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The Village On The Stage: Dramaturgies Of Modernity In African Concert Dance, Margit N. Edwards
The Village On The Stage: Dramaturgies Of Modernity In African Concert Dance, Margit N. Edwards
Dissertations, Theses, and Capstone Projects
My dissertation, The Village on the Stage: Dramaturgies of Modernity in African Concert Dance, analyzes the underlying theatrical logic in African concert dance through a dramaturgical model I call the village on the stage. The village on the stage dramaturgy has had multiple iterations over the 20th and 21st centuries both across the African continent and the African diaspora. Commonly presented within the world-dance market as neo-traditional African dance, the village on the stage refers to a set of practices of staging traditional dance and music of Africa and the African diaspora and serves as a …
Performing Ero Guro: Erotic-Grotesque Bodies And Normativity In Post-Wwii Japanese And Korean Theatre, Dohyun Shin
Performing Ero Guro: Erotic-Grotesque Bodies And Normativity In Post-Wwii Japanese And Korean Theatre, Dohyun Shin
Dissertations, Theses, and Capstone Projects
This dissertation investigates how portrayals of erotic and grotesque bodies in post-WWII Japanese and Korean theatre responded to each nation’s image of the ideal body. Those ideal bodily images were the product of haunting modernity as well as of the following historical circumstances after Japan’s loss in WWII—the Treaty of Mutual Cooperation and Security between the U.S. and Japan and the attendant protests (Japan) as well as the aftermath of Japanese colonial rule, the Korean war, and Korea’s military dictatorships. Instead of uncovering the historical legacy of the early 20th-century cultural trend Ero Guro Nansensu (Erotic, Grotesque, Nonsense) …