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Full-Text Articles in Arts and Humanities
Psychology And The Theatre: A Qualitative Experiment In Actor Training, Megan Rebecca Brown
Psychology And The Theatre: A Qualitative Experiment In Actor Training, Megan Rebecca Brown
Theses and Dissertations
Psychology and theatre have a remarkable amount in common. In using the basic concepts and theories of psychology, actors can develop more concrete, logical approaches to characters. This thesis is a summation of the course I developed, "Psychology and the Theatre," which was an attempt to teach students introductory psychology and then experiment with translating those concepts to character analysis and stage performance. Students were taught eight units of psychology: Sensation, Perception, and Memory; Learning; Motivation and Emotion; Development; Freud and Psychodynamic Approaches to Personality; Adlerian Individual Psychology; Love and Social Cognition; and Psychological Disorders. Students were given reading quizzes …
A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison
A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison
Electronic Theses and Dissertations
I propose to study the role of Professor Muller in The Visit as my thesis role because of the challenge that it presents, not only as a translated work, but also because of the character shift for me - Professor Muller is a 72 year old man and has now been changed to a woman in her thirties. Professor Muller is the only person to stand up to the antagonist, Claire. The confrontation between Claire and Muller takes on a certain tone when it is between a woman and a man, and has a completely different outlook when it becomes …
Consuming Brazil: Afro Brazilian Religion As A Base For Actor Training, Corey Justin Roberts
Consuming Brazil: Afro Brazilian Religion As A Base For Actor Training, Corey Justin Roberts
Theses and Dissertations
Actor training, like the theatre in Brazil, has historically been a middle and upper class pursuit that followed European models, namely Stanislavski's system. Yet within Brazil there is a wealth of diverse cultures that are inherently theatrical and well suited for application in actor training. In this study I explore one such culture, the Afro Brazilian religion Umbanda. First, I examine its formation to illuminate how the religion itself performed (or served as a site for cultural interaction) throughout history. Then, I explore the practice of the religion both apart from and in relation to the theatre and Stanislavski's system. …