Arts and Humanities Commons^™

Sleuth, Little Theatre On The Square

1975 Programs

No abstract provided.

Three One-Act Plays: Bringing It All Back Home, Aria Da Capo, And Line Program, University Of Maine Portland-Gorham

Theatre Programs 1970-1989

Three One-Act Plays Presented by Students of the Directing Class

BRINGING IT ALL BACK HOME
Written byTerrance McNaNally
Directed by Sam Rossi

ARIA da CAPO
Written by Edna St. Vincent Millay
Directed by Deborah Hall

LINE
Written by Israel Horovitz
Directed by Reggie Groff

The Beaux Stratagem (1975), San Jose State University, Theatre Arts

Productions 1970-1979

Playwright: George Farquhar

Director: Harold C. Crain

Scene: Donamarie Reeds

Costume: Brigitte Sitte

Lighting: Kenneth R. Dorst

Academic Year: 1975-1976

Letter From R.L. Pelkington, O.P., R. L. Pelkington, O.P.

Commentary

Letter from R.L. Pelkington, O.P. regarding advertising in the Theatrical Programme for 1776.

Night Of The Iguana Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Friar's Cell, Stephens Hall

Night of the Iguana by Tennessee Williams

December 2-7, 1975, 8PM

Director, Lynn Rae Slavin

Set and Lighting Design, David Ward

Cast: Maxine Faulk - Angela Dias, Pedro - Tom Duncavage, Pancho - Thom Joaquin, Reverend Shannon - Peter Thomson, Hank - Dan Foster, Judith Fellowes - Nina Cowell, Hannah Jelks - Patricia McDonald, Charlotte Goodall - Deborah Iacono, Jonathan Coffin (Nonno) - Nicholas Walker, Jake Latta - Domenico Diglio

Ua68/9/1 Antony & Cleopatra, David Gibson, Wku Music, Iota Mu

Student Organizations

Program for David Gibson's student production of Antony & Cleopatra. The production was commissioned by the Iota Mu chapter of Phi Mu Alpha Sinfonia Fraternity.

Aladdin And His Wonderful Lamp, Otterbein University Theatre And Dance Department

1975-1976 Season

No abstract provided.

Program For The Stage Production An Evening Of One Acts, Protheatre Club

Theater Production Programs

This four-page program details the ProTheatre of Ursinus College's production of "An Evening of One Acts", held November 14 and November 15, 1975 in the Bearpit theater. It includes information regarding the three productions "Ubu Roi", "Doreen", and "Not Enough Rope".

John And Abigail (1975), San Jose State University, Theatre Arts

Productions 1970-1979

Playwright: William Gibson

Director: Noreen LaBarge Mitchell

Set Design: James R. Earl, Jr.

Costumes: Brigitte Sitte

Academic Year: 1975-1976

Abe Lincoln Of Pigeon Creek (1975), San Jose State University, Theatre Arts

Productions 1970-1979

Playwright: Richard O. Herlan

Director: Richard D. Parks

Scene: Lee Livingstone and Donamarie Reeds

Costume: Jessie Scott

Lighting: Jack Neveaux

Academic Year: 1975-1976

Next/The Unseen Hand (1975), San Jose State University, Theatre Arts

Productions 1970-1979

Playwrights: Terrence McNally/Sam Shepard

Directors: Sue Ann Voroba/Michael Paul O'Neill

Academic Year: 1975-1976

The Matchmaker, Otterbein University Theatre And Dance Department

1975-1976 Season

Yonkers store-owner Horace Vandergelder refuses to allow his niece, Ermengarde, to marry Ambrose Kemper. He informs Ambrose that he is sending his niece away to stay with a friend, but Ambrose easily learns that she will be in New York City and plans to follow her there. Meanwhile, Horace has arranged for a matchmaker to find a wife for himself. https://www.bard.org/study-guides/synopsis-the-matchmaker

Tea And Sympathy (1975), San Jose State University, Theatre Arts

Productions 1970-1979

Playwright: Robert Anderson

Director: Paul W. Davee

Scene: Dona Marie Reeds

Costume: Brigitte Sitte

Lighting: E. Charles Kogan

Academic Year: 1975-1976

The Roar Of The Greasepaint ̶ The Smell Of The Crowd

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1975 performance of The Roar of Greasepaint, the Smell of the Crowd by Leslie Bricusse and Anthony Newley.

The Roar of Greasepaint, the Smell of the Crowd is an allegorical exploration of the status quo between the upper and lower classes in 1960s British society through the lens of characters Sir and Cocky.

Two Fifes And A Drum: An Odessey Of American Folk Lore Program, University Of Maine Portland-Gorham

Theatre Programs 1970-1989

A Narrative Anthology Compiled by Jon Giodano and Richard Reade

Staged by Minor Rootes

Presented by the Treehouse Players and the Maine State Bicentennial Commission in cooperation with Ram's Island Dance Center and Langley Associates.

From the program:

In our presentation tonight, we are pleased to bring to you a collection of writings, short stories, and essays all of which are native to this country. In fact, many are the original works of New Englanders who lived during the periods depicted. In dramatic form the works are brought back to life again with the uses of narrative, music and mixed …

Two Fifes And A Drum Poster, University Of Southern Maine Department Of Theatre

Theatre Posters 1970 - 1980

Poster for the University of Southern Maine and Maine Bicentennial Commission production of Two Fifes and a Drum.

Dimensions: 16" x 22"

Torch Bearers, Little Theatre On The Square

1975 Programs

No abstract provided.

Hold Hands And Run: Where A Christian Theatre Consortium Might Decide To Go (Part Ii), James Koldenhoven

Pro Rege

This is the opening address delivered by Mr. Koldenhoven to the New World Theatre Consortium Conference held at Dordt College on April 17, 1975.

For Part I, see Pro Rege 3:8-17, June 1975.

Theatrical Realism Raked, James Koldenhoven

Pro Rege

No abstract provided.

The Sound Of Music, Little Theatre On The Square

1975 Programs

No abstract provided.

A History Of The Program Bureau At Brigham Young University, Thomas Zimmerman

Student Works

The Brigham Young University Program Bureau has sent between 200 and 700 student programs throughout the world each- year. These programs provide students at Brigham Young University with the opportunity to exercise and increase their talents, and also provide entertainment throughout the world as a representative of the Church of Jesus Christ of Latter-day Saints, and the United States of America. Several universities have bureaus which send out entertainment groups, but none compare in size or international acclaim to that of Brigham Young University. Recreation is a process of engaging in wholesome activities during leisure time in which an individual …

Richard Iii & Elizabethan Kingship, Frances Perdue

Masters Theses & Specialist Projects

In this study Richard III's character, motivations, and his path to the throne were examined as they affect the well-being of the country. Analyzed were the political, social, and moral philosophies of Elizabethan England and how they conflicted with Richard's Machiavellian tactics in achieving and holding the position of king. The necessity of purging Richard III from the throne was shown to be consistent with the Elizabethan concept of God's will for the good of the country. "Macbeth" and "Hamlet" revealed the idea that the health of the nation depends on the moral health of the king. In "Coriolanus," another …

Don't Drink The Water, Otterbein University Theatre And Dance Department

1975 Summer Theatre

Don't Drink the Water is a comedy play written by Woody Allen. Written and set in The '60s, the play bases itself around the Cold War. In an unnamed European country behind the Iron Curtain, the American Ambassador must leave the Embassy for business. In his absence he places his incompetent son Axel Magee in charge. https://tvtropes.org/pmwiki/pmwiki.php/Theatre/DontDrinkTheWater

My Fair Lady, Little Theatre On The Square

1975 Programs

No abstract provided.

The Liar, Otterbein University Theatre And Dance Department

1975 Summer Theatre

Géronte, Dorante's father, announces to his son that he has found a girl for him to marry (Clarice). ... After more fabrications and complications (Dorante revealing that his "wife" is pregnant), Géronte is infuriated to discover that he was lied to; Dorante eventually tells the truth and the plot is resolved happily. https://en.wikipedia.org/wiki/The_Liar_(Corneille_play)

Move Over Mrs. Markham, Otterbein University Theatre And Dance Department

1975 Summer Theatre

Philip Markham, a publisher of children’s books, is asked by his business partner, Henry Lodge, if he can borrow the flat for the evening to gallivant with his latest girlfriend. As Philip and his wife will be out, he reluctantly agrees. At the same time, Joanna Markham is being persuaded by Linda Lodge to let her borrow the empty flat in order to entertain her lover. What nobody knows is that the interior designer who has been decorating the flat for the past three months has decided that this is the night that he and the au pair girl will …

Follies, La Salle College

La Salle College Summer Music Theatre

No abstract provided.

How To Succeed In Business Without Really Trying, La Salle College

La Salle College Summer Music Theatre

About the Show

It all started with the first faint stirrings of Big Business parody back in the fifties. Shepherd Mead wrote the 1952 best-seller, the title of which was eventually carried over to tonight's celebrated musical adaptation. But when the redoubtable team of Abe Burrows and Frank Loesser completed their transformation of the book into musical comedy form, they were faced with - and happily accepted - an atypical American musicomedy challenge.

Shepherd Mead's original sub-title for the book is: "The Dastard's Guide to Fame and Fortune." In certain important and hilarious respects, the "hero" of the finished musical …

Jesus Christ Superstar, Little Theatre On The Square

1975 Programs

No abstract provided.

Performance Attitudes Toward Read Or Imagined Events In “Scenes Of Passion And Despair” By Joyce Carol Oates, Bruce Creed

Masters Theses & Specialist Projects

The object of this study is to examine the diction of “Scenes of Passion and Despair” by Joyce Carol Oates in an attempt to discover performative attitudes for the interpreter. The discussion centers on the theme of illusion and reality as it manifests itself in the story. Because this theme superimposes itself on diction, it becomes necessary to examine words in detail, searching for the manner in which words are used to create a certain degree of reality for each character of the story. The discovery of these realities reassures the interpreter that his is a faithful rendering of one …