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Reflections On The Positioning, Politics, And Pedagogy Of A Language Education/Research Writing Subject For International Hdr Students, Alisa J. Percy, Emily Rose Purser Jan 2014

Reflections On The Positioning, Politics, And Pedagogy Of A Language Education/Research Writing Subject For International Hdr Students, Alisa J. Percy, Emily Rose Purser

Senior Deputy Vice-Chancellor and Deputy Vice-Chancellor (Education) - Papers

This presentation reflects on the positioning, politics, and pedagogy of a centrally delivered language education/research writing subject for international HDR students at the University of Wollongong,


Teaching Academic Writing At The University Of Wollongong, Emily Rose Purser Jan 2012

Teaching Academic Writing At The University Of Wollongong, Emily Rose Purser

Senior Deputy Vice-Chancellor and Deputy Vice-Chancellor (Education) - Papers

Initiatives for the development of literacy at the University of Wollongong are growing within an Australian national commitment to increase overall tertiary enrollment, provide access to students from less-advantaged groups, and enroll more international students. While this essay describes successful programs within the Academic Services Division at Wollongong built to support student literacy, especially academic writing, it primarily emphasizes the work of a problemsolving task force on English language proficiency aimed at building consensus for a collaborative, cross-disciplinary paradigm of literacy growth that moves away from the traditional idea of separable services. The essay profiles a new initiative in the …


Writing White, Writing Black, And Events At Canoe Rivulet, Catherine Mckinnon Jan 2012

Writing White, Writing Black, And Events At Canoe Rivulet, Catherine Mckinnon

Faculty of Creative Arts - Papers (Archive)

How a community imagines the past contributes to the shaping of its present culture; influences that community's vision for the future. Yet much about the past can be difficult to access, as it can be lost or hidden. Therefore, when retelling first contact stories, especially when the documentary information is limited to a colonial perspective, how might a writer approach fictionalizing historical Indigenous figures? 'Will Martin' (2011), a tale written as part of my practice-led PhD, is a fictional retelling of the eighteenth century sailing trip, taken along the New South Wales coast, by explorers Matthew Flinders, George Bass, and …


Detention, Displacement And Dissent In Recent Australian Life Writing, Michael R. Jacklin Jan 2011

Detention, Displacement And Dissent In Recent Australian Life Writing, Michael R. Jacklin

Faculty of Arts - Papers (Archive)

Narratives of persecution, imprisonment, displacement and exile have been a fundamental aspect of Australian literature: from the convict narratives of the eighteenth and nineteenth centuries, to writing by refugees and migrants to Australia following World War II, to the narratives of those displaced by more recent conflicts. This paper will focus on two texts published in Australia in the past few years which deal with experiences of persecution and displacement from Afghanistan. Mahboba's Promise (2005) and The Rugmaker of Mazar-e- Sharif (2008) are texts that have to some extent bypassed the quarantining that Gillian Whitlock has argued works to locate …


Southeast Asian Writing In Australia: The Case Of Vietnamese Writing, Michael Jacklin Jan 2010

Southeast Asian Writing In Australia: The Case Of Vietnamese Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Literatures in languages other than English produced by migrant or diasporic communities pose intriguing questions for both matters of cultural sustainability and national literatures. Dan Duffy, in his article on Vietnamese-Canadian author Thuong Vuong-Riddick’s Two Shores / Deux Rives, begins by describing a visit to the Boston Public Library where he chances upon a surprisingly substantial collection of Vietnamese-language publications. Among the twenty shelves of books, he finds not only fiction published in Vietnam before 1975, American editions of post-1975 Vietnamese literature and translations of American novels into Vietnamese, but also a large number of creative works in Vietnamese both …


"Desde Australia Para Todo El Mundo Hispano": Australia’S Spanish-Language Magazines And Latin American/Australian Writing, Michael Jacklin Jan 2010

"Desde Australia Para Todo El Mundo Hispano": Australia’S Spanish-Language Magazines And Latin American/Australian Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Migrants from Latin America have had a literary presence in Australia since the 1970s and their work forms an important part of Australia's multilingual literature. From their participation in literary competitions organized through cultural groups such as the Spanish Club in Sydney or the Uruguayan Club in Melbourne, to anthologies of community writing produced through the 1980s and '90s, to the publication of numerous volumes of poetry and short stories, to their novels, plays, biographies and autobiographies, Latin American writers in Australia have developed and sustained a significant body of literature over more than three decades. The majority of this …


Reconfiguring "Asian Australian" Writing: Australia, India And Inez Baranay, Paul Sharrad Jan 2010

Reconfiguring "Asian Australian" Writing: Australia, India And Inez Baranay, Paul Sharrad

Faculty of Arts - Papers (Archive)

In the fifty or so years of building recognition for first "migrant" and then "multicultural" writing in Australia, it is a fair generalisation to say that visible emphasis shifted from European to East and Southeast Asian voices without much mention of South Asians. Some might attribute this to an exclusionary domination of the label "Asian Australian" by one ethnic group under the influence perhaps of critical debates in the US, or they might regard such a label, whatever it means, as a neo-colonial homogenising of ethnicities and cultural differences by ongoing white hegemony (Rizvi). Without playing a blame game, one …


Travelling Partners: Using Literary Studies To Support Creative Writing About Real Spaces, Joshua M. Lobb Jan 2010

Travelling Partners: Using Literary Studies To Support Creative Writing About Real Spaces, Joshua M. Lobb

Faculty of Creative Arts - Papers (Archive)

This paper investigates the ways in which literary studies and critical theory can be used to provide writers with productive creative models for representing ‘real spaces’: that is, the incorporation of real locations within a creative work. Many new creative writing students begin with the premise ‘write what you know’, but often overlook the implications of including the names of real places in their work—whether it be Paris, Paddington Station or Prahran. The paper argues that the examination of existing creative work allows writers to understand the practical and the political ramifications of this activity. The paper will outline the …


Originality, Imitaton And Plagiarism: Teaching Writing In The Digital Age: Book Review, Ruth Walker Jan 2009

Originality, Imitaton And Plagiarism: Teaching Writing In The Digital Age: Book Review, Ruth Walker

Senior Deputy Vice-Chancellor and Deputy Vice-Chancellor (Education) - Papers

At one stage in the anthology Originality, imitation and plagiarism: Teaching writing in the digital age, it is pointed out that students 'worry' about plagiarism in the same way that they worry about engaging in file-sharing or illegally downloading software. That is - they don't. The attendant risks of getting caught or becoming vulnerable to a computer virus are recognised as the potential bad outcomes, but have become steadily normalised. This analogy, with its viral undertones, nicely expresses the quandary at the heart of a discussion of students' writing in the digital age, where the expanded possibilities of online research …


Reading For Peace? Literature As Activism – An Investigation Into New Literary Ethics And The Novel, Shady E. Cosgrove Jan 2008

Reading For Peace? Literature As Activism – An Investigation Into New Literary Ethics And The Novel, Shady E. Cosgrove

Faculty of Creative Arts - Papers (Archive)

Literary ethicists like Dorothy J Hale and narratologists like James Phelan have argued that the reading process makes literary novels worthy of ethical investigation. That is, it’s not just a book’s content – which may debate norms and values – but the process of reading that inspires the reader to consider Other points of view. This alterity, new ethicists argue, can lead to increased empathy and thus more thoughtful decision-making within the ‘actual’ world. In fact, Hale (2007: 189) says empathetic literary training is a ‘pre-condition for positive social change’. This may work well theoretically, but what practical issues does …


Making Paper Talk: Writing Indigenous Oral Life Narratives, Michael Jacklin Jan 2008

Making Paper Talk: Writing Indigenous Oral Life Narratives, Michael Jacklin

Faculty of Arts - Papers (Archive)

How spoken words arc written is a corc concern in collaborative Indigenous life writing. Especially imporram, as Kimberly Blaeser notes in the citation above, are the efforts to present Indigenous narratives in a visual form that will facilitate their fe-speaking. Mindful of this goal, my argument will concentrate on (he panicular dilemma of presenting Indigenous narratives in paragraph form or formatting them in an arrangement resembling poetic lin es. While aware that this is bur one of many considerations in the process of transforming speech to writing, I argue that in a number of Indigenous li fe-writing publications it is …


Consultation And Critique: Implementing Cultural Protocols In The Reading Of Collaborative Indigenous Life Writing, Michael Jacklin Jan 2008

Consultation And Critique: Implementing Cultural Protocols In The Reading Of Collaborative Indigenous Life Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Anyone working towards the publication of indigenous life narratives is aware of the significance of cultural protocols to both the narrative exchange and the writing and editing process. In the telling and the writing of an indigenous life story, protocols determining what gets told – where, when, to whom, or for whom – influence and sometimes complicate decisions regarding the final published narrative. This is the case whether the subject of the life narrative is the writer or whether the narrative is mediated by others. Indigenous protocols – including authority and moral rights over indigenous narratives and culture, kinship rights …


A Comparison Of Japanese Persuasive Writing: The Writings Of Japanese As Foreign Language Students In The Nsw Hsc Examination And Japanese Native Speaking Students In High School In Japan, Y. Oe Jan 2007

A Comparison Of Japanese Persuasive Writing: The Writings Of Japanese As Foreign Language Students In The Nsw Hsc Examination And Japanese Native Speaking Students In High School In Japan, Y. Oe

Faculty of Arts - Papers (Archive)

This study uses a functional model of language to examine the 2005 Japanese HSC examination persuasive essays to investigate the language features of the exposition genre, which students produce during the examination. The exam scripts are compared to the essays which were written by Japanese native speaking (JNS) high school students answering the same question. This study seeks to answer two questions: “How successful Japanese persuasive essays are constructed in the HSC Japanese Examination?”, and “To what extent a successful HSC exam model matches the native speaker equivalent?”. The methodology used in this study is Generic Structure Potential (GSP) (Hasan, …


The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean Jan 2006

The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean

Faculty of Creative Arts - Papers (Archive)

The Australian artworld has never looked better. There are more art journals, exhibition spaces and art graduates than ever. Even globalisation has been a boon to local artists, especially indigenous ones. But there is a catch. There may be plenty of interesting artists from Australia but few aspire to make Australian art. If Rex Butler is right, the desire now is for 'unAustralian' art.


Spitting The Dummy: Collaborative Life Writing And Ventriloquism, Michael Jacklin Jan 2005

Spitting The Dummy: Collaborative Life Writing And Ventriloquism, Michael Jacklin

Faculty of Arts - Papers (Archive)

This article sets out to 'trace the deployment of the metaphor of ventriloquism in collaborative life writing, highlight the frequency with which it is utilised, and to suggest that its application in critical reading may have outrun its usefulness' (p69). It engages with life writing theorists including G. Thomas Couser and Paul John Eakin, and includes comment on Tim Rowse's reading of the Australian Aboriginal life writing text, I, the Aboriginal.


Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin Jan 2005

Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Examines 'indigenous mourning protocols, as they are negotiated in life writing texts and in all manner of public discourse in Australia...' (p.190)


Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin Jan 2004

Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin

Faculty of Arts - Papers (Archive)

The publication of collaborative Indigenous life writing places both the text and its production under public scrutiny. The same is true for the criticism of life writing. For each, publication has consequences. Taking as its starting point the recent critical concern for harm occasioned in life writing, this article argues that in the reading of collaborative Indigenous life writing, injury may eventuate from the commentary itself .... With particular regard to the collaborative texts Ingelba and the Five Black Matriarchs and [the Canadian work] Stolen Life: The Journey of a Cree Woman, this article argues that literary criticism can benefit …


Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin Jan 2002

Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Collaboration is marked by indeterminacy. It is, by nature, intermediary, interposing, intervening. In Australia, collaboration between Aboriginal and invader/settler subjects in the unfolding of colonial engagement is a topic that has received limited scholarly attention. Some studies have dealt with native police and Black trackers; others have examined local negotiations of power and discourse; but the only broad survey of collaboration is Henry Reynolds's With the White People (1990). In this work Reynolds traces the varied modes of collaboration existing between the Aborigines and the European colonists of Australia from first contact and early settlement through ro the First World …