Arts and Humanities Commons^™

A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …

A Modest Movie Migration: Digitizing And Providing Institutional Repository Access To A Small Archive Of Motion Picture Films At A Liberal Arts College, Benjamin A. R. Tucker

All Faculty Scholarship

What does a liberal arts college library do with its small archive of aging motion picture films without access to expensive digitization equipment or staff with specialized expertise? The same thing libraries always do: the best job possible for library users with the resources available. This column chronicles some aspects of working with a small film archive at a liberal arts college library, including reference materials, nitrate and acetate film, vendor digitization, and access via digital institutional repository.

Capitalist Childhood In Film: Modes Of Critique, Susan Ferguson

Journalism

This paper explores the latent political meanings of cinematic representations of capitalist childhood. The films it examines—three adaptations of the Oliver Twist story, Slumdog Millionnaire and a lesser-known Korean film, Treeless Mountain—have much in common: they feature abandoned or orphaned child characters who negotiate precarious existences in a rapacious crisis-ridden capitalist world. But the filmmakers’ evolving imaginings of childhood—from the Victorian vulnerable child to more postmodern understandings of children as agents in their own right—invite distinct political responses. While the Dickensian mode of critique rests problematically on an abstract idealized notion of childhood, attempts to update the image of childhood …

The Impact Of The Arts On Traveller Education; An Exploratory Study, Bernadette Fagan

Masters

The aim of this study was to explore the impact that the Arts, (that is the study of visual art, drama, music, dance, creative writing, film and video expression), have on the educational process within Irish Traveller Educational Centres whose students are widely recognised as the most highly marginalised group within Irish society (Ireland, 1995; MacGreil, 1996; Zappone, 2002). Art programmes appear to induce a ‘flow’ state, as identified by Csikszentmihalyi, that he defines as a state of optimal awareness in which the subject becomes lost in the action of the moment and results in a heightened integration and differentiation …

An Analysis Of White Masculinity In 2013, Edward Pare

Senior Honors Projects

An Analysis of American Masculinity

Edward Pare, History and Mathematics

Faculty Sponsor: Kyle Kusz, Kinesiology

American masculinity, more specifically white masculinity in America, is an ever-evolving subject. In the past two decades, cultural analysts have been writing once again about the idea of the existence of a crisis of white masculinity. This project takes a multi-method approach to analyze the social effects of mass mediated white masculinities on the process of how young white, middle class men construct and perform their white masculinities.

We live in a culture where citizens are inundated with media information and images, some of which …

Representations Of The African Diaspora In Three Films, Monica C. Melton

Global Honors Theses

This thesis will examine how the African diaspora has been depicted in filmic text, from directors representing distinctly different loci of the diaspora, in Brazil, Nigeria and the United States. Film is one of many modes of expression for a culture that is based on representations. “For many people, media representations maybe their first and often only source of information about, or reference for people outside of their social and cultural circles, “(James, etc., 354) The scope of this thesis will specifically examine diasporic representation in The Journey by Chineze Anyaene, a Nigerian director of ‘Nollywood’, Walter Salles’ “City of …

Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies

Dr Brian Yecies

After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …

Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies

Dr Brian Yecies

After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …

Preserving Film Preservation In The Digital Era, Becca Bastron

School of Information Student Research Journal

This paper explores the current controversies surrounding film preservation in the digital era. Questions address the benefits of new technologies and the potential sacrifices to a film's authenticity and designation as a valued historical, social, and cultural artifact. Issues examined include film's frail format, archives's financial and storage limitations, the concept of "the original film," and how current digitization methods affect each of these areas. This paper addresses the recent restorations of two particular films—Fritz Lang's Metropolis (1927) and Alfred Hitchcock's Vertigo (1958)—and concludes that digital technologies are not stable enough to replace traditional preservation methods, but they can greatly …

Audience Response To The Nature/Society Binary In Kurosawa’S Dersu Uzala: An Observational Online Ethnography, Laura L. Sharp

Theses and Dissertations--Geography

Geographers researching cinema have predominantly been interested in how geographic meaning is constructed and negotiated within film, but have been less productive in accounting for how these constructs are received by viewers. Using the method of observational online ethnography, I therefore investigate how fans in online reviews have interpreted the nature/society binary in the film Dersu Uzala. Working from a social constructionist view of nature I begin by deconstructing the binary as it appears in Dersu Uzala before proceeding to illustrate the way this constitutive absence is made up for by the visuality of the film’s landscapes and techniques of …

A Documentary Narrative: The African-American Male, Rebekah Rifareal

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

I went to New York with a couple of friends of mine. We’re all artists. It was a trip through the Kinetic Imaging department. We’re in New York and we’re these black males – we felt free to do anything we wanted. We recorded ourselves spitting poetry or dancing. The idea kind of came to me: You know, I want to do a film that has that freedom, that has that feeling of not caring about a specific plot line, but that shows the aspects of who we are out there in public performance. So when I came back to …

Collecting Stardust: Matter, Memory, And Trauma In Patricio Guzman's Nostalgia For The Light, Nora Szegvari

USF Tampa Graduate Theses and Dissertations

This work situates Patricio Guzmàn's Nostalgia for the Light in the broader field of essay documentary film and unveils it as a locus of discursive resistance and the generative crux of diverse conventionally isolated academic dialogues. In doing so, it addresses the challenging and controversial questions of historical meaning-making, remembrance and oblivion, melancholia and mourning. My thesis also endeavors to detect the dynamic and anxiety-inducing threshold between singularity and collectivity, and the human and the cosmic. I lay the historically unprecedented common ground for trauma theory and the essayistic comportment and argue that bearing the clash of time planes, paradoxicality, …