaida Al-Quran

Journal of the Arab American University مجلة الجامعة العربية الامريكية للبحوث

This article discusses the function of code-switching in Jordanian stand-up comedy. Drawing on Hoffman (1991) and Troike (1982), analysis of twenty performances presented by Jordanian stand-up comedians revealed that the alternation between colloquial Jordanian Arabic, the dialect these performances are mainly delivered in, Standard Arabic, and sometimes English does not only emphasize the humorous role of this genre, but also reflects the social diversity among Jordanians and helps in building rapport with them regardless of their different backgrounds.

Grendel's Mother, Zoe M. Lasden-Lyman

Theses and Dissertations

She helps all the humans and animals in her building. Then why won't she answer this strange, new knocking at her apartment door? A bizarre thriller about the world right now... and about cats.

A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós, Fernando Luiz Silva Chagas, Julia Guimarães

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Abstract: This paper analysis the performative extent present in the play Nós (Us), by Grupo Galpão (State of Minas Gerais, Brazil). The approach is through the idea of theater as event and presence, based on concepts of the aesthetics of the performative (Fischer-Lichte), performative theater (Féral), and theater as an ontological event (Dubatti). In this sense, performativity is presented as an instrument of reflection and analysis of the contemporary theater, which has been troubling the traditional paradigms of representation in the performing arts. We depart from practical elements of the theatrical phenomenon to approach the problematization subscribed to …

Review Of Placing Charlotte Smith, Eds Elizabeth A. Dolan And Jacqueline M. Labbe, Heather Heckman-Mckenna

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna

Review Of The Novel Stage: Narrative Form From The Restoration To Jane Austen, By Marcie Frank, Kathleen E. Urda

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda

Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’S Letters, Journals And Watercolours From The Cape Colony (1797–1801), Lenka Filipova

ABO: Interactive Journal for Women in the Arts, 1640-1830

The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical …

Concise Collections: Teaching British Women Travelers, Tiffany Potter

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Cooking Up Knowledge: Materiality, Recipes, And Jane Barker’S A Patch-Work Screen For The Ladies, Carolin Boettcher

ABO: Interactive Journal for Women in the Arts, 1640-1830

The recipes included in Jane Barker’s A Patch-Work Screen for the Ladies (1723) appear to be some of the most jarring and out-of-context inclusions in the narrative. This article explores the relationship between Barker’s novel and the form of the recipe collection in the late seventeenth and early eighteenth centuries on both a material and an epistemological level. The entanglements between recipes and the patchwork screen not only point to the processes of constructing and conveying knowledge, but also to the materiality of these processes as Galesia and the Lady build the patchwork screen. Her focus on the materiality of …

Postures After The Antique In Eighteenth-Century Portraits Of Women, Lauren K. Disalvo

ABO: Interactive Journal for Women in the Arts, 1640-1830

This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.

Phaedra: The Influence And History Of A Dramaturgical Mystery, Kierstan K. Conway

The Downtown Review

Many have debated the possible performance of Seneca's plays. Theatre Historians have polarizing opinions on whether Seneca wrote them intending to perform for Roman Audiences. A comparative study of Euripides' Hippolyte, Seneca's Phaedra, and Sara Kane's Phaedra's Love demonstrates the flexibility of this story and its translation to different historical audiences. This further historical analysis illuminates clues within Seneca's text and proves the possibility of staging, offering a new take on plays previously thought of as "closet dramas."

Fighting For The Right To Dance In Nyc’S Public Parks, Caithlin Peña

Capstones

Kanami Kusajima is an ink dancer and street performer who dances and creates art at Washington Square Park. She’s also been clashing with the Park Enforcement Patrol officers, who patrol the area. Her attempts to create a safer space for her fellow performers brings to light the complicated rules and regulations as well as the obstacles street performers face on the daily. Link to capstone project: https://medium.com/@caithlin.pena53/fighting-for-the-right-to-dance-in-nycs-public-parks-2cab922d1a1c

Full Volume, Nfa Journal

National Forensic Journal

No abstract provided.

Front Matter, Nfa Journal

National Forensic Journal

No abstract provided.

An Experiment Testing The Influence Of Oral Interpretation On Entertainment And Persuasion, Shane Semmler, Megan Swets, Bailey Quanbeck, Blake Warner

National Forensic Journal

A post-test only experimental design evaluated the empirical influence of three 2016 National Forensic Association final round oral interpretation performances (two Dramatic Interpretations and one Prose Interpretation) on entertainment (parasocial interaction, identification, and narrative transportation); the capacity of entertainment to elicit enjoyment; and the capacity of entertainment to elicit persuasion (i.e., changes to attitude valence and attitude importance) through the mediating process of reduced counterarguing against subjective interpretations of arguments in the oral interpretation performances. The influence of oral interpretation on entertainment, enjoyment, counterarguing, and persuasion was substantially similar to that found in the larger body of empirical scholarship investigating …

Rehearsing With Imagined Interactions Theory: Exploring Imagined Interactions As Framework For Ensemble And Solo Performance Rehearsals, Joshua Hamzehee

National Forensic Journal

How should I practice is a common question that comes up while teaching performance and public speaking classes, when directing and performing in productions, and when coaching and competing for forensics squads. This essay provides a rationale for fusing Honeycutt’s imagined interactions theory (2003) with performance rehearsal processes, employing research guiding retroactive and proactive imagined interactions as a template to frame rehearsals that have the purpose of future actor ó spectator engagement. I use my experiences applying imagined interactions to an ensemble performance rehearsal and during a solo performance rehearsal to show the usefulness, limitations, and potentials of this methodological …

Resisting And Persisting Through Organizational Exit: An Autoethnographic Exploration Of Disclosing Sexual Harassment In Collegiate Debate, M. A., Tennley A. Vik

National Forensic Journal

Collegiate debate has documented extensive problems with sexual harassment. This manuscript uses the first author’s layered account of sexual harassment experienced as a collegiate debater, her transition to a different university, and the management of private information with her family. Communication Privacy Management (CPM) theory and a plethora of studies provide a theoretical lens of the first author’s autoethnographic experience. We advance CPM theory by examining how young adult children manage their privacy through constructing more rigid privacy boundaries than their adolescent counterparts and provide the first look at how disclosure can both enable and constrain victims/survivors of sexual harassment, …

Theater Auf Der Wieden - History Of Location, Audiences, And Mechanics, Jonathan Jaworowski, Abriana Tereza, Rachel Thomaschefsky

2022 Festschrift: Mozart's Die Zauberflöte

There are many historical connections between Vienna’s theater scene and the original theater that Mozart’s Die Zauberflöte was performed in. This paper discusses the audiences of the Theater, the location, architecture and mechanics. Although much has changed within theaters since the 18th century, some things still remain the same.

Mozart & Schikaneder: Production Of Theatre In The 18th Century, Quinne Weinzierl, Miranda Preuss, Haley Tromblee

2022 Festschrift: Mozart's Die Zauberflöte

Die Zauberflöte was composed by Wolfgang Amadeus Mozart, with the libretto written by Emanuel Schikaneder. In this essay, we aim to present our findings regarding Mozart’s Die Zauberflöte in relation to the theater culture found in the 18th century. Because of the lack of writing on the production of Die Zauberflöte we aimed our research towards Schikaneder and the general layout of the theater surrounding the time Die Zauberflöte premiered. Using cross referencing and sources from the 18th century, we have put together a general synopsis of how Die Zauberflöte was likely promoted and produced. All of this information comes …

Beatrice Crawford Concert - University Symphony Orchestra, John J. Cali School Of Music

2022-2023

For our fifth Crawford concert offering, the Symphony Orchestra is joined by renowned cellist Seth Parker Woods for an evening of music for cello and orchestra.

Beatrice Crawford memorial concert: This concert is a free public performance supported by a generous grant from the Keating Crawford Foundation. It is presented at Montclair State University in memory of Beatrice Crawford, a Montclair musician who was the director of two choral groups, "The Madrigals" and "The Choraliers".

University Opera Workshop - The Beautiful Bridegroom, John J. Cali School Of Music

2022-2023

A charming, award-winning comedic chamber opera about a widow who longs to marry again and her ambitious pursuit of a new, much younger husband by retaining the services of the local matchmaker. The matchmaker devises a clever plan–where twists and turns lead up to an unexpected ending for everyone!

Dance Experience Affects Tempo Perception, Jasmine Xu, Jordan E. Hayes, Cole Smithers, Jared Leslie

Undergraduate Research Symposium Posters

In music, the word “tempo” refers to the speed or pace of the music (the number of beats per minute, for example). Tempo is surprisingly subjective, given that beat perception depends on age and cultural experience. Other factors besides beat (like the density of events per unit time) might influence how fast or slow people dance to music. Certain styles of music afford different speeds of dance, even when their tempos are the same.

University Wind Symphony (December 9, 2022), John J. Cali School Of Music

2022-2023

The Wind Symphony presents the world premiere of In It Together by composer Armando Bayolo, featuring the ZZYZX Saxophone Quartet. The program will also feature the music of Nicole Piunno, Carolyn Bremer, and David Biedenbender.

The Importance Of Creation: Lessons From The Collision And Performing Justice Projects, Mariah Johnson

Symposium of Student Scholars

The Collision Project is a performance-based project that introduces young artists to an inspiration which drives them to create their own performative art. During my time participating in Kennesaw State University's 2022 New Connections Collision Project, I had the privilege of working alongside the talented youth graduates in the Department of Justice system. Through my first-hand experience and by examining the works through the lens of Megan Alrutz’s book Digital Storytelling, Applied Theatre, & Youth: Performing Possibility, I learned the importance of personal expression through creation. Projects such as our Collision Project and Alrutz’s Performing Justice Project present highly beneficial …

Dance Nation, Department Of Theatre And Dance

Fall 2022

Somewhere in Harrington, Ohio, a competitive dance team of turbulent 13-year-olds are forging a dance revolution while their older selves look on. Luminous with possibility and ravaged by insecurity, the characters grapple with the rawness and agonizing tenderness of adolescence.

University Singers And University Chorale - Winter Concert, John J. Cali School Of Music

2022-2023

The University Singers proudly present Highlights from Messiah in preperation for their return to the New Jersey Symphony Orchestr performances under the baton of Maestra Xian Zhang. Join the choir, brass, and percussion for the "Hallelujah Chorus" - Alumni singers welcome on stage.

The University Chorale will perform Psalms for the Symphonic Choir featuring "Richte mich, Gott" (Mendelssohn), "Like as the hart deireth the waterbrooks" (Howells), Chichester Psalms (Bernstein), and "Jubilate Deo" from Tres Cantus Laudendi (Wiberg). Guest artists Vincent Carr (organ), Merynda Adams (harp), Taylor Goodson (timpani), plus student brass and percussion. Bernstein soli TBA.

Fall Faculty Dance Concert

Dance Programs

No abstract provided.

University Jazz Ensemble (December 2, 2022), John J. Cali School Of Music

2022-2023

The Jazz Ensemble is proud to present an exciting concert featuring esteemed members of the Jazz faculty at the Cali School of Music.

A Midsummer Night's Dream, Lynn University

Drama Programs

A Midsummer Night's Dream by William Shakespeare

Place: Athens, Greece & A Mystical Forest

A Midsummer Night's Dream is a comedy by William Shakespeare written in the 1500s. Come follow the four Athenian lovers as they venture into a forest filled with twists, turns, and mischievous fairies. Then see how a group of amateur actors rehearse for their upcoming play that they plan to perform for the duke and duchess on their wedding day. Will the lovers find each other or will the fairy's games keep them apart? Will the actor's play be a success? Come venture into the forest …

Turn The Page: Three Musical Shorts, Theatre Sheridan

Theatre Sheridan Productions

Three Musical Shorts

Written by Kevin Wong with Julie Tepperman
Director: Julie Tomaino*
Writer: Kevin Wong
Choreographer: Jera Wolfe
Music Director: Chris Tsujiuchi
Set Designer: Brian Dudkiewicz
Costume Designer: Barbie Rowe
Lighting Designer: Logan Cracknell
Sound Designer: Tim Lindsay

Recurring John: A Song Cycle
What is the impact of a life?

A mother sings a lullaby to her child. A teacher imparts 'wordly wisdom' upon a student. A tired lawyer eagerly awaits the chance for a promotion. A man recounts his emotional journey on his wedding day. A homeless park dweller fondly recounts the lives of passersby. These disparate lives …