Arts and Humanities Commons^™

The Sound Of The Suburbs: A Case Study Of Three Garage Bands In San Jose, California During The 1960s, Paul Kauppila

Paul Kauppila

The Chocolate Watchband, the Count Five, and the Syndicate of Sound were three garage bands from San Jose, California. During the 1960s, before the high‐tech economy transformed the Santa Clara Valley into Silicon Valley, San Jose was a culturally sleepy suburb. This paper will examine these three groups in the context of 1960s culture and society and will compare and contrast their image and musical output with that of the better‐known “hippie” music scene originating an hour north in San Francisco.

The Sound Of The Suburbs: A Case Study Of Three Garage Bands In San Jose, California During The 1960s, Paul Kauppila

Faculty and Staff Publications

The Chocolate Watchband, the Count Five, and the Syndicate of Sound were three garage bands from San Jose, California. During the 1960s, before the high‐tech economy transformed the Santa Clara Valley into Silicon Valley, San Jose was a culturally sleepy suburb. This paper will examine these three groups in the context of 1960s culture and society and will compare and contrast their image and musical output with that of the better‐known “hippie” music scene originating an hour north in San Francisco.

From Memphis To Kingston: An Investigation Into The Origin Of Jamaican Ska, Paul Kauppila

Paul Kauppila

The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat, as found in most US pop music. A study is presented that critically examines proposed theories to explain this tendency through historical and musicological analysis and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American pop music influences in its earliest incarnation but was later deliberately emphasized in an attempt to create a unique new musical style.

From Memphis To Kingston: An Investigation Into The Origin Of Jamaican Ska, Paul Kauppila

Faculty and Staff Publications

The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat, as found in most US pop music. A study is presented that critically examines proposed theories to explain this tendency through historical and musicological analysis and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American pop music influences in its earliest incarnation but was later deliberately emphasized in an attempt to create a unique new musical style.

Political Fallout: Terrorism And Our National Political Conversation, Mark Caleb Smith

Mark Caleb Smith, Ph.D.

Dr. Smith explores the political and religious ramifications of September 11, 2001.

Fur Into Feathers: Manly Hardy And His Collection Of North American Birds, William Krohn, Marilyn Massaro

William B. Krohn