Arts and Humanities Commons^™

Inspiring The Imagination, Nathan Terracio

Theses and Dissertations

As someone who has been a life-long audience member and who has worked in over a hundred different theatres on countless different productions over the course of my professional career, I have always been fascinated by the process of creating art out of thin air. I have watched artists undergo careful planning only to have that work thrown out during the rehearsal or technical process, or even sometimes during the last preview performance. I have watched moments unfold on stage at the last minute with seemingly no planning or effort. I have seen the reactions of audiences to moments that …

“Though She Be But Little She Is Fierce”: Playing Hermia On The Virtual Stage, Taylor Alleman

Honors Theses

This thesis displays an undergraduate theatre performance student’s process for portraying the character Hermia in the University of Southern Mississippi’s Spring 2021 production of A Midsummer Night’s Dream. The student completed a detailed script and character analysis, practiced specific vocal and movement techniques, and explored various choices in rehearsals in order to create a profound character that best fit the production.

Keywords: Theatre, Analysis, Vocal, Movement, Performing, Shakespeare

The Reading Of Sir Toby Belch: A Queer And Black Exploration Of William Shakespeare's Twelfth Night., Jahi E Bogard

Electronic Theses and Dissertations

This MFA thesis explores queer, black representation in William Shakespeare’s drama and in the University of Louisville’s Department of Theatre Arts Fall 2021 production of an adaption of Twelfth Night (1601). Directed by Jennifer Pennington, the repurposed script and non-traditional casting targeted a modern audience. Cast as Olivia’s drunk uncle, Sir Toby Belch, I aimed to discover if my identify as a black, queer, cis man could be incorporated into Shakespeare’s text. Sir Toby Belch’s raucous, heterosexual, and sometimes violent, traits are often imagined today as innately masculine. I argue that Shakespeare’s plays can be appropriated by queer, black actors …

The Practice And Purpose Of Adaptation Of Classical Texts, Cassandra J.S. Gutterman-Johns

Honors Papers

This paper focuses on two adaptations of classical texts: Off the Rails, Reinholz’s adaptation of Shakespeare’s Measure for Measure, and AtGN, Howard’s adaptation of Sophocles’ Antigone, and examines the ways in which these plays both replicate the cycles created by the original texts and seek to break from them. Taking theater as an inherently repetitive practice, this paper pulls from many sources to develop a vocabulary for discussing theatrical adaptations, then applies it to these two case studies to demonstrate that each uses a variety of strategies to create a new narrative. Whether a theater-maker is building new meaning into …

Educating The Future Of The Arts, Anna Hollingsworth

Undergraduate Honors Theses

Theatre impacts the youth in a positive way. By helping with social connections, learning skills to tell a story, and getting to utilize their imagination. This thesis looks at what comes into creating a lesson plan for grades fourth-sixth grade. Each grade will focus on different themes that pertains to what they are learning in their literature classes and what is more relevant topic in their age group. To take what they learn from the classroom and apply it to a real-life scenario. To help those children explore through learning it academically and getting to devise their own shows. It …

"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman

Honors Projects

The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of …