Arts and Humanities Commons^™

The Fight Master, Spring 2020, Vol. 42 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2019, Vol. 41 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

0858: Society Of American Fight Directors, 1927-2021, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of various stage directions and fight choreography, books and magazines about weapons, armor, and theatre, SAFD administrative and financial documents, videos, photographs, and various SAFD artifacts. Please download the finding aid for full list of contents.

The Fight Master, Fall 2018, Vol. 40 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2018, Vol. 40 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2017, Vol. 39 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2016, Vol. 38 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

20141115: School Of Music, 1999-2005, School Of Music

Guides to University Archives

These items include materials from the School of Music at Marshall University from 1999-2005. Items were received in 2014 and include notable materials from or about chamber choir, Marshall University Symphonic Band, photographs from the School of Music, African Dance Ensemble and COFA Dance 1996. This is not an exhaustive list. Please download the finding aid for a full list of contents.

The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2014, Vol. 36 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2013, Vol. 35 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

(The “Avos” Phenomenon: A Non-Censured Theatre In The Novosibirsk University, 1975-1976). In: Mosty (The Bridges), Frankfurt, Germany, 2012, 33: 204–257.] [Part 1], Victor Fet, Serge Camyshani, Aleksandr Troitsky, Oleg Polyankov, Elena Fedorovskaya, Aleksandr Butorin, Mark Taraban, Sergei Kovalenko

Biological Sciences Faculty Research

In 1975-1976, a group of science students of the Novosibirsk University (Russia, Siberia) created a small theatre that managed to avoid the official censorship for the entire season. In this memoir, several former actors, now scattered across the world, reconstruct the detailed history of their “Phenomenon” theatre 35 years later. The central event was the (first) staging (December 1975) of Andrey Voznesensky’s long poem “Avos'!”, long before the famous rock opera appeared.

теъане

В 1975-1976 гг. группа студентов Факультета Естественных Наук Новосибирского университета (Академгородок) умудрилась создать свой неподцензурный маленький театр «Феномен», который успел просуществовать целый сезон. В этих мемуарах бывших …

The Fight Master, Fall 2011, Vol. 33 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Throwing Down The Gauntlet: Finding The Best Partnership For Fight Scene Work, T. Fulton Burns

Theatre Faculty Research

Over the past few years I have written my perspective on the Skills Proficiency Test process. Earlier this year I thought that my process was complete but then an issue continued to creep up in my mind over and over again. It was that I had not addressed how best to find a partner for one's scene work. The reason for finding a good partner relates to my first workshop in stage combat. Discovering with whom to partner and with whom not to partner for scene work was the most valuable lesson I learned. Rather than focusing upon the ones …

The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns

Theatre Faculty Research

The concept of chance utilized by John Cage is a frightening, exciting, and liberating process for any artist. It was so effective that other musical artists such as Morton Feldman, Earle Brown and Christian Wolff used it. In the world of theatre these concepts are constantly used today by the Neo-Futurists in Chicago and New York in their production of Too Much Light Makes The Baby Go Blind and by Improv Troupes throughout the country.

When The Smoke From The Battle Has Cleared, T. Fulton Burns

Theatre Faculty Research

I can recall the time that followed my first national workshop. All of the excitement of new friends and new skills still went through me like a child on Christmas morning considering all of the possibilities of fun with my new toys. I thoroughly enjoyed having my college friends ask me to show them what I had learned. Eventually I was approached by a former professor to choreograph the fights for a production of Hamlet at my undergraduate program. With excitement and great pride I happily accepted.

Review Of Physical Theatres: A Critical Introduction, And: Physical Theatres: A Critical Reader, T. Fulton Burns

Theatre Faculty Research

Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at the London Metropolitan University Undergraduate Centre) offer the theatre world two movement analysis texts. These well written books, which focus on techniques from the Western world of physical theatre, would serve graduate level or highly focused classes in movement pedagogy or practice. With their identical six-chapter breakdowns (“Genesis, Contexts, Namings”; “Roots: Routes”; “Contemporary Practices”; “Preparation and Training”; “Physicality and the Word”; “Bodies and Cultures”), the books may be used in relation to one another or stand alone as individual texts.

The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Just Before Dawn: Pre-Test Rituals And Preparation For Test Day, T. Fulton Burns

Theatre Faculty Research

In Asian martial arts films there are usually beautiful moments that reveal the fighters in deep meditation before they are to meet on the field of battle. The process appears to center and calm the individual while preparing them for the final moments of their lives. The day of a skills proficiency test (SPT) can feel the same way. The day of the test can be frustrating for the testers as well as those around them. Nerves can run high during this stressful time. I can still recall the excitement and nerves of my first test day at the 2000 …