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Spanish and Portuguese Language and Literature

1983

Spiritual

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Juan Ramón Jiménez And Nietzsche, John P. Devlin Jan 1983

Juan Ramón Jiménez And Nietzsche, John P. Devlin

Studies in 20th & 21st Century Literature

The young Juan Ramón Jiménez shared the enthusiasm for the writings of Nietzsche prevalent among his contemporaries. More significant are the interest in and affinity with Nietzsche which persisted into the poet's maturity. Jiménez found in Nietzsche not only a man of ideas but a poet who claimed to be a potent spiritual force. Both writers held that the modern age could recover a sense of spiritual integrity through the will of the individual to live and interpret human existence as an aesthetic phenomenon. Nietzsche's views on the nature of art and the role of the artist helped to sustain …


An Inquiry Into Juan Ramon's Interest In Walter Pater, John C. Wilcox Jan 1983

An Inquiry Into Juan Ramon's Interest In Walter Pater, John C. Wilcox

Studies in 20th & 21st Century Literature

The evidence for Juan Ramon's interest in Pater, which began around 1920 and was still active twenty years later, is discussed in this paper. Pater's view of death and dying and his attitude toward the decadent persona are described in so far as they indicate the spiritual affinity that exists between him and Juan Ramón. Pater's aesthetic idealism, and the presence of similar ideals in Juan Ramon's own work are then examined. The second part of the paper concentrates on the great interest Juan Ramón took in Pater's evocation of the Mona Lisa. The potential impact of the aesthetic idealism …


The Literary Criticism And Memoirs Of Juan Ramón Jiménez, Allen W. Phillips Jan 1983

The Literary Criticism And Memoirs Of Juan Ramón Jiménez, Allen W. Phillips

Studies in 20th & 21st Century Literature

Equally as demanding of others as he was of himself, Juan Ramón Jiménez conceived of literary criticism as a serious and exacting task. The critic and the poet, standing side by side, are devoted to complementary activities of mutual enrichment. However fragmentary and partial the critical opinions of Juan Ramón may be (also outspoken and polemical in nature), they are invaluable as a personal historical and aesthetic guide to about fifty or sixty years of Hispanic literary development (1900-1960). Not to take them into account is to fail to recognize a highly important aspect of his total artistic personality. These …