Arts and Humanities Commons^™

Echoes Of Vaudeville: How Modern Musical Comedians Challenge The Patriarchal Paradigm, Kaitlyn Whitesell

Theatre Thesis - Written Thesis

This work explores how artists like Diana Oh, Grace McClean, Abby Feldman, and Catherine Cohen are pushing the boundaries of musical comedy, creating performances that are personal, interactive, and deeply connected to their audiences. These performers draw on techniques from vaudeville and stand-up comedy but subvert traditional forms to create inclusive and empowering spaces. Through their work, they are not only reshaping the landscape of musical comedy but also sparking conversations about social justice and the power of performance art.

The Representation Of Young Black Male Characters In 80s And 90s Sitcoms, Tavin M. Cochran

Honors College Theses

Sitcoms are a great formulaic art form. Characters being in ridiculous situations in front of a live studio audience to emphasize the complexities of life is an exciting way of storytelling. When I was younger, I noticed that I would relate to the main characters as if their flaws were my own. I enjoyed doing it. When I began relating to side characters as well, I understood the different roles in sitcoms. You will have a main character and a side character to compliment them. Seeing another young black male on television made me feel represented. Many shows have given …

Red Curtain Rivalry, Amy Lytle

Playwriting (MFA) Theses

Two community theaters in the same city are accidentally putting on the same musical at the same time due to a publishing company's error. The members of the dueling troupes have to untangle the mess--the show must go on, of course! Between big misunderstandings, a few shenanigans (or hijinks, as some may say), and a lot of lessons learned, watch as each company battles to win the Red Curtain Rivalry and prove themselves the best production of "A Doll's House: The Musical!" that the community theatre community has ever seen.

Stand-Up Comedy Visualized, Berna Yenidogan

Dissertations, Theses, and Capstone Projects

Stand-up comedy has become an increasingly popular form of comedy in the recent years and comedians reach audiences beyond the halls they are performing through streaming services, podcasts and social media. While comedic performances are typically judged by how 'funny' they are, which could be proxied by the frequency and intensity of laughs through the performance, comedians also explore untapped social issues and provoke conversation, especially in this age where interaction with artists goes beyond their act. It is easy to see commonalities in the topics addressed in comedians’ work such as relationships, race and politics.This project provides an interactive …

Mothers And Daughters, Sean Mccord

Playwriting (MFA) Theses

Mothers & Daughters is my thesis play written after five years of coursework in the Hollins Playwrights Lab, from 2015 to 2019, and two years of writing over the course of four years, 2019 to 2023, due to some medical setbacks explained herein.

My first draft of the accompanying narrative essay was a (comparatively) compact 2000 words outlining the lessons I had learned about playwriting at Hollins and my process for writing this play. Todd Ristau, the Director of the Hollins Playwrights Lab and my first reader, wanted more and gave me both permission and motivation to do exactly what …

Clowning With Identity: Embodied Selves And Others In Comedy's Gendered Character Performances, Allison Douglass

Dissertations, Theses, and Capstone Projects

Clowning with Identity examines the comedic performance of characters. The enjoyment of a character feels easy to accept uncritically, but these performances work because they deploy stereotypes and the cultural meanings surrounding them, often through acts of appropriation, as the performer makes the choice to embody an identity separate from their own. This project connects theory on drag and gender performance and its ideas about identity-remixing to rhetorical theory on comedy and clowning practices, sketching the ways American practices of drag, clown, and comedic character work are all deeply linked through their historical development. I theorize the productive ways that …

My Favorite Murder As Discursive Performance, Taylor Dawson

LSU Doctoral Dissertations

My Favorite Murder as Discursive Performance uses performance-centered discourse analysis to explore the major narratives informing the popular true crime comedy podcast, My Favorite Murder (MFM). Hosts, Karen and Georgia draw from podcast, comedy, true crime, feminist, and mental health discourse to create a unique discursive space where “murderinos” (fans of the podcast) express and explore aspects of their own life experiences. I explore the performative strategies MFM uses and the effects of those choices, drawing on some of my own experiences as a murderino. Ultimately I argue that a performance lens reveals some of the imperfect but powerful ways …

Two, Pair: A Modern Menaechmi, Jacob L. Horn

Theses and Dissertations

Combining tools of faithful translation and liberal adaptation, I have modernized Plautus’s Menaechmi with the aim of recreating the spirit of Plautine comedy for a present-day viewer, focusing on playability. This dramaturgical process is documented in an introductory essay and text annotations, revealing key choices, theoretical considerations, and conceptual concerns.

Love And Loss And Cake For Breakfast, Sydnee Nicole Kenny

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Homesick, Or Sacred Heterosexual Spaces, Ryan A. Drake

Theses and Dissertations

A dark satire about a young queer man who comes home under mysterious circumstances to find that he's been replaced by someone who looks just like him. He starts having dreams that his family is trying to kill him...but are they dreams?

Self-Loving Jew, Akiva Shlomo Hirsch

Senior Projects Spring 2021

This is a stand-up comedy show by a person named Akiva Hirsch who attended Bard College. It revolves largely around a protest with Students For Justice In Palestine that they were a part of, and the ensuing internet backlash.

Is Everyone Hanging Out Without Me? (And Other Dramaturgical Concerns): Re-Centering Dramaturgy And Comedy As Feminist Tools For Social Change, Shaila Schmidt

Masters Theses

Titled as a play on Mindy Kaling’s 2011 book, Is Everyone Hanging Out Without Me? (And Other Concerns), this thesis highlights the obstacles women, the genre of comedy, and dramaturgs face in order to be taken seriously in the arts. Using the work of Mindy Kaling, I explore how she uses comedy as a means of defying the expectations put upon her as an Indian American woman in order to provide context for the ways in which the marginal statuses of women of color and comedy overlap.

In an effort to demonstrate the ways in which comedy can be …

Someday We'll Look Back On This And Laugh, Ben Masten

Capstones

The People's Improv Theater was an oasis for young New York comedians. Its own success-- and a volatile owner-- changed that. Project contains a narrative journalism piece and an an audio documentary.

Full Project here: https://medium.com/@benmasten/someday-well-look-back-on-this-and-laugh-e6b1dc8468db

Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux

Dissertations, Theses, and Capstone Projects

While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …

Direction Of The Imaginary Invalid By Molière Translated By Charles Heron Wall Adapted By Kimberly Dorman, Kimberly S. Dorman

All Graduate Projects

This project comprises of the selection, research, casting, adaptation, production and post-production process of The Imaginary Invalid. Documentation and research include adaptation, analysis of the play as a production vehicle for our program, research, script analysis, outcome goals, a record of the production period, and a postproduction evaluation.

Baby Snooks And Daddy: A Little Gal's Journey To Joy And Jell-O, Sofia Luella France

Senior Projects Spring 2019

A little girl in pursuit of Jell-O can do anything! In this Theater and Performance project Baby Snooks just wants a happy, gelatinous Halloween, but will Daddy’s petty pranks get in the way? Worry not, Baby Snooks saves the spooky day, and finds herself along the way. Come on pumpkin heads! It’s time for a treat!

Une Salade, Cora Della Katz

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

The Direction Of Why Torture Is Wrong, And The People Who Love Them, Donald Hart

All Graduate Theses, Dissertations, and Other Capstone Projects

Hart, Donald C., M.F.A. Thesis. The Direction of Why Torture is Wrong, and the People Who Love Them. Mankato: Minnesota State University, Mankato, 2018.

This is a thesis submitted in partial fulfillment for the Master of Fine Arts degree in theatre. It is a detailed account of Donald C. Hart's artistic process in directing Why Torture is Wrong, and the People Who Love Them in the fall of 2017 for Minnesota State University, Mankato's department of Theatre and Dance. The paper chronicles the director's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical …

Candor & Ebb: Searching For My Truth Through Solo Performance, Andrew Ross Wynn

Theses and Dissertations

This thesis is an examination of autobiographical solo performance. It explores the use of personal trauma and illness in the dramatic form. In addition to investigating how other solo performing artists utilize their medical conditions in their work, this thesis gives some historical context to the author’s own process and development. The thesis culminates in the author’s solo performance script and a desire for its audience to find solace and compassion through the experience of witnessing it being performed.

Booming Laughter: The New Era Of Experimental Comedy Shows, Oscar F. Gonzalez

Capstones

This project looks at the rise of experimental comedy shows in New York City. The comedy industry is in a second boom that caused an increase in variety shows that test performers 'writing and performance skills. I interview the producers of the shows, the comedians that perform in them to understand how they're challenged and the audience members who watched the show. I talk with historians and comedy experts on the history of the comedy industry and the neighborhood in New York City where it originated in.

https://oscarfgonzalez.com/2018/12/21/booming-laughter-the-new-era-of-experimental-comedy-shows/

Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg

Masters Theses

Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …

Texts And Subtexts In Performing Blackness: Vernacular Masking In Key And Peele As A Lens For Viewing Paul Laurence Dunbar’S Musical Comedy, Spencer Kuchle

Doctoral Dissertations

When Kegan Michael Key and Jordan Peele’s sketch-comedy show Key & Peele took Comedy Central by storm in 2012, the perceived need by the comedians to “adjust their blackness” to gain social recognition became a recurring theme. Throughout their comedic performances, language becomes a proxy for identity, and Key and Peele’s parodic employment of African American Vernacular English (AAVE) and linguistic variation serves to challenge notions of black authenticity, while emphasizing the absurdity of racial essentialism. An embodiment of Jonathan Rossing’s concept of emancipatory racial humor, Key and Peele’s comedy creates nonthreatening spaces that facilitate the contestation of cultural authority …

Drink Coke. Don’T Steal Movies: A Queer In Pursuit Of Laughter And Empathy, Ariel Violet Gillooly

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Dissertations, Masters Theses, Capstones, and Culminating Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study considers irony, the …

Physical Comedy: From Stage To Screen, Kathleen Suit

Honors Theses

People are constantly in motion. We move among the earth, among each other, and within our own body. Movement is one of our greatest means of communicating ideas and emotions with each other. Sometimes, words just aren't enough. We need to see something to comprehend its meaning or to feel the emotion the situation is trying to stir up. Experiencing comedy is no exception. That is where the concept of physical comedy comes in.

Physical comedy has been growing its roots since the beginning of time. It has grown and evolved to effectively captivate audiences in various mediums throughout history. …

An Actor's Freedom, James Taylor Odom

Graduate Theses and Dissertations

This thesis is an exploration and reflection on the discovery of an actor's freedom following an intense, three year study of the craft. It contains my statement of artistry, documentation of my thesis project and performance, as well as my future professional development materials.

"If More Women Knew More Jokes...": The Comic Dramaturgy Of Sarah Ruhl And Sheila Callaghan, Jennifer Ann Goff

Wayne State University Dissertations

Conversations around women and comedy are few, and tend to swirl around the tired question of whether or not women are funny. Conclusions usually range from, "They're not" to a few token funny women whose exceptional wit proves the rule that, in fact, women are not funny. Or, if women are funny, they have a specific, feminine brand of humor that has an almost genetic set of differences from men's comedy. In this dissertation, rather than outlining an essentialized poetics of "women's comedy," I identify two prominent women writing comedy for the theatre today. Drawing on comic, dramatic and feminist …

A Jew From Nebraska: An Actors Attempt At Stand-Up Comedy, Jeffrey Nathan

Electronic Theses and Dissertations

Stand-up comedy has been a major influence on American culture and has given the "Everyman" the ability to laugh at ourselves. Stand-up comedians have been performing in nightclubs, bars, clubs, and, most importantly, theatres for the past 60 years. Stand-up comedy can take many forms: a monologue of entertaining incidents that form a story, or a string of one-liners, or a succession of jokes. This performance project and thesis is an examination and an attempt at the art form that we call stand-up comedy. It will answer the question of what is the best approach to writing comedy for an …

Laughing Together: Comedic Theatre As A Mechanism Of Survival During The Holocaust, Robin Knepp

Theses and Dissertations

This thesis aims to analyze the ways many Jewish victims of the Holocaust used comedic theatre to help them overcome their dire circumstances by exploring the high demand for comedic performance in both the ghettoes and concentration camps and analyzing the numerous comedic works that were penned amidst the terror and catastrophic loss surrounding the Jews at this time. The second portion delves into the therapeutic values of comedy and explores the ways laughing may have benefitted those who partook in comedic theatre events. The final chapter investigate whether or not laughter should still be used to help cope with …

Almost, Maine: A Director's Journey, Adam S. Crandall

Chancellor’s Honors Program Projects

No abstract provided.