Open Access. Powered by Scholars. Published by Universities.®
- Publication
- Publication Type
Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
Multilingual Nahuatl Children’S Literature: Giving Nahuatl A Voice In The Literary World, Tyler Covington
Multilingual Nahuatl Children’S Literature: Giving Nahuatl A Voice In The Literary World, Tyler Covington
Scholars Week
No abstract provided.
Folkloric Structure And Narrative Voice In Bècquer's Leyendas, Linda M. Willem
Folkloric Structure And Narrative Voice In Bècquer's Leyendas, Linda M. Willem
Linda M. Willem
The bulk of the critical study of Gustavo Bècquer's leyendas has dealt with the thematics, stylistics, or the folkloric motifs and origins of the individual works. Surprisingly little attention has been given to the structure or the narrative techniques used in the leyendas as a whole. The purpose of this study is to examine these structural and narrative aspects from a folkloric perspective in order to better appreciate Bècquer's blending of popular and literary art forms.
Narrative Voice, Point Of View, And Characterization In Graciliano Ramos's Vidas Sêcas, Linda M. Willem
Narrative Voice, Point Of View, And Characterization In Graciliano Ramos's Vidas Sêcas, Linda M. Willem
Linda M. Willem
Virtually all criticism concerning Vidas Sêcas includes a discussion of its multiple point of view format and its use of free indirect style. It is generally agreed that the shifting points of view provide a multifaceted view of reality, and that the free indirect style technique is a verisimilar method of presenting the thoughts of the inarticulate protagonists, as well as being a means of combining third person objectivity with first person subjectivity. These observations, however, show a tendency to treat narrative voice and point of view as a single phenomenon, thereby blurring the distinction between the two. Yet the …
Martí, Monologue, And The Metaphorical Dawn In Raúl De Cárdenas's, Gail Bulman
Martí, Monologue, And The Metaphorical Dawn In Raúl De Cárdenas's, Gail Bulman
Gail A. Bulman
No abstract provided.
Staging Exile: The Search For Self And Nation In Pedro Monge’S Theater, Gail Bulman
Staging Exile: The Search For Self And Nation In Pedro Monge’S Theater, Gail Bulman
Gail A. Bulman
No abstract provided.
Humor And National Catharsis In Roberto Cossa's El Saludador, Gail Bulman
Humor And National Catharsis In Roberto Cossa's El Saludador, Gail Bulman
Gail A. Bulman
No abstract provided.
Narrative Voice, Point Of View, And Characterization In Graciliano Ramos's Vidas Sêcas, Linda M. Willem
Narrative Voice, Point Of View, And Characterization In Graciliano Ramos's Vidas Sêcas, Linda M. Willem
Scholarship and Professional Work - LAS
Virtually all criticism concerning Vidas Sêcas includes a discussion of its multiple point of view format and its use of free indirect style. It is generally agreed that the shifting points of view provide a multifaceted view of reality, and that the free indirect style technique is a verisimilar method of presenting the thoughts of the inarticulate protagonists, as well as being a means of combining third person objectivity with first person subjectivity. These observations, however, show a tendency to treat narrative voice and point of view as a single phenomenon, thereby blurring the distinction between the two. Yet the …
Folkloric Structure And Narrative Voice In Bècquer's Leyendas, Linda M. Willem
Folkloric Structure And Narrative Voice In Bècquer's Leyendas, Linda M. Willem
Scholarship and Professional Work - LAS
The bulk of the critical study of Gustavo Bècquer's leyendas has dealt with the thematics, stylistics, or the folkloric motifs and origins of the individual works. Surprisingly little attention has been given to the structure or the narrative techniques used in the leyendas as a whole. The purpose of this study is to examine these structural and narrative aspects from a folkloric perspective in order to better appreciate Bècquer's blending of popular and literary art forms.