Arts and Humanities Commons^™

Isolation And Community In Short Story Collections By Z.Z. Packer, Jhumpa Lahiri, And Mary Gaitskill, Katy A. Howe

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Looking at short story collections by Z.Z. Packer, Jhumpa Lahiri, and Mary Gaitskill, this work explores the protagonists' development of identity in relation to others. Using relational psychoanalysis as a theoretical base, this thesis probes the tension between involvement in community and maintaining individuality.

Boffin's Books And Darwin's Finches: Victorian Cultures Of Collecting, Michael W. Hancock

Faculty Publications & Research

Although wealthy continental virtuosos had passionately and selectively accumulated a variety of natural and artificial objects from the Renaissance onwards, not until the nineteenth century did collecting become a conspicuous national pastime among all classes in Britain. As industry and empire made available many new and exotic goods for acquisition and display, the collection as a cultural form offered the Victorians a popular strategy of self-fashioning that was often represented in the literature of the age as a source of prestige and social legitimation. Through interdisciplinary readings of Victorian fiction, narrative nonfiction, and poetry, my study examines how textual representations …

Enok Mortensen And The Immigrant Experience: A View From The Lower Class, Rudolf Jensen

The Bridge

To begin with, I would like to cite several short quotations from Enok Mortensen's fiction to show his primary themes as well as his writing style.

...for jer Emigranter er der aldrig noget, der er saa godt som det var i Danmark...altid skal I sammenligne...1 [for you immigrants there is never anything as good as it was in Denmark...you always have to compare.]

...herover gik man med en underlig Uro i Sindet altid...bare et hundrede Dollars mere, eller Tusinde...eller Millionen...2 [over here in America you are always restless...only a hundred dollars more, or a thousand, or a million.]

...I det …

The Reception Of Danish Science Fiction In The United States, Kristine J. Anderson

The Bridge

Science fiction is a distinctly American genre. Although scholars have traced its origins back as far as the Latin writer Lucian of Samosata,1 it was Hugo Gernsback, a publisher of pulp magazines in the United States, who first gave the genre its name in the June 1929 issue of Wonder Stories. Gernsback had been serializing the scientific romances of such writers as Jules Verne and HG. Wells, emphasizing their treatment of technology and putting them forth as models for other budding writers to imitate. The magazines that Gernsback initiated became very popular, spawning more from other publishers. Groups of aficionados …

Karin Michaelis: Famous Danish Novelist And Humanitarian Rebel With A Cause, Merete Von Eyben

The Bridge

Consider the following question: Which Danish author was not only one of the most famous European authors in the early part of the twentieth century, but also one of the most widely read female ones; had all of her books translated into German and some of them into as many as 30 other languages; wrote the most notorious bestseller of that period; celebrated her 60th birthday at a banquet hosted by Austrian PEN in Vienna where she was awarded both an Austrian and a Czechoslovakian medal and honored by the German language papers as Europe's Conscience; had her books banned …

Quest And Place In Carl Hansen And Hans Christian Andersen, David S. Iversen

The Bridge

Carl Hansen and Hans Christian Andersen demonstrate a number of similar characteristics as authors. Both wrote their stories with their respective readership in mind. Both authors strove to establish character and setting with as few words as possible. Both knew their audiences well and made use of scenes, places, and experiences that their readers recognized. Each man was also driven to become an author, albeit for slightly different reasons. Hans Christian Andersen was, according to Sven H. Rossel, "single-minded in pursuit of art and recognition,"1 while Carl Hansen relates that "some five years before he emigrated to the United States …