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Full-Text Articles in Arts and Humanities
Directing The Threepenny Opera, Alexander G. Harrington
Directing The Threepenny Opera, Alexander G. Harrington
LSU Master's Theses
This production thesis on directing Bertolt Brecht and Kurt Weill’s The Threepenny Opera is divided into two sections. The first section consists of four research/critical chapters. Chapter 1 discusses the director’s understanding of the theories of Bertolt Brecht. Chapter two discusses potential differences between the director’s aesthetic point of view and Brecht’s theories. Chapters 3 and 4 lay out the findings and opinions based on those findings of research into two issues that influenced production decisions: Chapter 3 focuses on Brecht’s relationship with totalitarian communism and Chapter 4 looks into questions raised about the authorship of The Threepenny Opera. Section …
The Threepenny Opera: Designing Lights With Brecht A Production Thesis In Theatre Design And Technology, Brent Landry Glenn
The Threepenny Opera: Designing Lights With Brecht A Production Thesis In Theatre Design And Technology, Brent Landry Glenn
LSU Master's Theses
The lighting design for this production of The Threepenny Opera by Bertolt Brecht was selected and approved for my thesis in the autumn of 2001. This thesis represents a written account of the lighting design as it was conceived, developed and executed. It contains a brief analysis of Brechtian theory, a production journal describing the major events of the design process, a cue description, records of research, photographic and literary evidence of the realized product, and a personal evaluation of both the process and outcome.
A Scenic Design Process For The Chemistry Of Change: A Production Thesis In Theatre Design And Technology, Stephen E. Haynes
A Scenic Design Process For The Chemistry Of Change: A Production Thesis In Theatre Design And Technology, Stephen E. Haynes
LSU Master's Theses
The scenic design for the Louisiana State University Theatre production of Marlane Meyer’s The Chemistry of Change was selected and approved as my thesis project in the spring of 2001. This document represents a written account of the scenic design as it was conceived, developed, and executed. Records include research, a description of the design process, photographic evidence, and a final evaluation of the result.
Harper Lee's To Kill A Mockingbird As Adapted By Christopher Sergel: A Thesis In Directing, Andrew Vastine Stabler
Harper Lee's To Kill A Mockingbird As Adapted By Christopher Sergel: A Thesis In Directing, Andrew Vastine Stabler
LSU Master's Theses
This thesis describes the directorial process of a production of Christopher Sergels's adaptation of Harper Lee's novel To Kill a Mockingbird. It follows the process of preproduction through rehearsals. It makes use of the influences of the prior history and the recent educational experience of the director. Throughout it accesses the choices made and concludes with conclusions on the final product.
The Chemistry Of Change: A Production Thesis In Directing, Anthony Greenleaf Winkler
The Chemistry Of Change: A Production Thesis In Directing, Anthony Greenleaf Winkler
LSU Master's Theses
This thesis is an account of the production process involved in directing The Chemistry of Change by Marlane Meyer. Particular attention is paid to the Suzuki and Viewpoint methods of actor training used in rehearsal; periods of discussion with the playwright regarding the script; negotiations with designers; and an evaluation of the audience reception of the public performances. These aspects of producing a play for the theatre are recorded from the point of view of the director and described with the intention of revealing the learning process for all involved in the collaborative process.