The State Of The Art, Jared Brown
Mar 2016
The State Of The Art, Jared Brown
Jared Brown
No abstract provided.
The Theatre In America During The Revolution, Jared Brown
Mar 2016
The Theatre In America During The Revolution, Jared Brown
Jared Brown
Whether moralistic or satirical, the plays of the American Revolution offer unique insights into the sympathies and fears of both loyal and dissident parties, and so serve as a telling document of a socially turbulent age. Brown's extensive research coheres into an invaluable theatrical and historical chronicle that should prove a useful resource for those working in the field. Content Provided by Syndetics.
The Fabulous Lunts: A Biography Of Alfred Lunt And Lynn Fontanne, Jared Brown
Mar 2016
The Fabulous Lunts: A Biography Of Alfred Lunt And Lynn Fontanne, Jared Brown
Jared Brown
Foreword by Helen Hayes. Biography of the best loved and most successful acting team in American theatrical history.
Old Hoss, Jared Brown
Feb 2014
Old Hoss, Jared Brown
Jared Brown
A play performed at the McLean County Historical Society. Throughout the play, the actors move about when appropriate. For example, Hoss frequently mixes himself a drink at the bar; Death and his associate should not be rooted to the spot; instead, when Death’s associate speaks to Radbourn, he sometimes creeps up behind him. The time is 1897. The action takes place in Radbourn’s billiard parlor in Bloomington.
Jared Brown, Jared Brown
Jun 2012
Jared Brown, Jared Brown
Jared Brown
Interview with Professor Emeritus Jared Brown, as part of the Oral History collection at Illinois Wesleyan. To view all Oral Histories in the IWU collection, please see this
link.
The Affray: Lincoln's Last Murder Trial, Jared Brown, Robert Bray
Dec 2010
The Affray: Lincoln's Last Murder Trial, Jared Brown, Robert Bray
Jared Brown
Directed at the McLean County Historical Society in 2011 and repeated in 2012.
George And Irene, Jared Brown
Dec 2009
George And Irene, Jared Brown
Jared Brown
Three for the Show (3 one-act plays including Menage á trios, George and Irene and Rage), which Jared Brown directed at Heartland Theatre.
Menage Á Trois, Jared Brown
Dec 2009
Menage Á Trois, Jared Brown
Jared Brown
Three for the Show (3 one-act plays including Menage á trios, George and Irene and Rage), which Jared Brown directed at Heartland Theatre.
The Value Of Books (Short Story), Jared Brown
Apr 2009
The Value Of Books (Short Story), Jared Brown
Jared Brown
Short story originally published as one of three stories in Mind the Gap and Two Other Mysteries.
Rage, Jared Brown
Dec 2007
Rage, Jared Brown
Jared Brown
Three for the Show (3 one-act plays including Menage á trios, George and Irene and Rage), which Jared Brown directed at Heartland Theatre.
Gym Rat, Jared Brown
Sep 2006
Gym Rat, Jared Brown
Jared Brown
A ten-minute play performed at the McLean County Arts Center.
Moss Hart: A Prince Of The Theater, Jared Brown
Jun 2006
Moss Hart: A Prince Of The Theater, Jared Brown
Jared Brown
Moss Hart: A Prince of the Theatre (Back Stage Books, 2006) is an account of the playwright who collaborated with George S. Kaufman on two of America’s most beloved plays, You Can’t Take It With You (winner of the Pulitzer Prize) and The Man Who Came to Dinner.
Alan J. Pakula: His Films And His Life, Jared Brown
Aug 2005
Alan J. Pakula: His Films And His Life, Jared Brown
Jared Brown
To Kill a Mockingbird,Klute, All the President's Men,Sophie's Choice,Presumed Innocent: Alan J. Pakula was the creative force behind these great films and dozens more. Here at last is the definitive biography of this film genius, based on interviews with more than 40 friends, including Jane Fonda, Robert Redford, and Meryl Streep, and unrestricted access to Pakula's own family and archives.
Ward No. 6, Jared Brown
Mar 2005
Ward No. 6, Jared Brown
Jared Brown
Adapted from stories by Chekhov, performed with two one-acts by Chekhov under the title Russian Dressing at Heartland Theatre.
I, Alpheus Pike: A Civil War Memoir, Jared Brown
Jul 2004
I, Alpheus Pike: A Civil War Memoir, Jared Brown
Jared Brown
Adapted by Jared Brown from the unpublished account, “Prison Life of Alpheus H. Pike.” Performed at the McLean County Courthouse.
Kathy On The Spot, Jared Brown
May 2004
Kathy On The Spot, Jared Brown
Jared Brown
Winner of a nationwide contest, a ten-minute play performed at Heartland Theatre.
Simon Malone And Alpheus Pike, Jared Brown
Dec 2003
Simon Malone And Alpheus Pike, Jared Brown
Jared Brown
Short play performed at the Bloomington Discovery Walks in 2004, ’06, ’08, ’09 and ‘10.
Rethinking The Liberal Arts, Jared Brown
Dec 1996
Rethinking The Liberal Arts, Jared Brown
Jared Brown
The following article focuses on the wide-ranging educational opportunities that Illinois Wesleyan University offers.
Some Dilemmas Confronting The Educational Theatre, Jared Brown
Dec 1996
Some Dilemmas Confronting The Educational Theatre, Jared Brown
Jared Brown
"Educational theatre": the term itself implies a dichotomy, or perhaps an amalgam of two quite different phenomena. A tension between the demands of education and the demands of the theatre does indeed exist, and it is the job of the teacher-artist to maintain a harmonious balance between them.
The Quest For Perfection: Alfred Lunt, Lynn Fontanne, And The American Theatre, Jared Brown
Dec 1992
The Quest For Perfection: Alfred Lunt, Lynn Fontanne, And The American Theatre, Jared Brown
Jared Brown
Professor Brown examines the career and life of Alfred Lunt and Lynn Fontanne.
Zero Mostel: A Biography, Jared Brown
Dec 1988
Zero Mostel: A Biography, Jared Brown
Jared Brown
This definitive, theatrical biography tells the story of Zero Mostel, the uniquely talented actor, sensitive painter, and a man of conviction who suffered the blacklist rather than bow to McCarthyism.
British Military Theatre In New York In 1780-81, Jared Brown
Oct 1982
British Military Theatre In New York In 1780-81, Jared Brown
Jared Brown
From October 20, 1774, when the Continental Congress passed a resolution outlawing theatrical activities in America, until the formation of the Lindsay-Wall troupe that began performing illegally in Maryland in 1781 and, under the management of Dennis Ryan, shifted its base of operations to New York in 1783, the theatre in America was in a near-dormant state. The only significant exceptions to this condition were the productions of the occupying British military in various American localities, and a few productions by American military officers given in response. According to the strategy devised by the British high command in America, when …
A Note On British Military Theatre In New York At The End Of The American Revolution, Jared Brown
Mar 1981
A Note On British Military Theatre In New York At The End Of The American Revolution, Jared Brown
Jared Brown
In early 1777, soon after the British military occupation of New York City began, a series of theatrical performances was inaugurated at the "Theatre Royal," a structure which had been built ten years earlier by the American Company of Comedians, and had been known as the John Street Theatre. These performances, sponsored by the British, were designed to provide amusement for officers of the British army and navy, whose winters were spent in relative ease and comfort preparatory to resuming battle against the Americans when warm weather returned. British officers played most of the major roles at the Theatre Royal, …
The Theater In The South During The American Revolution, Jared Brown
Dec 1979
The Theater In The South During The American Revolution, Jared Brown
Jared Brown
Although the performance of plays on American soil during the
period of the Revolution was strictly prohibited by a Congressional
resolution of 1774 (reinforced by a similar resolution passed in 1778),
numerous theatrical productions were given by British officers garrisoned or imprisoned in various American cities between 1775 and
1783. American officers countered with occasional productions of
their own, but Congress's will was scrupulously obeyed in the case of
professional American performers-until 1781, when a professional
theatrical troupe began giving a series of performances in various
Maryland cities. What follows is the history of the theater in the South
during …
Review: Antebellum Charleston Dramatists By Charles S. Watson, Jared Brown
Jan 1979
Review: Antebellum Charleston Dramatists By Charles S. Watson, Jared Brown
Jared Brown
Review of book by Charles S. Watson.
Plays And Amusements Offered For And By The American Military During The Revolutionary War, Jared Brown
Sep 1978
Plays And Amusements Offered For And By The American Military During The Revolutionary War, Jared Brown
Jared Brown
The American Revolution saw more theatrical activity on American soil than had ever taken place there before. British military officers - who brought with them a strong theatre-going tradition - sponsored lavish performances of plays in New York, Philadelphia, and elsewhere between 1775 and 1783. This work focuses on the plays for and by the American military during the Revolutionary War.
"Howe's Strolling Company": British Military Theatre In New York And Philadelphia, 1777 And 1778, Jared Brown
Apr 1977
"Howe's Strolling Company": British Military Theatre In New York And Philadelphia, 1777 And 1778, Jared Brown
Jared Brown
Professor Brown examines mid-18th century British mIlitary theatre with a special focus on "Howe's Strolling Company".
