Arts and Humanities Commons^™

Aphra Behn On The Contemporary Stage: Behn's Feminist Legacy And Woman-Directed Revivals Of The Rover, Nicole Elizabeth Stodard

USF Tampa Graduate Theses and Dissertations

This study theorizes the origins and history of the professional female playwright and director from the Restoration period to the present day through the stage history of Behn's most popular play, The Rover. Part one is comprised of two chapters: the first in this section argues the importance of appreciating Behn's proto-directorial function in the Restoration theatre and her significance to the history of feminism and women in professional theatre; the second chapter in this section examines the implications of casting practices and venue changes to eighteenth-century revivals of Behn's canon with a particular eye towards what a contemporary director …

Women On Trial: Translating Femininity Through Journalism, William B. Ollayos

Masters Theses

The focus of this thesis is on cultural translation as a means of understanding the relationship between sociocultural identity with respect to bourgeois white female sexuality and interpretations by news journalists, writers and filmmakers. The thesis brings translation scholar Lawrence Venuti’s description of foreign and domestic texts (2008) into conversation with Catherine Cole’s analysis of journalists as active interpreters of newsworthy events (2010) to support my view of the media as a translator of sociocultural identity. The thesis outlines the construction of bourgeois white femininity within the U.S. imaginary and a more detailed account of its direct impact upon journalistic …

Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article describes two digital assignments that ask students to imaginatively embody characters from eighteenth-century texts written by women in order to cultivate a greater awareness of the critical role of gender and gender critique in these works. The first of these assignments, “Arabella’s Valentines,” asks students to translate dialogue from Charlotte Lennox’s The Female Quixote as humorous Internet memes. The second assignment, “Literary Connections [dot] com,” asks students to imagine how characters from the course archive might represent themselves on an internet dating site. Through creative role-play facilitated by these digital genres, students engage with the texts in stimulating …

Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Restoration Raillery: The Use Of Witty Repartee To Gain Power Within Gendered Spaces Of Restoration London, Bonnie Soper

Madison Historical Review

“Restoration Raillery: The Use of Witty Repartee to Gain Power within Gendered Spaces in Restoration London,” examines the creation of gendered spaces to gain political and social power through the use of satire and wit in poetry, theater, and the court of Charles II in Restoration London. During the Restoration period, mentions of wit and incivility in print and theatre increased over previous eras due to the heightened importance placed on wit as a tool to gain popularity within the court of Charles II. At the same time, witty repartee and well-executed satire provided political power to men within Parliament, …

Playing At Women And Men: A Discourse Analysis Of Gender And Sexuality Performance In An Online Play-By-Post Role-Playing Game, Caitlin M. Smith

Electronic Theses and Dissertations

Online play-by-post role-playing games mark the discursive intersection between computer-mediated-communication and gaming. The performance of gender and sexuality is an important aspect of online play-by-post role-playing games.

Although play-by-post role-playing games are open world and do not have the same graphical and technological constraints as other forms of gaming, the performances on them are governed by both explicit and implicit rules. Performances of gender and sexuality are also governed by cultural standards. This thesis seeks to describe how players perform gender and sexuality within these boundaries.

This thesis describes the performance of gender and sexuality on the website Another Day …

The Female Writer And Her Female Characters: A Coming Of Age Story, Stephanie N. Grilo

Theatre & Dance ETDs

In this essay, I review my growth and learning as a playwright in this MFA program. I position my play, Red Dirt, within the context of psychoanalysis and feminist theory as a study of the behavioral patterns that emerge when female melancholia and violent masculinity collide. I examine the praxis of my writing and research methodologies, as well as the technical, thematic, and academic aspects of my writing practice.

You're The One That I Want, Kirsten Sylvia Harvey

Senior Projects Spring 2017

A theatrical exploration, that began with “the Diva” and eventually evolved into an examination of the impossibility of being a woman, through the fetishization of the 1978 film, Grease.

Towards Gender Inclusive Representation In The Theatre: The Actor And The Spectator, Jeanette Thomas

Theses and Dissertations

This piece of writing is aimed at theatre practitioners who might not have a background in feminist critical theory. Its main function is to help these practitioners to aware of how they might- in the theatre- propagate gender stereotypes. It provides thorough and accessible explanations of the concepts central to feminist critical theory. It argues that in order to create a truly inclusive theatre, the spectator and the actor must be resistant towards gender-based oppression.