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Full-Text Articles in Arts and Humanities

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer Oct 2007

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer

Independent Study Project (ISP) Collection

Cinematic representations of China’s ethnic minorities have been prominent in Chinese visual culture and collective memory since the 1950s. After the founding of the People’s Republic of China, the Chinese Communist Party led campaigns to classify China’s diverse range of ethnic groups. These social experiments inspired a number of documentary and narrative films about the ostensibly “exotic” and “colorful” non-Han peoples of China. The audience for these depictions of minorities in visual culture varied considerably. Some early documentaries fueled the rise of Han nationalism and political agendas within the Communist Party. Several narrative films had large audiences in mainstream Chinese …


Liberation Theology In The 21st Century: The Catholic Church, The Cpt, And Rural Movements In Southern Pará, Eleanor Sharp Oct 2007

Liberation Theology In The 21st Century: The Catholic Church, The Cpt, And Rural Movements In Southern Pará, Eleanor Sharp

Independent Study Project (ISP) Collection

This study explores the present-day manifestation of liberation theology in the south of Pará, Brazil. Liberation theology has been widely recognized as an important development in theology and Latin American history that helped spark social movements across South and Central America in the 1960s, 70s, and 80s. In the Brazilian Amazon, progressive Church workers (mainly Catholic) have been historically aligned with movements to protect and regain land rights for poor rural workers. Because these movements and organizations are the primary defenders of human rights in this part of Brazil, researching the changing role of religion in their work is important …


Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell Apr 2007

Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell

Independent Study Project (ISP) Collection

Augusto Boal, a Brazilian theater theorist and practitioner, transferred the means of production of theater to the oppressed. The oppressed, formally passive spectators filled by the elites’ images of the world, became liberated participants in the creation of dramatic action. Through “people’s theater,” Boal encouraged participants to critically analyze their relationships with the world and in the world through onstage action. EDISCA (Escola de Dança e Integração Social para Criança e Adolescente [School of Dance and Social Integration for Children and Adolescents]), located in Fortaleza, Brazil, introduces artistic languages to children and adolescents from socio-economically disadvantaged backgrounds. The youth then …