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The Alexander Technique Applied To Dance And The Choreographic Process: Freeing Physical Expression From Trauma-Based Tension, Julia Johnston
The Alexander Technique Applied To Dance And The Choreographic Process: Freeing Physical Expression From Trauma-Based Tension, Julia Johnston
Senior Honors Theses
Ballet, contemporary, and modern dancers have expressed incurring trauma during their training and professional dance experiences; in a 2020 survey, 41% of professional dancers and 30% of ballet students reported experiencing or witnessing sexually inappropriate behavior in their respective workplaces and schools (DDP). This is just one example of a potential source of trauma for dancers. The physiological effects of trauma cause physical effects, creating tension in a dancer’s body. Dance relies on physical expression, the expression of thought and feeling through movement, to connect with the audience. Trauma-based tension inhibits a dancer’s range of physical expression and connection to …
Preserving Dance Forms In India Through Education And Performance: A Curriculum For Bollywood Dance, Kimberly Martin
Preserving Dance Forms In India Through Education And Performance: A Curriculum For Bollywood Dance, Kimberly Martin
Masters Theses
This project is a practical curriculum of Bollywood dance that can be used to assist in the preservation of dance forms in India through education and performance. The goal of this curriculum is to systematically equip dancers of all ages with the basic knowledge and experiences needed to excel as dancers and choreographers of Bollywood dance. This will be achieved through practical experience that is built from the basics of Bollywood dance and founded in classical tradition and theory as presented in Bharat Natyam. This curriculum is broken up into four sixteen-week semesters and covers a series of steps, basics …
Dancing Through Film Musicals: Narratives In Motion, Dara Phillips
Dancing Through Film Musicals: Narratives In Motion, Dara Phillips
Masters Theses
The purpose of this study was to discover if and how dance communicates vital plot and character information nonverbally. The example analyzed was the film Singin’ in the Rain. This thesis examined the six dance sequences in the film to determine if the dancing is an integral, powerful, and significant communicative addition to the film. Walter Fisher’s Narrative Paradigm was used in conjunction with Seymour Chatman’s concept of kernels and satellites to determine if the dances communicated significantly to the film’s viewers. The Narrative Paradigm, though loosely framed, provided the concepts of coherence and fidelity. These concepts helped determine if …