Arts and Humanities Commons^™

The Segregation Of Religion: How Othering Influences Society’S Narrative Understanding About The Symbiotic Relationship Among Racism, Sexism, And The Church, Ajanet Rountree

Biennial Conference: The Social Practice of Human Rights

The social dependence on the sociology of male spiritual leadership is substantial. This dependence accomplishes two ideas: neutralizes the feminine experience and obviates the anthropological implications of religion in the perpetuation of oppression and subjugation. When considering racism and sexism in religion, specifically as they relate to the Black Christian church, a dismissal of accusations and assertions occurs by yielding to the context of the social era. This paper seeks to further clarify the position of women, who pushed against the grain of the gendered and racialized spaces of their churches and communities, as they sought to establish human rights …

Risking Rescue: The Politics Of Precarity In Mediterranean Crossing, Eleanor Paynter

Biennial Conference: The Social Practice of Human Rights

Over the course of Europe’s recent refugee crisis, the role of Search and Rescue (SAR) has changed dramatically, first forming a critical part of (inter)national responses to the crisis, and now occupying an antagonistic position, as countries have closed their ports to NGO-operated vessels and the European Commission (EC) has ceased naval Search and Rescue operations. As a result, migrants crossing the Central Mediterranean face different and increased risks, including dying at sea, being held by European authorities, or being apprehended closer to Libya and sent to a Libyan detention camp.

In response to these shifts, groups that continue SAR …

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …