Arts and Humanities Commons^™

Dance Of Light And Loss, Clark Lunberry

Clark Lunberry

On a bright and sunny Sunday afternoon in the Ogikubo district of western Tokyo, in the dark basement of Saburo Teshigawara's dance studio and performance space known as Karas Apparatus, an audience gathered to see the dancer's newest solo performance, Fool. The uncurtained stage in the small theatre was empty and unlit, the stage itself far larger, perhaps three times larger than that tight space reserved for those attending the event. What lights there were faintly illuminated only the slightly raised rows of cushions upon which the forty of us in the audience took our seats, waiting for the performance …

The Balance Of Public And Private Identities For Lesbian Teachers, Delanna Kay Reed

Delanna Reed

Abstract

Although tolerance and acceptance of lesbian, gay, bisexual, and transgender people is growing in the United States, misconceptions and heterosexism still abound. Schools are one of the institutions where traditional gender roles are promoted and homosexuality is often ignored or punished. Too often lesbian, gay, bisexual and transgender (LGBT) students are bullied by their peers while teachers look the other way. LGBT teachers often fear they will lose their jobs and social standing in the community if they are open about their sexual orientation. This environment provoked me to research lesbian teachers’ perceptions of heteronormativity in their private and …

How To Turn “A Bunch Of Gang-Bangin’ Criminals Into Big Kids Having Fun”1: Empowering Incarcerated And At-Risk Youth Through Ensemble Theatre, Courtney Mohler

Courtney Mohler

No abstract provided.

“A Little History Here, A Little Hollywood There”: (Counter-) Identifying With The Spanish Fantasy In Carlos Morton’S Rancho Hollywood And Theresa Chavez’S L.A. Real, Courtney Mohler

Courtney Mohler

Often considered the final conquest and ultimate summation of Manifest Destiny, California holds a unique place in the American imaginary. While the popular mythology of the Spanish fantasy has served to obscure the use of violence and racialized oppression throughout the colonization of the American Southwest, traces of such struggle remain in memories of the colonized as they continue to occupy this contested space. This paper examines Carlos Morton’s ensemble-based political satire, Rancho Hollywood, and Theresa Chavez’s one-woman show, L.A. Real, to navigate the dynamic experience of contemporary Southern Californian racialized identity. These two pieces diverge stylistically but share an …

Little (White) Women: Locating Whiteness In (De)Constructions Of The American Female From Alcott To Split Britches, Courtney Mohler

Courtney Mohler

In 1988, the feminist/lesbian performance group Split Britches performed a deconstruction of Louisa May Alcott’s canonical Little Women. Their play, Little Women, the Tragedy (LWTT) highlighted the division within the feminist movement at the time over pornography, and called into question the norms of morality and feminine virtue reflected in and by Alcott’s classic ‘American girls’ novel.’ The play, however, illustrates a problematic construction of feminist/lesbian identity as outside of racial discourse. This paper argues that feminist performances which aim to deconstruct gender and sexuality should also be examined in terms of racialization; the common omission of whiteness as a …

Three Readings Of Reading, Pennsylvania: Approaching Lynn Nottage’S Sweat And Douglas Carter Beane’S Shows For Days, Courtney Mohler, Christina Mcmahon, David Román

Courtney Mohler

No abstract provided.

The Native Plays Of Lynn Riggs (Cherokee) And The Question Of “Race”-Specific Casting, Courtney Mohler

Courtney Mohler

No abstract provided.

Romeo And Juliet, Courtney Mohler

Courtney Mohler

No abstract provided.

Youngest Of Nine, Leah Glenn

Leah Glenn

No abstract provided.

Rhetoric And Performing Anger : Proserpina's Gift And Chaucer's Merchant's Tale., Joseph Turner

Joseph Turner

Although scholars have historically minimized the relationship between medieval grammatical and rhetorical traditions and Chaucer's poetics, Proserpina's angry speech in the Merchant's Tale represents the intersection of medieval classroom grammar exercises, Geoffrey of Vinsauf's theory of delivery, and poetics. Proserpina's angry speech reveals that her rhetoric is calculated to subvert the masculine power structures that surround her. Such a focus on Chaucer's depiction of women's persuasive tactics helps to highlight Chaucer's deep engagement with rhetoric beginning in the 1380's. Moreover, this investigation asks for increased attention to the overlap between classroom grammatical traditions, rhetorical theory, and medieval poetics.

Dancing In Time, Aili W. Bresnahan

Aili Bresnahan

This chapter will analyze the experience and, in particular the conscious experience, of dancing in time from the perspective of the trained dancer while performing. The focus is thus on the experience and consciousness of a dancer who is moving her body in time rather than on the experience of a seated audience member or dance appreciator who is watching a dancer move. The question of how temporality is experienced in dance by the appreciator will therefore not be addressed here.

The primary kind of “experience” that will be the focus of my discussion of temporal experience comes from classical …

Women’S Voices Of Late Imperial China, Rachel Wen-Paloutzian

Rachel Wen-Paloutzian

Research Theatricals: Lighting Designs From 2017, Lee Keenan

Lee Keenan

No abstract provided.

Theatre Resume, John D. Poling

John D. Poling

No abstract provided.