Arts and Humanities Commons^™

A Virtuous Woman, Who Can Find?, Ashley Banker

Senior Honors Theses

The contemporary theatre world lacks prominent, virtuous female roles, which are needed to inspire both the actors who play them and the audience members who witness them to emulate their virtuous characteristics. Virtuous characters encourage society to strive for excellence, as well as provide excellent role models for the next generation of young women. From a Christian perspective, a virtuous female role strives to exemplify the traits in Proverbs 31: trustworthy, kind, industrious, selfless, strong, honorable, and God-fearing. The critically-acclaimed plays The Humans and Good People feature prominent female characters who do not exhibit these virtues. Although each play contains …

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Roman Women In Shakespeare And His Contemporaries, Domenico Lovascio

Late Tudor and Stuart Drama

This volume highlights the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries by exploring with an unprecedented thoroughness and variety of perspectives the diverse issues connected to female identities in the early modern English plays set in ancient Rome. Roman Women in Shakespeare and His Contemporaries puts Shakespeare’s Roman world in dialogue with a number of Roman plays by writers as diverse as Matthew Gwinne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathanael Richards. Thus, the collection seeks to challenge conventional wisdom about the plays under scrutiny by specifically focusing on their …

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640-1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …

The Directing Of Melanie Marnich's These Shining Lives, Kristin Fox

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis is submitted in partial fulfillment of Master of the Fine Arts degree in theatre. It is a detailed account of author Kristin N. Fox's directorial process in directing the play These Shining Lives in the fall of 2017. This thesis chronicles the director's process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans

Senior Theses and Projects

Taking a look at how William Shakespeare writes young women (particularly in Romeo and Juliet and Hamlet), Evans puts forth the idea that "love kills." There are no young and strong characters that are powerful, entirely as women, in the works of Shakespeare. To further put forth the idea Evans comments on a production of his own design, by the same name, which brings together the Romeo and Juliet and Hamlet.

Acting Virtuous: Chastity, Theatricality, And The Tragedie Of Mariam, Kent Lehnhof

English Faculty Books and Book Chapters

Given the interrelation of female chastity and female theatricality in early modem discourses, it comes as no surprise that both figure importantly in what is believed to be the first original English drama to be written by a woman. As Elizabeth Cary explores a Jewish queen 's sexual purity in The Tragedie of Mariam, she does so by concentrating on questions of performance. Cary's title character explicitly abjures theatricality even as she embraces chastity, creating a fissure in Renaissance discourses on women that threatens to swallow up the antifeminist idea that female chastity is always an act.

Quilters

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1992 performance of Quilters by Molly Newman and Barbara Damashek, with music and lyrics by Barbara Damashek.

Quilters is a musical of a mother and her six daughters on the American frontier. Through music and quilts they explore the life of a woman from childhood to death.

The Effect Of Gamma Rays On Man-In-The-Moon Marigolds

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1985 performance of The Effect of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel.

The Effect of Gamma Rays on Man-in-the-Moon Marigolds tells the story of a dysfunctional family of a single mother and two daughters and their struggles as the mother tries to keep her daughters from succeeding.

Somebody Stole My Stuff

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1984 performance of Somebody Stole My Stuff compiled and arranged by Dr. Jessica Rousselow.

Somebody Stole My Stuff is an original choreopoem, a dramatic expression that combines poetry, dance, music, and song. This original arrangement explores the identity of women in society, drawing from the concepts of feminist philosopher-theologian Mary Daly.

The Trojan Women

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1974 performance of The Trojan Women by Euripides.

The Trojan Women tells the story of the fates of four women after the fall of the city of Troy.

The Taming Of The Shrew

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1973 performance of The Taming of the Shrew by William Shakespeare.

The Taming of the Shrew follows the courtship and marriage of Petruchio and Katherina, a headstrong shrew and how Petruchio "tames" her.

Hedda Gabler

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1965 performance of Hebba Gabler by Henrik Ibsen.

Hebba Gabler is the story of newlywed Hedda Tesman and her reunion with a former lover and how she manipulates events to secure and create a life for herself with her husband.

The Trojan Women

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1960 performance of The Trojan Women by Euripides.

The Trojan Women tells the story of the fates of four women after the fall of the city of Troy.

The Taming Of The Shrew

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1927 performance of The Taming of the Shrew by William Shakespeare.

The Taming of the Shrew follows the courtship and marriage of Petruchio and Katherina, a headstrong shrew and how Petruchio "tames" her.