Arts and Humanities Commons^™

Are Unicorns Extinct In The Modern World?: Directing Tennessee Williams' The Glass Menagerie In 2017, Jon Cole Wimpee

Graduate Theses and Dissertations

What follows is a description of my process directing The Glass Menagerie by Tennessee Williams.

I’ve made an effort to track the journey I undertook starting from my earliest encounter with the play and the selection of the story as a thesis project. This document contains my initial script analysis, notes from design meeting collaborations, casting decisions, general research approaches, the rehearsal process, performance insights, and evaluations after completion. This document will also provide, intermittently, additional reflections on my critical attitudes towards this play and production, as well as self-assessments related to notable lessons, successes, failures, and discoveries pertinent to …

The Fault In Our Stars: A Director's Process On Life Is A Dream, Jeremiah Dean Albers

Graduate Theses and Dissertations

The following is a journal and reflection on my process as adaptor and director of the play Life is a Dream by Pedro Calderón de la Barca. It is equal parts self-evaluation and creative travelogue. The chapters include an Introduction, and The Production Process, and related appendices.

The Creation And Development Of Rise, Paul Randall Mcinnis

Graduate Theses and Dissertations

In “The Creation and Development of Rise”, I will explain how my play evolved from the initial writing process until the actual production of the show. The Department of Theatre allows students to experience the development of new work through the functions of the classroom. The goal is to simulate how a process would occur in the professional world. The purpose of this thesis is to explore the journey of creation within Rise. Rise tells the story of the community of St. Marie, Louisiana during Mardi Gras, 1972. The play highlights the city’s triumphs and downfalls, and it is set …

Wait, She's Alive?! Playing Characters Based On Real, Living People, Courtney Jensen

Graduate Theses and Dissertations

This thesis is for the performance of Sara Jane Moore in Assassins and for development, contributions, and performance of a new play written for our graduating class, A Hamlet: West of Why. This thesis also consists of my statement of artistry, documentation of artistic materials, and thesis related performance materials.

Beside Myself, Grant Hockenbrough

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.

St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison

Graduate Theses and Dissertations

This thesis consists of my statement of artistry/teaching philosophy, and documentation of artistic materials and thesis related performances.

Costume Design For Adam Rapp’S The Metal Children At The University Of Arkansas, Melissa Janet Hall

Graduate Theses and Dissertations

The following thesis explains the process utilized to create and implement the costume design for the production of The Metal Children produced at the University of Arkansas University Theatre in the Fall of 2016. Throughout this thesis I will illustrate how the costumes went from initial research ideas to sketches and colored renderings and finally to finished three-dimensional costumes. The design process detailed here includes an analysis of the play, inspiration collage, portrait gallery, research, renderings, production images and an evaluation of the overall process.

Takin' Care Of Business, Cody Levi Shelton

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.

The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead

Architecture Undergraduate Honors Theses

Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …

Waiting, Jennifer Nesbitt

Theatre Student Works

The play Waiting, looks at two couples who are presently waiting for a next big thing, so much that they are taking for granted what is happening in the present and this causes conflict; evermoreso, when the one you’re waiting for is not aware that you’re waiting.