Arts and Humanities Commons^™

Pop And Indie: What Do They Mean And Why Does It Matter? Genre And Marketing From Within The Uk Music Scene, Maggie Malin

Faculty Curated Undergraduate Works

This paper aims to explore the evolution of “pop” and “indie” as words and as genres from within the London music scene, and to suggest the most appropriate or effective marketing techniques based on a standard understanding of each genre and its implications. For each of these genres, I establish two definitions: a semantic definition, based on the etymology of the word and the cultural implications of the genre’s origins and history, and a sonic definition, based on any overarching standards of how the genre’s music sounds. In defining each genre’s sound, its history and evolution are considered, as well …

Purposefully Feminizing Masculinity: Femininity In Male Rock And Metal Stars 1950s - 1980s, Maria Myer

The Compass

Traditionally in Western culture, men have had the privilege of promoting rebellion while women have had to be submissive and socially desirable. This expectation applied to all women but especially women in the rock ‘n’ roll scene. The overwhelming loudness of rock and the typical message of rebellion was connected to the power that men held within society.¹ The combination of loud and fast paced music with the electronic nature of the instruments is what sets rock ‘n’ roll and metal apart from other genres. The attention that rock ‘n’ roll music demands, both from the challenging nature of …

The Manifestation Of Intra Gender Oppression In Margaret Atwood’S The Handmaid’S Tale As Results From Intentional Patriarchal Power Structures, Aliyah Browning

The Compass

Margaret Atwood’s The Handmaid’s Tale has long been studied for its cautionary warnings about sexist ideologies that exist between men and women; seldom has it been analyzed for instances of intra gender oppression. Intra gender oppression, which this thesis seeks to define and highlight through the novel’s context, offers artificial forms of power to those in oppressed classes, enough to attract women themselves to participate in the indoctrination and policing of their own sex. This essay will highlight the ways in which Atwood’s dystopia parallels sexist beliefs held by societies past and present.

The Disappearance Of The Anti-Aesthetic; The Death Of Fashion, Scrap Evans

Capstone Showcase

In this essay, Scrap explores the connection between famous nihilist and postmodernist theorists, Dadaism, the concept of the anti-aesthetic, and today's high fashion. They provide a history of nihilism and follow its influence through time upon other social, political, and artistic movements. They then make direct connections between famous theorists' prose and famous fashion designers' collections. Finally, they analyze the current state of the fashion world and discuss their plan of action.

The Rise Of Femicide & Digital Activism, Hannah Micciolo

Faculty Curated Undergraduate Works

Women’s voices are often silenced as compared to men, especially when it comes to speaking out against the injustice women have faced. In Mexico, women had been enduring femicide for decades, oftentimes being silenced and overshadowed by the government’s narrative. In this new wave of activism called digital activism, people are now using social media to inform their audience about specific issues. Florence Pugh is one of these people. Pugh uses digital activism to spread awareness for Femicide in Mexico and encourage her audience to also speak up on the issue in a time where women’s voices are silenced.

Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff

Capstone Showcase

Finding the intersection between feminist theory and fandom theory, this paper analysis how women are regarded within a fandom community by their peers and how they are dismissed in a societal context. This paper specifically compares what is "accepted" by society about young women being a fan of a boy band versus an adult man as a fan of a sports team.

#Aminext: The Link Between European Colonization And Gender-Based Violence In Contemporary South Africa, Jenna Meredith Pagel

Capstone Showcase

Alarmingly, the female murder rate in South Africa is five times the global average (BBC News 2019). According to data from 2017 and 2018, a woman is murdered every four hours in South Africa (Wilkinson 2019). More than 30 women were killed by their spouses in August 2019, and at least 137 sexual offenses are committed per day in South Africa (Francke 2019).

For this thesis, and in order to understand why South Africa has some of the highest rates of violence against women in the world, I consult a number of scholars who conclude that the overall issue of …

Justifying Force: Police Procedurals And The Normalization Of Violence, Emily Brenner

Faculty Curated Undergraduate Works

Much like the CSI effect in forensic crime dramas, portrayals of law enforcement in crime media can potentially skew a viewer’s perception of what the profession actually entails. Many studies address the depiction of law enforcement in the media, but few solely examine the use of force by television police officers, and the impact this may have on frequent viewers. In an era of calls for accountability over growing attention towards police brutality and misconduct, the media as an influencer has the potential to play a role in how real-world instances of brutality are perceived, and more importantly, how it …

“We’Re Here, We’Re Queer, We Will Not Live In Fear!”: A Content Analysis Exploring Gender Disparity In The Public Reappropriation Of Lgbtq+ Slurs, Nicolas Hall

Capstone Showcase

As minorities, members of the LGBTQ+ community have faced many hardships throughout history, such as the use of language as a weapon against them. However, this research explores the public display of linguistic reappropriation of LGBTQ+ derogatory language and terms within the community. Throughout history, the use of slurs (e.g. faggot and dyke) and their social definitions have shifted from having no connection to the community to directly affected these individuals. These terms have been used to demonize members of the LGBTQ+ community for decades. Despite this reality, there are some scholars who suggest that these terms are being reappropriated, …

We Live In A Society: Violence And Radicalization In The Internet Manosphere, Emily Price

Capstone Showcase

In a world of incels, pick-up artists, and other Men’s Rights Activists, friction between the so-called Manosphere and contemporary feminist thought has led to documented violence with regards to American mass shootings. Starting with the violent outbursts of disaffected young men, I will work backwards to the point of contact between the man and the Manosphere. This piece seeks not to draw a connection between radical MRAs and violence – the mass shooters draw that connection themselves in their manifestos by outlining their dissatisfaction with society as it is, and particularly with what they perceive as a politically correct and …

“Tell Me, Bambi Or Yogi Ever Hunt You Back?” The Windigo Myth: A Metaphor For Imperialism And Mental Illness, Christine Carlough

Senior Capstone Theses

The Canadian indigenous myth of the windigo, originating from Algonquian-speaking tribes of the subarctic Northeast like Ojibwe and Cree, is a manifestation for a multitude of fears. This myth originated hundreds of years ago in order to explain the horror and lack of understanding of a mental illness, which would later be known as Windigo Psychosis. Windigo Psychosis is a culture-bound syndrome for an insatiable desire to consume human flesh. A culture-bound syndrome is recognizable and unique only within a specific society or culture, so in other words, Windigo Psychosis is specific to this area in Canada due to a …

Paese Di Accoglienza: Il Successo Di Un Modello Innovativo Di Accoglienza Dei Richiedenti Asilo In Italia, Isabela Arena Secanechia

Senior Capstone Theses

This work discusses Italy's migrant reception system including its flaws and their effects. Furthermore, this work explores an alternative, sustainable model of migrant reception created in Riace, Calabria, that has been successful in varying towns across Italy. Ultimately, this work argues that this system, which is beneficial to both Italians and incoming migrants — specifically asylum seekers — can and should be implemented nationally to counter the current flawed system.

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.

Revenge: Baltimore's Justice, Rachel M. Bellwoar

Faculty Curated Undergraduate Works

This essay explores the concept of revenge and whether or not seeking it out is ever legitimately justified. Using an example from HBO’s critically acclaimed television drama, The Wire, specific focus is placed on fan favorite character, Omar Little’s, violent search for vengeance following the season one murder of his boyfriend, Brandon. Some points considered are what consequences Brandon’s killers would have faced for their crimes if Omar hadn’t sought punishment on his own initiative, what the collateral damage is of such focused anger, and the impact of environment on what kind of retribution is desired.